Sunday, June 13, 2010

Konkani Cholchitram - Pustok boroupi: Isidore Dantas


The author:
Isidore Dantas


Recipient of Queeny Publications Al Jerry Braganza Award 2008 for valuable work on Konkani films


Recipient of Dalgado Konkani Akademi's Fr Freddy da Costa's Award for Journalism 2009
Ami Goa-world.com-Team, tumchea pustokak borem yex anvddetat.

Ulysses Menezes & Gaspar Almeida
Lino B. Dourado ani sangati
www.goa-world.com

A THANK YOU NOTE

A THANK YOU NOTE


I most sincerely thank all who shared in our sorrows. All my friends, who were close to me, who gave me courage and strength to bear the loss of my beloved mother. My family and I specially thank all our relatives, neighbours, the parish priest of Verna Church and all the parishioners, the tiatrist faternity as well as the Kuwait-Goa Tiatristanchi Sonvstha (KGTS-Kuwait), Goan Cultural Centre-Kuwait, and all those who send condolence messages, floral wreaths, and for your prayers.

May Almighty God shower His Choicest Blessings and Graces upon You all.
Tumkam soglleank chod ani chod Dev Borem korum.


Francis De Verna
Francisji@yahoo.com

13-06-2010

Friday, June 11, 2010

A large number of Mickky Pacheco’s supporters assemble behind his residence at Betalbatim on Thursday 10 June 2010

The Curious Case of Nadia Torrado
http://www.oheraldo.in/newscategory/Opinions/14

Is Nadia’s unfortunate suicide a reflection of what society in Goa is fast turning into, asks Dr OSCAR REBELLO

Goa is presently witness to the latest blockbuster running houseful in our little state: ‘The mysterious suicide of Nadia Torrado’. Admit it, all of us are riveted by the nuggets of intrigue, deception, histrionics, tears and suspense flung at us by the participants in this morbid soap opera.
Whatever the conjectures and innuendo, we can be certain of four salient, indisputable facts:
1. Nadia Torrado was desperate enough to commit suicide. The ‘accidental’ ingestion of Ratol paste theory has no medical basis whatsoever. You can’t die so dramatically if you simply brush your teeth with Ratol paste.
2. Over 99 per cent of Goans are relieved (even secretly chuckling) to see the back of a nasty work of art who colourfully dominated South Goa politics. Whether he abetted the suicide or not investigations will tell (or not tell), but just to see the boorish Mickky Pacheco ejected from his ‘kodel’ is, for most of us, ‘just deserts’.
3. The Government of Goa headed by Digambar Kamat has not let the entire police force crash land on Mickky out of any altruistic sense of justice and fair play. Nailing Mickky and kicking him out makes ample sense to the Congress in South Goa. And Mickky, predictably and idiotically enough, has consistently placed his head on the chopping block. Don’t for one moment think that the sun is going to rise in the west and that the government will now go after all the bad guys. ‘Our’ bad guys will be protected ‘Not our’ bad guys will be eliminated, until the next coalition government.
And this last indisputable fact:
4. A young girl; desperate, wretched and confused with life’s choices she made, took her own life. Suicide is a horrible, horrible tragedy. It isn’t and can never be a synonym for a media circus, character assassination or petty gossip. It is an insurmountable tragedy for the victim and certainly for the family she leaves behind.
The first three facts will be handled by the courts, the activists, the media and the investigating authorities (if politicians don’t wade in to interfere). As a society, our complete focus must be on the last fact: Is Nadia’s unfortunate suicide a reflection of what our society in Goa is fast turning into?
Speak to any psychiatrist and (s)he will tell you of the alarming rise in suicide attempts in Goa – both successful and unsuccessful – over the last decade and half. This should not be a surprising statistic, considering the potent cocktails brewed in Goa that makes it a fertile ground for young people to snuff out their lives prematurely.



A fast life; a quest for thrills rather than enduring happiness; glum economic prospects; examination pressures; broken families; the omnipresent scourge of drugs and alcohol; our morality and values plunging lower than Lady Gaga’s necklines; the python-like grip of corruption on our system; the relentless, savage rape of Goa… It’s a wonder that any of us actually want to remain alive in this environment.
And trust me, it will get worse! With our mindless and seductive embrace of today’s cowboy capitalism, the incidence of rape, crime, murder, shootouts, extortion and kidnapping is set to become endemic. With our blind acceptance of American-style capitalism-on-steroids also come all the social ills that afflict that continent. Brace yourself.
Most near-suicide and fatal cases we handle are of youngsters out to prove a point. A silly argument with a parent, sibling or friend, and pronto, the youngster swallows a fistful of tablets, or Dettol, or whatever (s)he can lay his or her hands on, and is rushed into the Emergency Room.
Most poisons can be reasonably well handled. The availability of modern antidotes and dialysis facilities means we can save most lives, if the patient is brought in early. The big problem is when there is a delay in seeking medical attention, owing to social stigma or, worse, from the fear of the bizarre law that makes attempting suicide a crime.
But by far the deadliest and surest killer poison is Ratol paste. Once ingested and absorbed, the fatality rate is near 100 per cent, even with the best facilities that can run up a bill of over Rs40 lakh. It is such a deceptive poison because the patient usually seems well for the first 24 to 48 hours, but once the jaundice sets in, it mostly results in sure death within seven agonising days.
The fear, trauma and agony writ large in the victim’s eyes is truly heart-wrenching. They may have swallowed the poison to jolt a boyfriend, girlfriend, spouse or parent, but now they don’t want to die. But, whatever we doctors do, we can almost never get them back.
I therefore second the suggestion put forth by the feisty Auda Viegas that there must be a ban or at least restricted sale of Ratol paste. It’s a horrible, horrible killer. Alternatively, we parents need to keep Ratol paste under lock and key, if we don’t want our kids / staff / significant other to end up as victims of its lethal accuracy.
Also, as suggested by Celina Pereira of New York in a touching post on Goanet, we need hotlines for potential victims on the verge of suicide. Sometimes, just a simple heartwarming talk can break the messy cobwebs in the mind, and serve as comforting chicken soup for the soul.
In sum then, folks, once the heat, dust and storm of this story fade out, we will all be back to base. The media will go chasing another scoop and we, the audience, will be salivating for the next soap opera. The politicians will move on to playing the next ‘elimination round’. The judiciary / cops will ponder over the case for the next 75 years. The family will live a life of guilt and remorse forever. And Mickey will probably return to power with a thumping majority in the next poll, and all will be forgiven.
Sadly, for a desolate, forlorn, tragic young lass, all of 27 years old, fighting the demons of her own awful choices – a girl they called Nadia Torrado – there will be no comebacks.
PS: One thing that does not make sense is the charge of culpable homicide on Mickky & Co. Why would a man who tried to bump off his girlfriend spend over Rs45 lakh, doing everything possible to save her life? It sounds completely incongruous. Suicide, yes. Murder? My, my, that’s rich!

The Ubiquitous World Cup

From today the grandest spectacle on earth will unfold before our eyes – the Copa del Monde. Agitations will be put on hold, attendance at offices will drop, beer company execs will have smiles on their faces and passionate arguments in Goa will abound. I love this Carnival every four years.
It is said that the whole of Argentina is praying that their team loses the World Cup this time. Yes, loses…! That’s because if they win, an unfit, enormously corpulent and hideous Diego Maradona has threatened to run on the streets of Buenos Aires stark naked!


http://oheraldo.in/newsimages/10giluh1.jpg

As published by Herald / 11 June 2010


About the writer, Dr. Oscar Rebello
http://www.jeetegakaun.in/cnn_ibn_indian_of_the_year_2007/public_service/dr_oscar_rebello/
He was one of the nominees of CNN - IBN Indian of The Year 2007 in the Public Service category.
http://www.goavidhansabha.gov.in/profile.php?memberid=15

Thursday, June 10, 2010

Konknni xik! Konknni uloi!! Konknni boroi!!!

Konknni xik! Konknni uloi!! Konknni boroi!!!


Amche tiatrist aple tiatr Romi Konknnin boroitat. Choddxe zannank goddiek Konknnintlean mullavem xikxonn mellunk na. Ponn goddiek Romi Konknnintlim disallim,satollim, mhoinnealim, masikam ani pustokam vachun amche tiatristamnim Konknni xikun tiatr boroile. Adim tem sobtalem.

Atam xikxonn vaddlam ani xiklole tiatrist adlech porim boroitat tem polleun vichitr dista. Tanchea tiatrachea nanvantuch poili chuk asta. Atam nennarponnacho kall urunk nam. Az Konknni borounk kitlim sompe-ponnam asat. Kitlinch pustokam asat. Amkam kosli-i oddchonn aslear Konknniche zannkar asat tancho adar magum yeta. Dor disa thoddim tori Konknni utram ani tancho orth xikun borpavoll sudarum yeta. Romi Konknni nove pod'dotin boroun tiatranchi borpavoll unchlea dorjear pavchi, hech Gõyche Tiatr Akademiche anvdde. Tannim Somaradis, Junache 7ver Ponnje TAG-achea 'Conference Hall-ant' Konknni sarke ritin borounk proyotn korum-ia' nanvachem xibir ghoddun haddlem.

Zaitea zannamni tantunt vantto ghetlo tem polleun khuxalkay bhogli. Hem xibir TAG hachea odheokx Xri Tomazinho Cardozan choloilem. Konknni borounk vo sudarunk sodtat, tannim chukoinastana oslea xibiramnim vantto ghetlear chodd borem.
Vavrak rojea pasun ghalun, oslea xibirak ailear ghoddiek faideachem zaunk xokta. Sogllea tiatristamnim ani Konknni xikunk sodtoleamnim Romi lipint Konknni borounk xikchem. Tiatranchi borpavoll sudraunk chodd goroz asa.



