Tuesday, August 10, 2010
Monday, August 9, 2010
Workshop on ‘Kantaram’ organized by Kala Academy Goa & TAG
Workshop on ‘Kantaram’ organized by Kala Academy Goa & TAG
A workshop on stage songs of tiatr ‘Kantaram’ was organised by Kala Academy Goa in collaboration with Tiatr Academy of Goa (TAG) on 8th August 2010 at the Black Box, Kala Academy, Panjim. ‘Kantaram’ is a part and parcel of a tiatr, which also constitutes its uniqueness.
‘Kantaram’ are of different types such as Solos, Duets, Trios, Quartets etc. and all these songs of different types must be included in the tiatr. However in the recent times it has been observed that variety of ‘kantaram’ which form the uniqueness of tiatr, is not maintained by the present day tiatr artistes. Hence, the workshop was organised.
Tomazinho Cardozo, President of TAG explained in detail the various types of ‘Kantaram’ such as Solos, Duets,Trios, Quartets etc. He brought out the exact nature of Duets, Trios, Quartets and stressed upon the fact that the lyrics should be interactive in nature and every singer should be projected as a different character. He also stated that ‘Kantaram’ which are sung together with different voices and which can be termed as choral songs also form the part of a tiatr. Yet another type of song which is sung by different people and in which there is no interaction is also a part and parcel of the package of ‘Kantaram’ for a tiatr.
During the interaction, various participants asked for clarification and also gave valuable suggestions in order to dispel misunderstanding regarding Solos, Duets, Trios, Quartets etc. in the minds of singers and lyricists.
Dr. Pandurang Phaldessai, Member Secretary of Kala Academy in his address stated that such type of workshops are very valuable because it helps in better understanding of Tiatr, its Song & Music and also helps in the development of Tiatr, its Song & Music. He further stated that the concept of Duets, Trios, Quartets and choral songs as discussed in the workshop will be made applicable in the forthcoming Tiatr Festival and Konkani Kantaram Festival to be organised by Kala Academy shortly. He appealed to all the participants to implement the new changes effectively and make Goan ‘Kantar’ more popular and interesting to listeners. Victor de Da, Member Secretary of TAG proposed the vote of thanks.
[As forwarded to gaspar almeida, www.goa-world.com by TAG via email]
A workshop on stage songs of tiatr ‘Kantaram’ was organised by Kala Academy Goa in collaboration with Tiatr Academy of Goa (TAG) on 8th August 2010 at the Black Box, Kala Academy, Panjim. ‘Kantaram’ is a part and parcel of a tiatr, which also constitutes its uniqueness.
‘Kantaram’ are of different types such as Solos, Duets, Trios, Quartets etc. and all these songs of different types must be included in the tiatr. However in the recent times it has been observed that variety of ‘kantaram’ which form the uniqueness of tiatr, is not maintained by the present day tiatr artistes. Hence, the workshop was organised.Tomazinho Cardozo, President of TAG explained in detail the various types of ‘Kantaram’ such as Solos, Duets,Trios, Quartets etc. He brought out the exact nature of Duets, Trios, Quartets and stressed upon the fact that the lyrics should be interactive in nature and every singer should be projected as a different character. He also stated that ‘Kantaram’ which are sung together with different voices and which can be termed as choral songs also form the part of a tiatr. Yet another type of song which is sung by different people and in which there is no interaction is also a part and parcel of the package of ‘Kantaram’ for a tiatr.
During the interaction, various participants asked for clarification and also gave valuable suggestions in order to dispel misunderstanding regarding Solos, Duets, Trios, Quartets etc. in the minds of singers and lyricists.
Dr. Pandurang Phaldessai, Member Secretary of Kala Academy in his address stated that such type of workshops are very valuable because it helps in better understanding of Tiatr, its Song & Music and also helps in the development of Tiatr, its Song & Music. He further stated that the concept of Duets, Trios, Quartets and choral songs as discussed in the workshop will be made applicable in the forthcoming Tiatr Festival and Konkani Kantaram Festival to be organised by Kala Academy shortly. He appealed to all the participants to implement the new changes effectively and make Goan ‘Kantar’ more popular and interesting to listeners. Victor de Da, Member Secretary of TAG proposed the vote of thanks.[As forwarded to gaspar almeida, www.goa-world.com by TAG via email]
Thursday, August 5, 2010
Dance Competition on National Integration
Dance Competition on National Integration
Kala Mogi, Candolim in collaboration with Tiatr Academy of Goa and Dalgado Konknni Akademi will organize an inter school competition of dance on the recorded Konkani songs on National Integration on 23rd August 2010.
The competition is organized for the purpose of inculcating patriotic values among the student community. It will also popularize Konkani songs on National Integration. The participating schools will be provided with transport charges as per the distance of the school from the venue of competition. They will also be provided with refreshments and attractive awards including cash awards.
The 1st prize for the best performance will be Rs. 5000/-. The 2nd and 3rd prizes will be Rs. 3000/- and Rs. 2000/- respectively. Besides this, mementos will be presented to the winning schools and certificates of participation for all students.