PRI NEVEL L.S. GRACIAS,
PONNJE
www.v-ixtt.com

Wednesday, June 9, 2010

In the socio-political koblem .... - By Miguel Braganza

In the socio-political koblem ....

by Miguel Braganza


Dears,

They say that Goans have a "CRAB MENTALITY". It seems to work in more ways than one.

Crabs are caught in an OPEN KOBLEM. At the middle of the Koblem they tie some "Bhannem" or the rubbery offal of some ruminating animal like bull, goat or sheep. the offal is worthless as food for the crab, still it keeps chewing and biting the offal. The Manxekar lifts the koblem at leisure. Lo and behold! The crabs are still busy chewing the offal. The Manxekar either sells the crabs or makes some Xec-xec for dinner and washes it down with some fiery feni.

The politicians and other vested interests have been doing the same since the Opinion Poll in 1966-67, post-Opinion Poll elections in March, 1967, Konkani Porjecho Avaz 1986-87, Tourism Master Plan, Medium of Instruction 1992-93, Anti-Nylon 6.6, SEZ, Konkan Railway Realignment, Meta Strips, Regional Plan 2011 [in 2004 and 2006, one BJP the other Congress], raid on the Panaji Police Station, Art College rape, Miramar Sex Scandal, Scarlet Keeling, German Girl, German Mother, Lucky Farmhouse, Atalla, Dudu, Nadia .......

The dead crabs include Dr. Jack Sequeira, Erasmo Sequeira, G.Y. Bhandare, Floriano Vaz, Nilesh Naik, Satish Rivonkar, Martino Fernandes and countless others ... all inextricably caught in an open net. There are others still in the koblem. Like bacteria in the St. Inez creek aka nalla they are TNTC ...Too Numerous To Count ...and one cannot logically reach a MPN ... Most Probable Number. There are all types of ex-MLAs, ex-ZPs, ex-Sarpanchas and plenty of "current" folks and wannabe leaders.

Ask veterans like Shashikala Kakodkar, Nirmala Sawant, Tomazinho Cardoz, Somnath Zuarkar, Ravi Naik, Dr. Wilfred de Souza, Manohar Parrikar, Matanhy Saldanha, Dr. Wilfred Misquita, a host of tiatrists, social activists [I will not name those in the last two groups as they are very sensitive to criticism ... like crabs with thin shells due to calcium deficient waters or genetic make up] and others how it feels to be hauled up in the socio-political koblem ....and released because there is no meat in them on a full moon night ...... till they are unfortunate to be caught "on a dark and stormy night" as Remo Fernandes once wrote about Cecil Pinto. It just temporarily boosts the circulation of newspapers and tabloids and TRP of the visual media. That's all. Does anyone know or care to find out who killed a policeman in the anti-Meta Strips agitation? does anyone know or care how many persons are fighting their lonely legal battles in courts for rioting in which they were not even involved during the Meta Strips agitation. does anyone know the persons alleged to be involved in the "Unnatural death" death of Scarlet Keeling? Does anyone know what happened to the Police-women who were injured in the 19 February, 2008, raid on the Panaji Police Station? Where is the S.P. Neeraj Thakur, Dy S.P. Naik and P.I. Naik who exposed the hapless IRB women without even a condom for protection ...leave alone riot gear and protective jackets ... while they hid inside the Police Station during the raid by "unknown persons" who infiltrated the ranks of the affected persons led by some very well known persons. The answers are very educative.

Nadia's [May the good Lord give rest to her soul] photos are not half as arousing as Scarlet's. What's worse, they are in Black & White. She is 'local' or 'desi' girl ...not a firang or English spirit or even with a firang mother or boyfriend .... so the interest will die as soon as the monsoon rains change our focus to overflowing drains, flooded roads ....and "getting wet on the outside". At that point of time, even a hot cup of tea will be more interesting than the Nadia story. By the time the Goa Assembly starts its monsoon session, half of Goa will have trouble even recalling Nadia's name. C'est la vie, n'est pas?

The Portuguese said it right:
Asim sao coisas do Mundo, quem nao sabe nadar bato os cul...os o fundo!

One swims with the tide or bangs on the riverbed!

Forget all that jazz and come back to what matters: Participatory Planning Process, District Planning Committees, powers to Panchayats as per the Constitution by which every minister is sworn in to office, stop hill cutting and land filling under Section 17-A of the Goa TCP Act, 1974 [as amended in 1997], withdraw amendments to Section 16 and 16A [inserted in 2008 for bypass to PPP... ani mor .... projects] ....and find out where the pipeline from the Tillari Irrigation Project [TIP of the iceberg?] is headed from Green Park hotel onwards ... towards the beach front.

Someone asked the question if our Minister for Education is educated enough to be the Minister. I asked him what was the educational qualification of the man who set up Goa's first degree college ever? This pseudo educationist did not even know that the Dhempe College was established by the Goa Education Society headed by Dayanand Bandodkar, our first Chilef Minister. One does not have to be smart to ask questions. Kids ask the darnedest questions! Adults have to look for the answers.

We are not "bleddy Goans" .... for crabs have no blood.

Mog asundi

Miguel

10/6/2010


REPORT A VIOLATION
SAVE GOA
http://savegoa.com/support_us/report_a_violation/

Monday, June 7, 2010

Tourism Minister of Goa shown dancing on grave



Cover Story, Lead Story in GOAN OBSERVER of June 6, 2010
By Rajan Narayan

Nadia Torrado was a tragedy waiting to happen. Because Mickky Pacheco has made a habit of luring and leaving women.


----- Do Goans approve of such a cover page which shows utter disregard to the deceased?

Workshop for Tiatrists held

Workshop for Tiatists held

Tiatr Academy of Goa (TAG) organized a special workshop exclusively for tiatrists on writing Konkani in Roman script correctly. The workshop was held yesterday 07th June 2010 at 10:00 am at TAG’s Conference Hall, Campal Trade Centre, Panjim. In all 42 tiatr artistes attended the workshop.

Shri. Tomazinho Cardozo, President of Tiatr Academy of Goa, guided the participants. It is a fact that tiatr artistes did not have any formal studies of Konkani in Roman script and hence they write in different ways. Shri. Cardozo put before the participants basics of writing correct Konkani in Roman script.

Correct formation of sentences, use of ‘C’, ‘Q’ and ‘Y’ alphabets were discussed thoroughly. So also the use of consonants for writing correct pronunciations of different words, were also discussed. The exercises in writing different words and sentences were also conducted. The participants actively interacted with the Resource person. The participants expressed that the workshop was effective in learning various aspects of writing Konkani in Roman script correctly.

Mr. Cardozo also assured that more workshops of this nature will be organized so that not only tiatr artistes but all others who wish to learn to read and write Konkani in Roman script correctly may participate in the same.

The workshop ended at 1:45 pm.


Victor de Sa
Member Secretary

Whatever happened to the good old typist?

Whatever happened to the good old typist?
- M. Thiagarajan


Much before the advent of computers, the typewriting machines ruled the roost for wellnigh five decades. Typewriting was a symbol of professional and technical proficiency of an educated person, as this profession could be used as a financial nest-egg.

In the 1960s and 1970s, there were burgeoning technical institutes for learning ‘typing'.

Courses were designed either for passion or for a vocation. Graduating from lower to higher exams along with stenography one could land a cushy job, rubbing shoulders with the powers that be, in an organisation.

An earlier attempt to learn typing always had all my fingers knotted; any finger other than the index was not able to drum the keys as my brain could not comprehend and remonstrated against giving instructions to 10 fingers simultaneously. I was confounded by the alphabet on the keyboard which were in disorder. It went serially as ‘a,s,d,f,g,h..' instead of ‘a,b,c,d..' Either the Englishmen were wrong in their order of alphabets or Remington, while inventing the typewriter, had his alphabets mixed up. Notwithstanding the alphabetical goof-up, one had to continue living with it even after the computers were invented. Would somebody clear this enigmatic mystery of jumbled sequencing of letters in typewriters and computers?

To give justice to all the alphabets and the nimble fingers, one would be asked to type the sentence “Pack my box with five dozen liquor jugs” or “The quick brown fox jumped over the lazy dog.” One had to type many pages of this sentence without ever knowing if the jugs contained any potable liquor or why the fox had to jump over.

The typists, for years, worked as secretaries to the big bosses in an organisation and more often than not they drafted the letters based on what the bosses had on mind and not what was spoken to them. Their command over the language, in general, was far better than many of their bosses. All employees were inured to the mechanical ‘clackety-cluck' noise in an office atmosphere; where the background noise was indeed required to keep the train of thought process going for efficient working.

Nevertheless, we came across typists with dubious vocabulary skills or the devil in the typewriter resurfacing now and then. There was a time when I asked my secretary to type out the list of our clients which needed to be sent to my director. Scrolling the list, my eyes froze, when I noticed a customer in “M/s Kishore Pimps Ltd.” When the grievous threat to the profession of my client was pointed out, he was candid in saying that I could have easily corrected it to say ‘pumps' instead of admonishing him. There was another time, when he was asked to send an apologetic letter to our customer for late delivery of certain goods; he ended the letter by saying “Thanking you for the inconvenience caused.” Obviously, he felt that apologising to anyone was a thankless job.

Be that as it may; barring those few idiosyncrasies of the typist and the machines, the typists were always held in high esteem. They continued to pick their bosses' brains and sometimes became a threat to the position of the boss. We have heard of typists rising to the position of directors in an organisation by their dint of hard work and commitment.

The typists epitomised the best written communication skills of any organisation. They were the walking dictionaries helping one spell a word, use an appropriate word and fix it grammatically in a sentence. It was no secret that when the Partition of the Indian subcontinent was drafted in front of Lord Mountbatten and Krishna Menon, it was the secretary, a good typist, who came to the rescue of the floundering leaders with a draft that was accepted by all the warring factions, as a final settlement and the birth of Pakistan.

During the last decade the typewriters have given way to the computers. The typewriters, whether they are Remington, Halda, Godrej or Facit, have all landed in the lofts and attics of all organisations only to find, hopefully, antique value after many decades of hibernation.

It is sad to see that the language skills of typists are no more called into play as the computers can edit, modify, spellcheck and give alternatives to what you want to write. The typical opening lines “Apropos your letter” or “Trust this finds you all in the best of health or spirits” are all missing now. Typist fathers who correct their young ones by saying that it is all right to say “I am quite well and not quiet well” are vanishing.

It is time to salute this vanishing tribe.

http://beta.thehindu.com/opinion/open-page/article447475.ece

Wednesday, June 2, 2010

‘TIATR SURU ZATA’



Tiatr review by J P Pereira

‘TIATR SURU ZATA’


V Creations maiden venture is a new tiatr written and directed by Bro Onassis D’Cruz. The drama titled ‘Tiatr Suru Zata….’ is a fine entertainer with messages on various ills that plague society today.

Beginning with a scene at the cemetery, where two burials will take place, the story recounts through flashback, the lives of the two dead persons, their involvement with others, the evil they do and how they mess up the lives of innocents. The writer also tries to convey to the audience, through the lives of the various characters, the guilt of euthanasia, the murder committed through abortion, corruption in politics and the hazards of smoking as well as drinking.
The play has a good script with some impressive dialogues, special scenes, projections and is presented at a sleek pace. The director is in full control of the continuity and extracts great performances from the professionals as well as the new faces. Abigail, Suzetta and Clancy impress with their fine acting and dialogue delivery. Veteran Fatima, is perfect as the old abandoned mother while Soccorina as the rich man’s wife, has a stylish dialogue delivery. Anil Kumar gives a great performance as the rich corrupt man and Jocelan does a wonderfully subdued act of the wayward youngster, who does not repent till the end. No shouting and screaming to display evil or anger, just a sober natural act. Piedade Caiado de Verna and Jose de Velim lend good support and Bro Onassis does various roles in style. There is plenty of humour from Jane, Kenny and Gaby. For a debut performance, Gaby is superb as the stammering student and had the audience in splits, with his one-liners.
Cyril Almeida renders the opening song. In between the acts there are songs from Fatima, Suzetta, Jocelan, Gaby, Piedade, Bro Onassis and others. A solo from Jose de Velim, one from Bro. Onassis and a duet from Suzetta with Cyril deserve special mention. The music arranged by Josinho and Fr Arvino Fernandes was performed by Chris (trumpet), Menino (saxophone), Sherif (keyboard), Bro Arif (bass), Wilson (drums) and Fr Arvino (mandolin and acoustic guitar).
A beautiful presentation from a rank newcomer. For those who have missed the play, there will be more shows next May.

www.navhindtimes.in
Published on: June 2, 2010

Tuesday, June 1, 2010

‘Documentation of Tiatr, its Song & Music’

‘Documentation of Tiatr, its Song & Music’


Tiatr Academy of Goa (TAG) has formulated schemes for the preservation of Tiatr, its Song & Music through appropriate documentation. The first scheme is ‘Documentation of Tiatr, its Song & Music’ through research work. The research can be on any aspect of Tiatr, its Song & Music. Adequate remuneration will be paid to the research writer and the book will be published by TAG. The application in the prescribed form should be submitted to TAG on or before 30th June 2010 while the manuscript can be submitted by 15th December 2010.


The other scheme is ‘Preservation of Tiatr Literature in the book form’. This scheme provides for the publication of books of scripts of tiatrs, lyrics of songs with or without music, scripts of one act plays etc. The prescribed application form along with the manuscript should be submitted to TAG on or before 30th June 2010.

Scriptwriters of tiatrs and one act plays, lyricists of songs/music composers are requested to take the benefit of these schemes. No application to this effect will be accepted after 30th June 2010.


Victor de Sa
Member Secretary
Tiatr Academy of Goa (TAG)
Goa

Tiatranchem Rupantor Tiatr Academy Goa kortoli


Tiatranchem Rupantor Tiatr Academy Goa kortoli


Ponnje: “Yeta tea thoddeach kalla bhitor 'Tiatr Academy of Goa' (TAG) Tiatr mollar novi kranti ghoddun haddtoli; tache udexim tiatr pollevpeank unch dorjeacho tiatr ani titleach molachim kantaram aikunk melltolim, oxem TAG-acho odheokx Tomazinho Cardozo-n aplo sogllo atmvisvas ekttavn V. Ixttak sanglem.
“Tiatristamnim ap-aplea tiatrank unchlo dorzo asa mhonn boddayeo marleo tori tantunt khup unnem asa. Tiatr mollar zaito bodol ghoddpachi goroz asa, ani hanv TAG-acho odheokx zavn tabo ghetloleak hanvem hacher khor panvlam ubharleant, oxem Xri Cardozo hannem sanglem.

TAG odhikrut ritin sthaplear ek voros bhorlem, tea nimtan V. Ixtt protinidhin Xri Cardozachi bhett ghevn tache kodde TAG kortelea karya vixim bhasabhas keli tea vellar to uloitalo.

Gõyant tiatristanche 18 te 20 pongodd asat ani voros bhor tanchea tiatranche 10 tem 12 hozar proyog (shows) zatat. He tiatranche proyog nhoi fokot Gõyantuch ani Bharot desant zatat, bogor Gulf, UK, Swindon, Portugal hea desamni legit zatat. Halinchea kallar hea tiatranche proyog US-ant ani Cayman Island-ar porian zavnk lagleat hi Gõykarank obhimanachi gozal oxe Xri Cardozo hannem obhimanan sanglem.

TAG-a vixim uloitanam Xri Cardozo hannem fuddem sanglem ki, TAG-achi odhikrut ritin
ugtavnni kelea uprant, tiatranchi ani kolakaranchi udorgot korpa khatir sod'deak 28 yevzonneo ankleat. Hantleo khupxeo yevzonneo chalik lagleat. TAG fokot eka vorsachi lhan aslelean hacher atanch addavo ghevnk matxem moskil, toriponn gelea eka vorsachea kallant TAG-an kelelea karyachi mahiti divn ek riportt TAG jahir kortoli.
Adim Gõyant ganvchea festank fokot ganvkaranchech tiatr machyer haddtale, ani ganvcho lok te umedin polletalo. Hi zavn asli ek ganvchi porampora.
Punn kall sorta-sortam hi porampora noxtt zait geli, TAG-an he purvil'le poromporek novem jivdan dilem. Fattlea eka vorsachea kallant Gõyant veg-vegllea sat ganvamnim TAG-ache yevzonne khal tiatr dakoile. Tiatr dakhoitolo zalear soglle kolakar soktin ganvchech asunk zai. Muzg bhair thavn haddlear zata, oxem Xri Cardozan mhonnlem.

Lhan-vhodd tiatristanchim nanvam ani pot'te ghalun TAG-an halinch ek direkttori kaddlea, ti opurnn asa mhonnpachem Xri Cardoz-an mandun ghetlem. Tiatristanchim nanvam ani pot'te dinvche mhonn TAG-an 6 mhoine adim jahir kel’lem. Punn konnench tem titlem gombhirtayen ghevnknam, taka lagun, xevtta vellar jitlim nanvam ailim titlinch ghevn, ti direkttori TAG-ak kaddchi poddli. Punn atam te chukichi sudharnni korun eka vorsa bhitor novi direkttori porgott’tele oxem TAG-achea odheokxan V.Ixttak sanglem.

Halinchea kallar bras instrument vazovpi khupuch unnem zaleat. Ani hem oxem cholot ravlem zalear tiatranche poromporek borench marekar zavn asa. Haka lagun TAG-an je konn he instrument vazovnk xikpak apli khoxi dakhoitat taka tem xikxonn fukott divpachi yevzonn anklea. He yevzonnek boro protisad mellun, 15 zann bras instrument vazounk xiktat, oxem umedin bhoron Xri Tomazinho Cardozo-n V. Ixttak sanglem. Hi yevzonn xarti pavovpak TAG-an 3 lakh rupia rakhun dovorlele. He instrument xikun zatoch ek voros bhor tannim Gõyant ravun fokot tiatrank vazovnk zai oxem ek lhanxem kondisanv hea xikpeank TAG-an ghalam, oxem Xri Cardozo-n spoxtt kelem. Tornatteank tiatram kodde akarxit korpa khatir TAG-an anik ek bhov molachi yevzonn anklea. Ti mhonnlear 19 vorsam sokoilea bhurgeank tannim aple svotache tiatr borovpak ani kantaram ghoddpa vixim xikxonn divpi sabar xibiram TAG ghoddun haddunk yevjita. Atam jim bhurgim machyer yevn kantaram gaitat, tedna tea kantarachim utram ani nhesop pollelear tem kantar ek addechem dista, oxem Xri Cardoz mhonnta. Veg-vegllea zageancher hea tarunn bhurgeank xibiram korun zalea uprant, huxar ani umedichea bhurgeanche panch pongodd ghoddtole; ani tachech bhitor ek tiatram spordha kortole.

Hantunt jikpeank poilem, dusrem ani tisrem oxim duddvanchim inamam ditolet mhonn Xri Cardozan V. Ixttak sanglem. Xallamnim ani kolejimnim xikpi bhurgeank TAG-an ek vegllech torechi yevzonn anklea. Hea xikpeam khatir Konknni kantarancher nachpa spordha TAG ghoddun haddpak sodta. Fokot Konknni kantarancher zanv to magir `solo’ vo pongodd fokot Konknni kantarancher adarlolo asunk zai. Hache fattlo hetu mhonnlear hea bhurgeank Konknni sonskruti kodde ektthaim dovrop, oxi anik ek moladik yevzonn Xri Tomazinho Cardozan V. Ixttak ugtaili.