Each dance group must have not less than 8 dancers and not more than 10 dancers.
Incase there is difficulty in getting Konkani songs on National Integration they are requested to contact on phone no. 9822170102. The necessary arrangement to provide Konkani songs on National Integration will be made.
Those schools interested in participating in the competition are requested to submit their applications to the Secretary, Kala Mogi, “Asro”, Orda, Candolim, Bardez, Goa, India on or before 12th August 2010.
Shivanand Naik
Secretary
Kala Mogi
[Info through press release as forwarded by Kala Mogi
to gaspar almeida, www.goa-world.com) on 5-08-2010).
Kala Mogi, Candolim in collaboration with Tiatr Academy of Goa and Dalgado Konknni Akademi will organize an inter school competition of dance on the recorded Konkani songs on National Integration on 23rd August 2010.
The competition is organized for the purpose of inculcating patriotic values among the student community. It will also popularize Konkani songs on National Integration. The participating schools will be provided with transport charges as per the distance of the school from the venue of competition. They will also be provided with refreshments and attractive awards including cash awards.
The 1st prize for the best performance will be Rs. 5000/-. The 2nd and 3rd prizes will be Rs. 3000/- and Rs. 2000/- respectively. Besides this, mementos will be presented to the winning schools and certificates of participation for all students.
Each dance group must have not less than 8 dancers and not more than 10 dancers.
Incase there is difficulty in getting Konkani songs on National Integration they are requested to contact on phone no. 9822170102. The necessary arrangement to provide Konkani songs on National Integration will be made.
Those schools interested in participating in the competition are requested to submit their applications to the Secretary, Kala Mogi, “Asro”, Orda, Candolim, Bardez, Goa, India on or before 12th August 2010.
Shivanand Naik
Secretary
Kala Mogi
[Info through press release as forwarded by Kala Mogi
to gaspar almeida, www.goa-world.com) on 5-08-2010).
Tuesday, August 3, 2010
C.Alvares Remembered
C.Alvares Remembered
Kala Mogi Candolim and Tiatr Academy of Goa (TAG) organised a discussion on
‘C. Alvares’s Contribution to Tiatr Stage’ on 1st August 2010 at 5 pm at TAG’s Conference Hall to mark the 89th Birth anniversary of late C. Alvares.
Ciriaco Dias, a veteran tiatr artiste and a close friend of late C.Alvares spoke extensively on the life and the works of late C.Alvares. He informed that late C.Alvares has written 107 tiatrs besides acting in thousands of tiatrs during the span of almost 50 years that he served the tiatr stage. Although he was one of the greatest tiatr artistes of tiatr stage, he was not recognised by Goa Government when he was alive, he lamented.
Sharon Mazarello, a singer of repute who also sung duets with late C.Alvares spoke on the lyrics and songs of late C. Alvares. She remarked that the lyrics composed by late C.Alvares were of high quality and named the songs he composed for the films namely ‘Amchem Noxib’ and ‘Nirmonn’, which have become immortal in the recent times.
Expressing her experience as a co-singer of duets with Alvares she stressed that late C.Alvares was a perfectionist and that he took care of all aspects of presentation before coming on the stage.
Tomazinho Cardozo, President of TAG who coordinated the discussion stated that personalities like late C.Alvares should be kept alive in the minds of younger generations because they are the true icons of tiatr stage. He appealed to all tiatr loving people particularly writers and researchers to come forward and to do research on the tiatrs written and songs composed by the tiatr artistes of yesteryears like C.Alvares, Chris Perry, Alfred Rose, Minguel Rod, Alexinho de Candolim etc. He assured that TAG will support such projects whole heartedly. In the discussion that followed, Succoro de Santa Cruz, Irene Cardozo, Anil Kumar, Mathew D’Souza and others actively participated.
Earlier Irene Cardozo welcomed and later Joy Fernandes proposed a vote of thanks.
Victor de Sa
Member Secretary
Tiatr Academy Goa (TAG)
- As forwarded to gaspar almeida, goa-world.com by TAG (with photos).
Kala Mogi Candolim and Tiatr Academy of Goa (TAG) organised a discussion on
‘C. Alvares’s Contribution to Tiatr Stage’ on 1st August 2010 at 5 pm at TAG’s Conference Hall to mark the 89th Birth anniversary of late C. Alvares.
Ciriaco Dias, a veteran tiatr artiste and a close friend of late C.Alvares spoke extensively on the life and the works of late C.Alvares. He informed that late C.Alvares has written 107 tiatrs besides acting in thousands of tiatrs during the span of almost 50 years that he served the tiatr stage. Although he was one of the greatest tiatr artistes of tiatr stage, he was not recognised by Goa Government when he was alive, he lamented.
Sharon Mazarello, a singer of repute who also sung duets with late C.Alvares spoke on the lyrics and songs of late C. Alvares. She remarked that the lyrics composed by late C.Alvares were of high quality and named the songs he composed for the films namely ‘Amchem Noxib’ and ‘Nirmonn’, which have become immortal in the recent times.