Tiatrank heram bhasantlean zavpi nattkam itlo dorzo na., Oxem mhonnlear tiatrist mandun ghetat? Oso proxn V. Ixttan kelo Hem sot tiatrist bhav-bhoinnim kobul korun ghenant, ponn hem oxench urchemna. Tanche modem zagrutay nirman korunk TAG sankoll xibiram (series of seminars) ghoddun haddtoli ani zaitea vostum vixim zannvikay ditoli, oxem Xri Cardozo hannem atmvisvasan bhorun sanglem.
Onek proxnak zabab ditanam, Xri Cardozo-n sanglem ki TAG sogllea adlea tiatristanchem ‘documentation’ korunk yevjita. Je tiatrist ani tiatrank sombhondit aslele zoxe muzg adi, tanchem ‘documentation; pustokam ani video filmam rupan astolem. Sod’deak he yevzonnecho vavr chalu asa.

Anik eka proxnak zabab ditanam, TAG korta tea vavracher lokan apli protikria veokt korunk zai, tednach amkam bore ritin kam’ korunk urbha melltoli, TAG-acher ‘Constructive Criticism’ zanvchem oxem Xri Cardoz-an mshonnlem. Konknni kantarancheo gramafon rikorddeo sodun kaddun teo sambhallun dovorpak TAG-an koslim panvlam ubharleant kai mhonn vichartoch Tomazinho-n sanglem ki, Konknni kantarancheo suru tem xevott merencheo gramafon rikorddeo ekttaim keleleo asat mhonnpachem TAG-achea nodrek ailam. Punn kaim oddchonneank lagun, TAG-ak teo aplea tabeant korunk xokonam. Heo adleo Konknni rikorddeo zavn asat Konknnichem daiz taka lagun teo ekttaim korun samballun dovrop hem ek mhotvachem kam’, oxem V.Ixttan Xri Cardoz-chea nodrek haddlem tedna, tannem hi gozal mandun ghetli.

“Zorui tor konnui umed aslolo amche modlo fuddem soron, hea gramafon rikorddanchi sodpus korun ekttaim korpachea vavrak survat korta zalear, TAG taka duddvanchi ani soglle torechi modot korpak raji asa. Heo gramafon rikorddeo fuddle pillgek obheas korpak khup molacheo,” oxem spoxtt mot TAG-cho odheokx Tomazinho-n Cardozo hannem jahir kelem.

TAG sonsthecho anik ek vangddi Pri Nevel Gracias-an V. Ixttak sanglem tea pormonnem, tiatranchea mollar TAG-an egdom mhotvachea vavrak survat kelea. Thoddeach disam bhitor TAG-an ankleleo soglleo yevzonneo jahir korche khatir ek lhan akarachem pustok uzvaddaitole. Tech porim tiatristank vimo, vollokh-potram adi korpachi TAG-achi yevzonn asa. Jea- jea vellar tiatristam modem futt poddta koxi disli zalear TAG soglle proitn kortoli tankam ekttaim dovrunk. Taka lagun ek ‘re-concilation’ somiti kaddpak TAG-achi yevzonn asa oxem Pri. Gracias-an V. Ixttak sanglem.

www.v-ixtt.com


[As forwarded to gaspar almeida by lino b. dourado,
www.goa-world.com]

Monday, May 31, 2010

Nurture Konkani cinema



Nurture Konkani cinema



Kudos to Mauro Fernandes for his letter “Konkani cinema” (May 29).
While applauding Laxmikant Shetgaonkar’s masterpiece ‘Paltadacho Munis’, he has rightly opined that Konkani films, if properly nurtured and promoted, may churn up a Satyajit Ray or Adoor Gopalakrishnan in near future. But to reach such a glorified stage, special efforts are required from all quarters.

The Government of Goa should encourage the upcoming film-makers by offering them soft loans to come up with Konkani films. Proper infrastructure like studios and other technical facilities need to be put in place by the authorities or offer a favourable ambience to the private concerns so that they can invest in the business of films.

Tax-relaxation and compulsory screening of Konkani films in theatres across Goa are a must to support local industry so that they do not get wiped away by the economic powerhouse Bollywood. Also the directors and producers should also see to it that instead of mimicking their Hindi counterparts, Konkani films need to be based on the ethos of soil and culture of Goa. An industry can never prosper by ignoring the basic traits of the culture of the region concerned. The common Goans should also religiously patronise the Konkani films, instead of succumbing to the crude Bollywood culture.

India is unique and colourful just because of its regional and cultural diversities and films are nothing but living and permanent documents of such richness. If Konkani films get established on a firm ground, it will add another feather to the colorful cap of India.

Kajal Chatterjee, Kolkata

www.oheraldo.in

________________________

Konkani cinema

I am among the few fortunate Goans who has watched Laxmikant Shetgaonkar masterpiece, Paltadacho Munis, and I must say those of you who have not seen this film have missed one hell of a movie. Truly, it is unbelievable that a film produced in Goa can be of such high caliber. This film is by far the best Konkani film ever.
The actors, the screenplay, cinematography, music etc is simply world class. Shetgaonkar, you have made Goa and Goans proud. Film making in Goa was a dying art due to financial constrains and lack of audience support. Young film makers like Rajendra Talak have tried their best to revive this form of art in Goa. With Goa being declared as the permanent venue for the International Film Festival of India and Government of Goa encouraging Goan film makers with various schemes,
I am sure many young Goans will take advantage of these schemes and produce good cinema. But as long the Goan public does not patronise Goan cinema, film making will be a loss and will only deter film makers. For the Konkani film industry to survive Goans have to wholeheartedly support it. The Tamil, Telugu or the Malaylam film industry is thriving because of the local support and the love of the public for their mother tongue.
We pay Rs 200 for a Hindi or an English movie at Inox, we go for tiatrs, why can’t we pay just Rs 100 and watch a Konkani film. I appeal to all Goans to watch this great film which has won laurels all over the world. You never know one day Goa might have our own Shyam Benegal, Adoor Gopalakrishnan or even a Satyajit Ray.

Mauro Fernandes, Anjuna
www.oheraldo.in

Friday, May 28, 2010

‘Debate Soddun Konn Pollon gelo?’


Hanvem Goa Nett hacher manddlolo vichar asa toso hanga doddttam:

"He sombondint dil'le 'black & white' purave nakartat ani fottik sot korun dakhoitat, ani sotak payam thola mositat tedna tantle 'debate'-ik anik koslem mol asom yeta kai? Sogleank sogleach vellar pixe korop hem sarkem?
Punn ek mat hantlean khub zannun ghevunk mell'llem, goxtticher toxench vrut'tincher. Lobadponnam adharpant monis kitli pasun xim' upunk xoktat tem amkam somzolem.

Fausto"

29 May 2010

[As received by www.goa-world.com]
_____________________________________________________________________________________

Voilo vichear hea thollacher yeunk na mhunnttoch porot vachcho. Konnache 'black & white' purave ani konnachem sot vo fott (Tomazinho-chem kai Borges-achem?) tem tor hanvem tatun spoxtt korunkuch na, punn hem sogllem kam' Tomazinho hannem khas apnnem, oskosmat hea thollacher khaile vichear manddun kelam. Taka hanv kiteak, koso ani kitem zabab dium?

Zababui tatun Tomazinho-n dileat. Dekhun hanv zabab diunk sodina, fokot ek spoxtt kortam Broges-ak 'hoiba' korun mhojem kainch sadpachem na, dekhun hanv sodanch Tomazinho babakuch 'hoiba' kortolom, ani korchench poddttolem. 'Hoiba Tomazinho!'.

Ho mhozo xevttacho zabab ani haka hanv anik he fuddem zabab diuncho na. 'Hoiba! Hoiba!! Tomzainhoba!!!

Fausto

_____________________________________________________________________________________

----- Original Message -----

From: tomazinho cardozo
To: goaworldtoday@yahoo.com ; gasper@makharafi.net ; goanet@lists.goanet.org ; fredericknoronha@gmail.com ; tiatr@hotmail.com ; joelds@gmail.com ; miguelbraganza@yahoo.co.in ; joegoauk@yahoo.co.uk ; gasperalmeida@gmail.com ; uly334@gmail.com ; benedictlobo@gmail.com ; eddieverdes@hotmail.com ; gulf-goans@yahoogroups.com ; news@sezariworld.com ; libado23s53@yahoo.com ; fausto@vsnl.net
Sent: Saturday, May 29, 2010 10:27 AM
Subject: "Debate" Soddun Konn Pollen Ghelo?

‘Debate Soddun Konn Pollon gelo?’

27 May, 2010 hea disa Goa Nett hacher ailole Fausto babache vichar vachle. Khoreponnim Romi lipintle Konknni bhaxe vixim amcho Borges bab ani Fausto bab hanchim dogainchim motam ekuch. Tea khatir Fausto bab-ak anik zabab diupachi gorozuch na oxem mhaka diso. Punn Fausto ‘black & white’ puraveanchi gozal korta. Tea khatir tea vixim don utram borounchinch poddlim.

Fausto bab zanna zaunk zai ki ek puravo khorench ‘black & white’ asa zalear taka konnancheanuch nakarunk zaina nhoi mhunn konnacheanuch taka fottkiro tharaunk zaina mhunn. Atam amcho Fausto bab ‘black & white’ purave mhunntta te khorench ‘black & white’ asa kai? Hoch motto proxn asa tacher ilo niyall korum-ia

1. Borges bab-an boroilem “Tomazinho baban sabar pavtti mhonnlolem asa ki Okhil Bharotiy Konknni Porixodek Romi lipint borovpi vochonant, dekhun thoim ghetil’le tharav soglĂŞ Konknni porjeche mhunn manun gheunk to toyar na.” Oi tem hanvem mhunttlam ani ataim mhunttam. Borges bab-an tea fuddem boroilem, “ Zalear to atam hea apnnalea sommelonanchi khobor korta tedna thoinche tharav soglĂŞ Romi lipint Konknni vachpi porjeche mhunn tori manun ghevpache?” Hanvem toxem mandhun ghevpachem mhunn borounkuch na. Boroilam zalear hea viximche ‘black & white’ purave khoim pavle kai?
2. Sorgest Fr. Freddy hanchi soi marun hanvem ‘forgery’ kela mhunn Borges bab-an mhojer bogllant ghatlem. Sorgest Fr. Freddy-chi soi hanvem ‘forgery’ kelea mhunn provar korpak Borges bab-ak avhan dilem. ‘Black & white’ mhunntta te purave khoim pavle re Fausto bab?
3. ‘Times of India’ hea potrar ailolo mhojo lekh hanvenuch to ‘internet’-ar daddla mhunn Borges bab-an mhojer anik ek bogllant ghatlem. Hanvenuch to ‘Internett’-ar daddla mhunn provar kor mhunn Borges bab-ak anik ek ‘challenge’ dili. Azun poriant tea viximchea ‘black & white’ puraveachi vatt polloit asam.
4. ‘Roman Konknni’ he shobd vapuracho hanv ‘originator’ asa mhunn Borges baban arop kelo. Mhoje adim zaitea manestamni tea shobdancho vapor kela mhunn hanvem ‘black & white’ purave dile. Tea shobdancho ‘originator’ hanv asam mhunnon Borges bab-an azunuim ‘black & white’ purave diunk na mure Fausto bab?
5. Hanv survatek savn DKA-cho Sekretar asa mhunnon Borges bab-an mhojer anik ek bogllantt ghatlem. To boroita tem fottingponn provar korunk hanvem taka avhan kelem. Azun poriant ‘black & white’ purave nant mure Fausto bab?
6. Ani halinchea disamnni amcho Borges bab anik ek Rengttetteng vazounk lagla.
To boroita, “Aiz te 'debate'-ik orth urunk na karonn Tomazinho baban ek sot
manun ghetlam: DKA-chi stapnnuk 1988 vorsa zal'li, mhonnje "DKA was
established in 1988, not in 1989." Hem sot tache kodden kobul korun ghevpak
mhaka tin voir vorsam laglim.”
Hem Borges babachem anik ek fottingponn asa. Hem Borges bab-achem bogllanta vixim ‘black & white’ puravo mellot re Fausto bab?

Aiz poriant, Fausto bab mhuntta toslo ‘black & white’ puravo amchea Borges bab-an ekuch dila ani to mhunttlear DKA – chem “Emblem”. Taka hanvuim ‘black & white’ puravo mhunnttam kiteak jem kitem tacher asa tem soglleank dista ani tem nakarunk konnakuch koslich sondhi na. Punn tantunt jem kitem asa tem ‘sot’ asa vo ‘fott’ asa to vegllo proxn asa. Ani to yog’ya mon’xank vincharun sodhun kaddunk zai.

Hanv magtam amchea Fausto bab-a lagim, jem Borges bab-a lagim ghoddonk na tem Fausto bab-an ghoddounchem mhunn ani tosle ‘black & white’ purave hanvem vhoir dakoilea tim 6 udharonnam “fottingponnam nan punn sotam asat” mhnunn provar chem.

Fattim eka Romi lipintle Konknni bhaxechea pattlavddaran mhojea vicharank tenko diun ek borovp kelem. Tem borovp amchea Borges bab-ak vaitt poddlem mista. Aplea borovpant amchea Borges bab-an tea boroinnara vixim oxem, boroilem, “ Taka zap diun mhozo moladik vell vhogddaunk hanv sodina; tannem tor apli okkol he adinch ghannak dovorloli asa. Mumboint moidanar, lokache kormonnuki khatir, khetim khellovpi hanvem polloileat; tanche borobor tanche 'hoiba' astat. He hoiba to nachovpi dhoni kitem uloita tachim nimannim utram 'repeat' kortat.”
Him amchea Borges bab-achim ‘moladik’ utram amchea Fausto bab-akui lagu zata kai?

Ani akhrek aplea borovpant amcho Fausto bab oxem mhunntta, “Lobadponnam adharpant monis kitli pasun xim' upunk xoktat tem amkam somzolem.” Fausto bab, hi tuji somzonni xembor tok’ke sarki asa kiteak je monis svotha apunn lobaddponnachea adharan aplem jivit sarta tankam aplea sorvbhonvtim aslole soglle monis lobadd dista.

Tomazinho Cardozo
Candolim, Goy.

Thursday, May 27, 2010

Tiatr is similar to the ‘Marathi Tamasha’


Tiatr is a folk drama form native to Goa. Songs, based on the current critical issues, are played during the interludes. These songs often criticize the hostile policies of the government.
It strives to create social awareness among the people. The themes are based on the current social issues like drug abuse, alcoholism, materialistic nature of the rich, neglect of old people and other similar problems. The dialogues are coarse to some extent, but the drama is deemed fit for family viewing.

The performers belong to all sections of the Christian community. Tiatr, though mainly performed in a commercial sense, is also held to commemorate the churches and chapel feasts.

Though Tiatr has a long tradition, it has never received any royal patronage. It has solely survived on popular support of the people. It is performed in the Konkani language. Tiatr is greatly acknowledged for maintaining the integrity of the language during difficult times like the Portuguese rule of Goa, when Konkani was greatly suppressed. Tiatr is similar to the ‘Marathi Tamasha,’ the folk drama form of Maharashtra.

http://www.india9.com/i9show/Tiatr-46026.htm

http://www.funfiles.nl/tiatr/

http://www.funfiles.nl/video/ibLonzt1OtA/Jose-Agusten-Fernandes-father-of-konkani-tiatr.html

Tiatr is similar to the ‘Marathi Tamasha’


Tiatr is a folk drama form native to Goa. Songs, based on the current critical issues, are played during the interludes. These songs often criticize the hostile policies of the government.
It strives to create social awareness among the people. The themes are based on the current social issues like drug abuse, alcoholism, materialistic nature of the rich, neglect of old people and other similar problems. The dialogues are coarse to some extent, but the drama is deemed fit for family viewing.

The performers belong to all sections of the Christian community. Tiatr, though mainly performed in a commercial sense, is also held to commemorate the churches and chapel feasts.

Though Tiatr has a long tradition, it has never received any royal patronage. It has solely survived on popular support of the people. It is performed in the Konkani language. Tiatr is greatly acknowledged for maintaining the integrity of the language during difficult times like the Portuguese rule of Goa, when Konkani was greatly suppressed. Tiatr is similar to the ‘Marathi Tamasha,’ the folk drama form of Maharashtra.

http://www.india9.com/i9show/Tiatr-46026.htm

Hortencio leaps into the tiatr world

Hortencio leaps into the tiatr world

What great achievement can there be for an artiste than to be one amongst the great celebrities of the day? For Hortencio Saluzin Edward Pereira of Betquegal from Sanvordem who shares the stage with the stalwarts of the Konkani stage today, its indeed a leap into the tiatr world.
Born on January 11, 1953, Hortencio did his schooling in Guardian Angel High School, Sanvordem and later Graduated in Arts from the Chowgule’s College in Margao.
“I used to have great liking for tiatrs right from my school days and I even bagged the Best Actor award twice while in school”, he recalls. Hortencio’s craze for tiatrs and singing was such that he hardly missed taking part in the competitions that were held in the school.
He made a debut on the Konkani stage in one Jose Fernandes’ tiatr “Duka Uprant Sukh” which was staged in his village in the year 1970. “I was given a comedy role in this tiatr which I performed to the satisfaction of all and won accolades from the audience”, he says. For Hortencio this was the turning point as he was soon picked by Goa’s Charlie Chaplin late Jacinto Vaz for his tiatr “Govachem Ghor”. “I rendered one solo “Khobrank Lagon” in this tiatr which drew loud applause from the audience,” informs the artiste with a pride.
Soon the “King of Duets” C. Alvares booked him for his tiatr “Soumsar Sudhorlo Pun Munis Sudronkna” in which he rendered two songs in the company of his brother. “I have acted practically for all the tiatr directors of the day,” he says and holds Padmashree M. Boyer in high esteem for his high quality script in plays. He has performed comedy role in C. D’Silva’s tiatr “Pixem” and bagged the Best Actor award in Mumbai. He has a word of praise for late Aristides Dias in whose tiatrs he acted several times.
Hortencio has performed all types of roles in tiatrs but what kind of roles does he really like to perform? “I have done justice to whatever type of role I was allotted, but to tell you the fact I like to perform a sentimental role,” he reveals.
A versatile composer of high quality lyrics, he has composed more than 300 songs till date and has come out with seven Konkani Audio Albums: “Avoicho Mog”, “Sovostkaiechim Lharam”, “Rochnar”, “Khobrank Lagon”, “Bapaiche Teag”, “Mondir” and “Kantteancho Mukutt”. “Avoicho Mog” which is 25 years old is the best and is still in great demand,” he says.
He has acted in Video Films and penned and directed 5 tiatrs: “Odruxt”, “Onat”, “Bhas”, “Girestkai” and “Mog vo Raag”. “My tiatr “Bhas” was a hit as it was staged with the professional tiatrists” admits Hortencio.
He has also performed in Chris Perry and Melody King Alfred Rose’s musical shows. Hortencio was awarded for best lyrics in the contest organized by Kala Academy, Panjim this year.
Are the tiatrs really making a headway today? “No”, says Hortencio. “There is no natural acting and each artiste thinks what he or she does is the best”, he remarks. As far as comedy is concerned, he says there is no comedian today worth the salt. “What the comedians are doing on the stage today is no comedy at all but mere jokes,” he comments.
Hortencio is all praise for Goa’s Charlie Chaplin late Jacinto Vaz. “He was a class comedian the type of whom the Konkani stage is yet to find,” he argues.
So folks! Then don’t forget to watch Hortencio in action in Padmashree M. Boyer’s hit tiatr of the 70’s “Soumsar Sudorlo” which is running to packed houses these days.

http://oheraldo.in/node/574
June 15, 2005
http://groups.yahoo.com/group/gulf-goans/message/6063

Tiatr is medium for development of Konkani: Naik

Tiatr is medium for development of Konkani: Naik

Panaji, May 1, 2008 (UNI)

Goa Home Minister Ravi Naik today said events such as 'Tiatr Utsav' were an effective medium for development of Konkani, the official language of the state.


Buzz up!Speaking after inaugurating 'Tiatr Utsav', organised by Sheynoy Goenbab Seva Kendra at Savordem in South Goa, Mr Naik said tiatrists had substantially contributed to preservation and enrichment of Konkani.


He also favoured holding the Tiatr Utsav regularly to keep the tradition alive.

The initiative of the organizers would help the tiatrists and other artistes to come together and exchange their views and ideas, he added.

UNI SRN SSS SKB1913

http://news.oneindia.in/2008/05/01/tiatr-is-medium-for-development-of-konkani-naik-1209659921.html


www.mefeedia.com/tags/tiatr

Wednesday, May 26, 2010

Henry Fernandes keeping Goan Tiatr culture alive in Qatar

Henry Fernandes keeping Goan Tiatr culture alive

- Armstrong Vaz

Qatar-based Henry Fernandes has been keeping the Goan Tiatr culture alive. For the last 22 years, he has been a regular in the cultural scene in Qatar, lending voice for Konkani Tiatrs and also organising dance and other cultural events.

SOME DISCOVER the flair for acting at a very young age, some fade away as they move into adulthood. Some carry on gamely against all odds and all challenges. Qatar-based Henry Fernandes discovered his inborn talent for acting at a tender age of eight years. He sustained it over the years and has mastered the art over the years.

Konkani stage actor Henry Fernandes comes across as a person with grace, poise and all the attributes, which one associates with a top grade actor.

He has been a regular entertainer par excellence in the Konkani language dramas that have been staged by the Goan community. Awards and accolades have come many down the line for him. Awards and prizes, which have served as a motivation and encouragement.

One such award came in 1995 in Qatar for his role in one act play competition organised under the aegis of the United Stars. Fernandes was conferred the best actor prize at the hands of former chief minister of Goa Churchill Alemao who was chief guest for the competition at Al-Ghazal Club.
Fernandes has come a long way after taking a trip on the Konkani stage as a stage artiste in his school days. It all started at his alma mater St Anthony High School Monte de Guirim in Goa.

The break came in the form of a school play. Thereafter, there was no looking back for the ever smiling Fernandes. A complete different persona on stage from one you encounter in daily life.

Fernandes has also lent his voice to Konkani Tiatr’s singing songs here in Qatar. He for one remembers the first prize he received at Fr Agnel High School Pilar in 1977-78 for the all Goa singing competition. The song he nostalgically remembers he sang and got the first prize was Mhozo Put Padri (my son is a priest).

He was invited to sing the same song in three cities in Goa, which he sang along with the Tiatr group of renowned Konkani Tiatrist, late C Alvares. The lyrics, he recalled were written by his schoolmate from Canacona, south Goa. With the passage of time, Fernandes for once has forgotten the lyrics and only remembers the first stanza. Fernandes now is on the lookout for his long lost school mate whom he has found out is now working in Dubai. He now plans to retrieve the lost song from him and sing it again on stage.


The high point of his singing he said was singing the Rom-Rem-Rod trio of the older generation with late Luis Dias and Prince Jacob in Dubai, which got a tremendous response from Tiatr fans in the Tiatr ’Divorce’.

He said, "Acting for money is not my consideration. My aim is to entertain and make people happy with my acting. One act plays are occasion for Goans to intermingle and families to interact. They have to go with happy memories having watched a superb performance from the actors."

As singer and actor, he said he was inspired by watching and listening to Tiatrist and singer M Boyer in his younger days and tried to imitate him with his singing and acting. "M Boyer is my role model," he informed.

The last two decades has seen him mainly play tragedy roles. On reasons for preferring tragedy roles, he pointed out that he feels comfortable in portraying the roles. "Playing tragedy roles come naturally for me," he added.

As an actor after the script is handed over to him by the director, he for one works on the script and fancies himself creating a mental picture the role he will be depict in the drama. Accordingly, he suggests changes in the script to be best suited for the occasion and for the script and which can bring the best out of him.

A challenge he wish to take up in the near future is the acting role of a blind person. "It is my wish to don the role of blind person, hopefully the occasion will come," he added.

As for directing a play himself, he has not seriously dabbled in the task but has plans that will take some time to materialise, he informed.

On the personal front he feels the tragic death of his friend Luis Dais son of late Artides Dias four years back, was a great loss to the cultural scene in Qatar. "He was a great director and singer," he recalled.
For the last 22 years, he has been a regular in the cultural scene in Qatar, lending voice for Konkani Tiatrs and also playing his part in organising dance or any other cultural occasion.

http://www.merinews.com/cj/ARMIE

Kala Manch ka Tiatr

Kala Manch ka Tiatr


March 9, 2009

Tiatr, in Konkani, means, theater.. Kala Manch wanted a new event that would involve MICians in theatrical art, so Tiatr was started.. The basic idea behind the event was to give new actors a stage, a platform and the jazz. Last semester was the first edition of Tiatr.. Participation was decent.. But the inauguration was kick-ass.. There were drums and a shankh.. MVK was asked to break a coconut to start the event.. You see, going back to our events.. MVK must ‘ve been happy by all this for sure!

Anyway, Tiatr comprised of:
-One Act Play
-Mad Ads
-Mime
-Mimicry
-Street Play

Now we shall come to the new edition of Tiatr that happened this semester.

The event didn’t have One Act play because Tiatr was scheduled for 4th March. This happened soon after A19 so time was too little for people to come up with One Act plays. Kala Manch didn’t get any participation calls. Sad huh? The MIC lazy-ness had caught on again..

Now what to do? No participation? The organizers start participating. The event is postponed for a day. Street Play had two teams showing up. The teams did a decent job though. I must tell you that this edition for Tiatr is also an audition for Utsav! Ummm well, whatever.. Now after this, mimicry had to happen.. That didn’t happen either.. Why? Yes, you guessed it.. MIC lazy-ness!

Then came day 2.. Mime didn’t have any participants because people didn’t know what mime is apparently.. So the organizers decided to show the people what mime is about.. The president Mister Jacob who has just risen from throat ki bimaari agreed to help the organizers.. Sweet boy, I say.. He made some dhik-chik sounds with his still painful throat.. The rest of the actors did a wow job as usual.. After this Mad Ads happened.. Non-stop non sense as always.. Full on fun! One out of the three teams backed out.. But the two teams did a good job anyway so cover up happened.. Our Kodali was the man-of-the-match according to me in this edition of Tiatr.. He participated in Street Play, Mime and Mad Ads.. He is becoming a super star I say!

Kala Manch is now international I must inform.. The president of Kala Manch is a Nepali boy called Prashit and the first lady of the club is Arya who is also from Nepal..

Pssst.. Another secret I shall share.. You know before the event, the Kala Manch banner was being painted in the lobby.. And there was a tiny paint stain on the floor.. A very big deal was made out of it by the new guy on the block.. What yaa! Whatever happened to the chilled out atmosphere of MIC! The new guy on the block was later seen laughing at the happy scenes in Mad Ads and Mime.. He openly appreciated Street Play too.. This is just FYI, implication is left to you..

Anyway, Tiatr is an event that shall happen every semester, so we ‘ll see how-it-goes next time..

For now, Kala Manch is busy with the upcoming productions.. One is called Blackadder, based on a popular British TV series by Rowan Atkinson.. The other is Scandal in Fairyland by Badal Sircar, a take on sensationalism in news through a fairytale story.. It all seems super exciting!

So Kala Manch is alive and kickin’!

-Ami
http://micigiri.wordpress.com/2009/03/09/kala-manch-ka-tiatr/

Konkani Supporters :: Tiatr Academy


Konkani Supporters :: Tiatr Academy

Tiatr Academy, Goa (TAG) got its building at the Campal Trade Centre bang opposite the Kala Academy at Campal Panaji on February 16, 2010.

The organization aims to preserve and promote the traditional Goan tiatr, its songs, music, etc. Besides than that, Tiatr Academy also introduced several schemes like, promotion of tiatr through educational institutions, raising the standard of tiatr, preserving of tiatr literature, preservation of Tiatr material, insurance of Tiatr artistes, awards, promotion of tiatr music and so on.


Info source:

http://www.konkanirocks.com/supporter.php?id=4

Jagar and Tiatr | Tiatr and Jagar Dance

Jagar and Tiatr | Tiatr and Jagar Dance


Tiatr and Jagar Dance - Jagar is the earliest form of drama in Goa and is supposed to be the forerunner of contemporary Marathi theatre. There are two forms performed by two different communities.

The first form is performed by "Perani Jagar" and is exclusively organized by the Hindu Perani community.

The theme tackles philosophical questions like the origin of the universe in the backdrop of mythology.


Jagar and Tiatr - The second form is known as "Gawda Jagar" is enacted by the Christian Gawda community in different villages in Goa in different styles. The theme is derived from the contemporary village life.

Tiatr is a form of entertainment unique to Goa. It primarily consists of 6 or 7 acts, each of roughly 15 minutes' duration, called Podd'dde, which are interspersed by 2 or 3 songs, solo, duo or duet, trio, quarter or group song.

The songs are disparate to the play but focuses on social, political or religious themes.


This unique blend of songs and plays makes Tiatr accepted among the masses. Tiatr and Jagar Dance is principally the two most important folk drama of Goa. Local talents and performances get recognized through these two programs and government encourages this sort of traditional folk drama.

The stories that they narrate are mostly those from the Ramayana and the Mahabharata. Nevertheless, with varying times, these dance dramas have remodeled themselves to include modern-day social issues as well.


Performed during the Shigmo, the Romat Dance is a thanks-giving observance. It is performed in a dance-cum-procession style by the people of northern and central Goa. It is an extremely crammed, clamorous and vibrant affair.

It is performed with huge banners, ceremonial umbrellas, festooned sticks. The procession proceeds towards a temple or to the house of the landlord to the earsplitting beats of huge drums called Dhols and Tashas.

Tiatr and Jagar performing arts - Performed by the Kshatriyas of Chandor, the Mussal Dance is performed as a celebration of Victory. It was first performed to celebrate the victory of Harihar, the Hindu King of Vijaynagar, after he defeated the Cholas in the early 14th century. The dance is so called because it is danced with Mussals (pestles). The dance constitutes 4 couplets while the main dance uses 22 couplets. Though the Kshatriyas finally converted to Christianity, yet they have preserved this cultural heritage. The Mussal dance is now performed on the second day of the carnival.

Goa-travel.com offers information about Tiatr and Jagar performing arts, Tiatr and Jagar traditions and drama.

Tiatr Reviews by J P PEREIRA

Tiatr Reviews by J P PEREIRA

Published on: April 29, 2010
(The Navhind Times)


‘Fattlean Poi ’
‘Fattlean Poi’ is the latest presentation from Menezes theatre production. This ‘tiatr’ written and directed by Mario Menezes, is a scathing attack on the moralistic society, that only talks and criticises but does nothing to help the downfallen.

Darryl is in love with Liza. He is working on the ship. Liza is an orphan working as an accountant in a hotel. Darryl’s mother Genetra and brother, Dixon who is a police officer, are against this marriage. His father does not mind it, though. Inspite of the opposition, Darryl goes ahead with the marriage and ten days later, leaves to join the ship. Liza’s troubles begin and Travasso, a local goon is hired to get rid of her. The rest is to be watched on stage, in this beautiful presentation that points out to the hypocrisy in society, victimisation of women and false pride in individuals.
A fine script, good direction and continuity coupled with a nice set, keeps the viewer’s interest on. There is tragedy and lots of humour too. Rosy Alvares plays the domineering Genetra and Agnes, does a perfect act as the orphan Liza. Right dressing and a beautiful display of emotions, is what this tiatr is all about. Victor is Darryl, Mario de Vasco, the evil Dixon and Mario Menezes, the father. Lawry Travasso steals the show as the goon. A great performance. There is plenty of humour from Joana, as the vegetable vendor, who converses in English. Ben is great as her husband while Bobet plays a great supporting role too.
Augusto de Panchwadi provides the music, with good background score from Frampton, on the keyboards. Lawry sings the introductory song and there are good songs in between the acts from Rosy Alvares, Agnes, Joana (especially the humorous solo), Victor, Mario de Vasco and Mario Menezes.
The tribute by Rosy and Lawry to the late Edison, the young talent who recently passed away pulls at your heartstrings.
The show is educative and entertaining. See it with the family!



‘Chol-Ia London’
Roseferns presents another winner with ‘Chol-Ia London’. The craze of Goans to settle abroad and the reality that all is not the way it appears, has been presented well in this entertaining show.
There are two brothers, Antonio and Mariano. While Antonio is a farmer, Mariano dreams of settling in London. Isabel, Antonio’s wife and their son, Allen are supportive of the father while Nikhil, Mariano’s son is in London. Allen is married to a vixen of a woman, Asha, whose father runs a business in London. One day, a terrorists lands in Goa and due to false allegations, poor Antonio is accused of helping them. What happens later is to be watched on stage.
The tiatr is directed with lots of sleekness, the continuity is apt and the script leaves the viewer thinking.
The set looks good and there are twists in the plot, leading to a fitting finale. The cast has Roshan, great as the submissive Isabel. Watch her in the sequence where she challenges her daughter-in-law, who calls her uneducated. Antonette is the heartless Asha, displaying an evil streak. Victor plays Nikhil while Tari dons the role of Allen. Peter does a great act as Marian, impeccably attired and looking quite dignified. Roseferns, as usual, is perfect as Antonio. Costy plays three roles and does them very well. There is plenty of humour. Brian’s boisterousness is a perfect foil to the calm and controlled Sally. The two have the audience rolling with laughter.
The opening song is a treat. The special scenes, the characters and the lyrics sung by Antonette, Tony de Ribandar, Brian, Costy, Roshan and Victor are top rate too. Besides, the other songs by these actors, there are songs by Tari and Peter. A solo by Roseferns and one by Brian (a hilarious one) need special mention. A word of praise for the musicians. Anthony’s blasts on the trumpet, James’ perfect support on the keyboard, Angelo’s pounding bass and Ivor’s rolls on the drums adds plenty of punch to the music. The tiatr is a great entertainer and an eye opener. Don’t miss it!



‘Tin Horancho Raza’
‘Tin Horancho Raza’, a tiatr by Samuel Carvalho , presents a tale of fame and hardships faced by writers, actors and directors of Konkani drama and also discloses the dark underbelly of the tiatr world. The ‘Raza’ (king) mentioned in the title refers to the writer, director and actor.
The story revolves round various characters. Joe, a successful writer and director of Konkani plays, his selfish wife Flavia, daughter Zarina and his unfortunate parents. A successful director who is currently jobless, who is always in a hurry, a young actress who is used, her tough mother, three humorous characters and a politician. Their lives are intertwined to weave a story of deceit, false promises and the tiatr unfolds what happens behind the scenes.
If the details are true, then one sees a very sorry picture of the tiatr world. One only wishes, it were not so. The script is good and the setting, attractive. The cast has Chitra making a comeback on stage. She is perfect as the old mother. Cynette is cast well as the scheming Flavia while Meena, Sonia and Sybel are the ladies, playing the tough mother, the actress and the daughter respectively.
Neville is the successful director, Socorro de Santa Cruz, his ailing father, Samuel, the director in a hurry and Joaquim Cabral, the politician. Good performances from the four actors. The young Velbert along with Michael and Marcus play the three humorous characters and do make the audience laugh.
Joaquim Cabral renders the opening song. There lyrics, music and singing is top class. In between the acts there are songs by Sonia, Sybel, Chitra, Meena, Osvi Viegas, Xavier Almeida and an interesting trio from Michael with Velbert and Marcus. The play is definitely worth watching.


http://www.navhindtimes.in/iexplore/tiatr-reviews-j-p-pereira

Joaquim Jack, writer director producer of Konkani Drama.

Joaquim Jack, writer director producer of Konkani Drama.

Early life
Born in small village Loliem, Goa did his school in same village St Sebastian High school, with a moderate Goan Catholic family, father was seaman and mother was housewife, he is an elder son in a family, second son died in a month and third born after 9 years. Joaquim jack was originally known as Joaquim de souza but in village his popular name is Jack. As a child he was brilliant student always stand 1st in school a shy boy but always hard working.

Career
After completion of graduation he continued his own production of theatre group with production name "Rafelina Gloria Production", "Rafelina" is the name of his lovely mother who died with liver failure and Gloria is a name of his middle brother who died in a month. His one Act play are " Tunch nixtraie tuzi karma" ( Tit for tat)( 1988)wrote when is was in junior college, then "Duves" ( disease)( 1990), "Pustok" ( A Book)( 1992), Jiklo (1994) this play won many prizes and title for one act competition held during Christmas season, so to enter in commercial drama he started theatre production in 1994 and his first theatre drama was released on 22nd January 1995 at St. Sebastian chapel festival titled as “OLLOKH"( Recognizance)then he shown many shows all over Goa completing record of 46 show. On 21st Dec 1995 released another show titled as "KHURIS" (The CROSS) a story based on revenge of lost mother, one of the doctor cheat a poor lady pregnant her and left in shame, she gave birth to the child and when this doctor realized he will be in trouble of his marriage life, he plan to rid of trouble and planed a murder of the lady.

The “Khuris” is best show and completed 60 shows all over Goa which was splendour hit show lot of people talk about this show. So he continued his passion of writing and released shows every year, “THIKHANN” (The destiny), NOV 1996 a story based on twins brother and image of rape girl in the society. Joaquim jack first ALL INDIA RADIO play titled as VELL ( Time) a story based on a youngster lost his first love and became drunker “ROTH” (Walking stick), Nov 1997, which contain lot of Portuguese dialogue a story of Love child and adopted parent, and a child grown to adult he is eager in search of his biological parent. “BESAUV GHAL HEA FAMILICHER” (Bless this Family) AUG 1998, a story based on a Love marriage couple, they married against their parent wish and later on get divorce because of doubt, but it was a murder mystery, revenge of triangle Love, it was a super hit fabulous drama, Joaquim is still a waiting to make film of this drama if he found a producer. From the year 1999, Joaquim jack formed a Carnival folk group to perform carnival street play it consist of 3 set of play “VANKHANNI” (The Praise) 1999, this show was good but brought lot of bad luck and could not run show long it was a lost road due to fortune. “KIRR” ( Parrot) 2000,a story based on a deceived son to his own parent, This was a pretty show and performed 47 show all over goa, During December 2000 he joined Heritage village club for Animation department. Carnival play in 2000, “The first street play named as KOCHORO, KONN, SAMBALTA, (Garbage, Who, Saves) this 3 play brought lot of fame and performed 36 play in three days “KALLOKANT, SOVSAR, SANDLO,” (Darken, World, Lost) 2001, performed 42 plays in 3 days, KANKON, OSTOREACHI,SOBITAIE,” ( Bangle, Ladies, Respect),2002,performed 43 play in 3 days record break 0f 2002 era. KUMSAR,DEVACHO,SACRAMENT ( Confession, Gods, Sacrament) 2003,performed 42 plays in 3 days.

2003 is good fortune year to Joaquim jack, as drama is non profitable business, never made money for live he left Heritage village club job and joined P&O cruises for entertainment Department, But his theatre passion never left, his first ship was AURORA and the goan crew member asked him to perform dram on ship, so he wrote a play titled as “GOV BHOTIR BAIL KHATIR” the title sound sexy and rude but it was a meaningful story about crew member life on ship and their family, this is first goan Konkani drama perform on ship and created history by a professional writer Joaquim jack. This show viewed by 350 crew member including goan, Indian, British and other nationalities. A VHS is made of this drama and sold to buyers all the profit donated to the Orlim church by one Mickey Thomas Fernandes.

When he came on leave during carnival time 2004, KAZAR TARVONTEANCHE,SOMPLE ( Marriage, Seamens,End)2004 , performed 45 play and break old record. After finishing leave joined anther ship named “ADONIA” and shown drama “JIVIT TARVOTEANCHEM” mean Life of Seaman, performed on 1st Oct 2004, DVD made from this drama and sold all profit Rs 19500/- donated to DADDY”S HOME, gogol margao goa. This drama created anther history on Konkani stage world in 150 TIATR years, In this drama the first British T.V. and stage artist sang Konkani song and acted his name is Peter Barnett. The same Peter Barnett came to goa and created history and sang two Konkani song on Gomant vidha niketan hall and kala academy in JOAQUIM JACK drama titled as MOGACHIM MAIM (Lovely Mother) in may 2005, Again joaquim jack shown another show on ship AURORA, title as KITEAK UPARLEM (What’s the use?),29th Oct 2005, again created one more history first time two ladies acted on ship in Konkani Drama Mrs HAZEL D’SILVA from Chinchinim and other girl Miss SYLVIA FERNANDES from Raia.

Again DVD is made as duplication delayed to received from Goa, less DVD are sold and Rs 2500/- profit made which is donated to St. Sebastian church, Loliem. On 2nd DEC 2006 he joined on OCEANA and performed one more drama titled as “KORCHEA ADHIM CHINTAT”( Think twice before you do Something Wrong) again one more history is created Two British girl on one Mumbai girl performed on ship in Konkani drama, Miss NIKKI BARRET (UK), Miss LINZI BEAVERS(UK),Miss SWEELLAN FERNADES (Mumbai) this show was great hit 40,000/- profit made from this drama donated 20000/- to daddy’s Home and 20000/- to LAR DE SANTA TEREZINA a abandon child home, In 2008 another show was released “ HO MHOZO KAIDO” ( This is my Law) wrote and produce by JOAQUIM JACK in the of ANTUSH D SILVA, the drama was hit and big budget production. Now joaquim jack is concentrated on job and working as Sound and light technician for P&O Cruises.UK. For English theatre.

And looking to make Konkani film and looking for producer. This is his e-mail address joaquimjack@rediffmail.com and his cell no is +919823524699. If anyone like to make film or Drama business you are free to contact him. He is recently married on 12 AUGUST 2009 to Selza Pereira, from Cuncolim and now settled at Navelim, and living in Flat With his Brother Agnelo, Anty Juzelina, and Wife SELZA..

http://wikibin.org/articles/joaquim-jack-tiatr-konkani-drama-goa.html

Feeling nostalgic about village tiatr


Feeling nostalgic about village tiatr


BY CLARA A RODRIGUES

Lucasinho Ribeiro’s staging of the first modern Konkani tiatr on April 17, 1892 marked the beginning an epoch in the history of tiatr. Today being Tiatr Day, ‘The Navhind Times' takes a look at one aspect of tiatr—the staging of tiatrs by locals of a village to be performed in the village itself, which is on the wane and highlighting steps being taken to reverse the trend.

Tiatr has retained its vibrant nature with the nurturing of this form of theatre at a village level. The whacky tiatr writer, the melodious singer, an actress full of verve, have all known to have discovered yet another aspect to their personality when they that to the stage in front of a familiar audience.

Misha D’Souza from Calangute remembers that as recently as three years ago attending a tiatr written by a local and staged by the people of the village for the chapel feast in their ward. A face is all smiles as she recalls how the slips made by the actors always draws noisy whistles from the audience. And yes, the time when the boy dresses up as a girl for a scene is attracts whistles that mean to say, “O my, you could never have looked better”. A village tiatr has all the ingredients to kindle the most classic feeling of congeniality. The loud promptings sometimes leaves an actor into a tinge of embarrassment as he repeats the same. It’s these performances that make you the cynosure of villager’s eyes as they sometimes address you by the name of your character.

Cut to years ago, and the stalwarts of the tiatr stage will tell you how commercial viability was a concept unknown hitherto. With patromax lamps doing the present day task of stage lights, these un-ticketed shows had actors screaming their dialogues as there was no sound system.

The actor with a loud voice was an asset says Tomazinho Cardozo, a tiatr writer and the president of the Tiatr Academy of Goa. The people sitting on the on the ground and often fields was a thin dividing line between the actors on stage and the audiences whose stories were being told by different people.

But things have long changed. Tiatrs still run to packed shows in villages but the striking difference is that the tiatrs are performed by commercial troupes. The tiatr at the village level is a place from which future stars grow informs Tomazinho terming the development as a sad trend that needs to be reversed. He says, “Since the last 25 years tiatrs at a village level has declined, as a result commercial performances reap huge income. All most all the shining artistes of the tiatr stage are products of the tiatr at a village level. I myself began my journey into tiatr by writing tiatrs for the village”.

Prince Jacob’s latest tiatr ‘Aiz hanv, Faleam tu’ introduces lead actress Rosy Travasso, a talented lass whom Prince Jacob scouted during a performance at a khell tiatr during the Carnival.

Says tiatr writer, Roseferns who began his tryst with the tiatr world by writing scripts for school drams and tiatrs that were staged for the village Church feasts says that “the different reactions we get from the people you have grown along with is different from feedback you receive being part of a commercial troupe. We used to stage a lot of tiatrs with the boys and girls of the village eagerly lending their hand in making it a success. In those times tiatr troupes from Bombay used to come and perform in Goa.

It was difficult to stage a tiatr in a village but we used to always pull off one which used to meet with tremendous success. We had problems of entertainment tax (which was later removed), licenses etc. We had no light effects; instead the two bulbs hanging from above served a similar purpose. Today, people do not have time to help in putting together a tiatr. Everyone is so busy”.

Tiatr has an effervescent presence till today. But the need to nurture it at a grass root level is important to get the best. Tiatrs whereby locals act are performed but that’s no enough. The tradition needs to be revived. The Tiatr Academy of Goa has offer schemes offering financial and technical assistance to those willing to organise a tiatr where the people of the village act in it. Besides, there are also offering schemes to schools and colleges to produce tiatrs.


Published on: April 17, 2010
The Navhind Times www.navhindtimes.in
http://www.navhindtimes.in/iexplore/feeling-nostalgic-about-village-tiatr

TIATR : MIRROR OF GOA'S CULTURE

Tiatr - Goa
TIATR : MIRROR OF GOA'S CULTURE

The Konkani tiatr, a dramatic art form, unique to Goa has flourished and thrived for over a hundred years. Tiatr has been sustained entirely by popular support as it has never been extended any patronage and help either by the Portuguese colonial regime or successive governments in post liberation Goa.

Tiatr shows are invariably housefull particularly when a new tiatr is launched. Tiatrist have achieved a high degree of professionalism in recent years with elaborate sets, lighting and other technical aspects. But the success of the tiatr is mainly due to the fact that the themes chosen are topical and contemporary.

What distinguishes the tiatr from other dramatic forms, is the songs on topical, burning, controversial issues that are interspersed through the performance. These musical interludes which are very satirical are independent of the main theme of the play. The songs are irreverent and gently or at times even savagely poke fun at the government.

Konkani tiatrist have been unsparing of public authorities and have consistently exposed their follies and subjected them mercilessly to ridicule. While tiatr has always relied a great deal on satire, it has most of the time been clean, good fun and there is almost never any malice.

Tiatrist have always demonstrated a very high degree of social awareness. Most of the themes of tiatr are concerned with social problems confronting the people.

Tiatrs have focused on the drug problem, alchoholism, the false sense of values of Goans who strike it rich in the Gulf, the fall in values that lead to the neglect of parents, the problems of inter-caste marriage and the like.

There is a very healthy sense of irreverence in the themes and the dialogues in tiatr and the high and mighty including ministers and even priests. The tiatr as a dramatic form has been traditionally the exclusive preserve of the Christian community.

Tiatrists come from all sections of society. Besides the regular commercial shows, tiatrs are invariably held to commemorate every church and chapel feast in the State.

Though a popular entertainment form, tiatrs have always catered to the family. Though the dialogue can be very earthy it has none of bawdiness of the Marathi tamasha, which it resembles in many ways.

Even the harshest critics of tiatr acknowledge that it was this dramatic form which kept the Konkani language alive during Portuguese colonial rule, when Konkani was suppressed. Tiatrists played a major role in the struggle to make Konkani the officials language of the State.

http://www.indiatravelite.com/goa/goatiatr.htm

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A big e-welcome to you. Tumcam Maie-mogacho ieukar. Enjoy Life - This is not a rehearsal! Konkani uloi, boroi, vach ani samball - sodankal. Hich Goenchi osmitai ani amchem khalxelponn. Goenchi amchi Konkani bhas! Ekvottachem saddon Goenkaranchem. This is Gaspar Almeida from Parra, Bardez, Goa, based in Kuwait and am connected with the www.goa-world.com website created by Ulysses Menezes, and as Moderator of the famous first of its kind Gulf-Goans e-Newsletter (since 1994) and The Goan Forum and several Goan and Indian associations and forums and e-forums in Goa, India, Kuwait, The Middle East and worldwide.