Expressing her experience as a co-singer of duets with Alvares she stressed that late C.Alvares was a perfectionist and that he took care of all aspects of presentation before coming on the stage.
Tomazinho Cardozo, President of TAG who coordinated the discussion stated that personalities like late C.Alvares should be kept alive in the minds of younger generations because they are the true icons of tiatr stage. He appealed to all tiatr loving people particularly writers and researchers to come forward and to do research on the tiatrs written and songs composed by the tiatr artistes of yesteryears like C.Alvares, Chris Perry, Alfred Rose, Minguel Rod, Alexinho de Candolim etc. He assured that TAG will support such projects whole heartedly. In the discussion that followed, Succoro de Santa Cruz, Irene Cardozo, Anil Kumar, Mathew D’Souza and others actively participated.
Earlier Irene Cardozo welcomed and later Joy Fernandes proposed a vote of thanks.
Victor de Sa
Member Secretary
Tiatr Academy Goa (TAG)
- As forwarded to gaspar almeida, goa-world.com by TAG (with photos).
Workshop on Duets/Trios/Quartets
Workshop on Duets/Trios/Quartets
Tiatr Academy of Goa (TAG) in collaboration with Kala Academy, Goa will organise a workshop on ‘Kantaram’ particularly Duets/Trios/Quartets. ‘Kantaram’ are an integral part of Goan Tiatr and the variety in ‘Kantaram’ i.e. Duets/Trios/Quartets form the unique characteristics of Tiatr.
Tiatr Academy of Goa and Kala Academy have observed that the Duets/Trios/Quartets sung on the tiatr stage are not as per the Duets/Trios/Quartets sung by the tiatr artistes of yester years. Tiatr Academy of Goa and Kala Academy intend to preserve the nature of Duets/Trios/Quartets as composed and sung by the lyricists and singers of tiatr stage in the past.
This workshop will be held on Sunday, 8th August 2010 from 10 am to 1 pm at the Black Box, Kala Academy, Goa. All tiatr artistes particularly the lyricists and singers are requested to attend the workshop.
The artistes are requested to confirm their participation on phone nos. 2230738/2230739 on or before 5th August 2010.
Victor de Sa
Member Secretary
Tiatr Academy of Goa (TAG) in collaboration with Kala Academy, Goa will organise a workshop on ‘Kantaram’ particularly Duets/Trios/Quartets. ‘Kantaram’ are an integral part of Goan Tiatr and the variety in ‘Kantaram’ i.e. Duets/Trios/Quartets form the unique characteristics of Tiatr.
Tiatr Academy of Goa and Kala Academy have observed that the Duets/Trios/Quartets sung on the tiatr stage are not as per the Duets/Trios/Quartets sung by the tiatr artistes of yester years. Tiatr Academy of Goa and Kala Academy intend to preserve the nature of Duets/Trios/Quartets as composed and sung by the lyricists and singers of tiatr stage in the past.
This workshop will be held on Sunday, 8th August 2010 from 10 am to 1 pm at the Black Box, Kala Academy, Goa. All tiatr artistes particularly the lyricists and singers are requested to attend the workshop.
The artistes are requested to confirm their participation on phone nos. 2230738/2230739 on or before 5th August 2010.
Victor de Sa
Member Secretary
It's a Revenge Review not Tiatr Review
It's a Revenge Review not Tiatr Review
I, Comedian Agostinho, got to know you (I repent it now), for the first time, when I came to perform in Rosary Ferns' Tiatr at Kuwait. At that time, you were introduced to me as Veronic. But now in 2010, just as Temudo has become Temuz, the years have taken its toll and Veronic has transformed into VIKH (Poison). That poison has contaminated your whole body and changed you to a RABID MAD DOG. Your actions are enough proof, as you bark at anybody and everybody, for no valid reason whatsoever, even at religious catholic priests.
Hope you know that, or else confirm it soon, that your sole identity is, and you are known as a RABID MAD DOG in the whole of Kuwait.
Your dirty conscience started pricking, the moment you saw an almost houseful audience present for my hit show ADVOGAD. If there were very less spectators, you would have been very happy and would have enjoyed your sadistic pleasures from the core of your rotten heart.
The timings of my tiatr coincided with the live telecast of one of the best matches of the World Cup, between Brazil and Portugal , teams which are cherished and have a huge fan following amongst Goans. In spite of this, I take pride in revealing to a mad jealous dog like you, that my show was patronized by the likes of Mr. Gaspar Crasto, Mr. Britto, and scores of football lovers and football players themselves. This goes on to prove my worth. If any other Tiatr was to be staged that day at the same time instead of ADVOGAD directed by Kalcho Porcho Director, the ground reality would have been totally different.
I don't rest on my laurels. But it is a proven fact and a record (Please Rabid dog, note it down on your personal diary in red ink) that I am the only Konkani tiatrist to perform 18 times at Kuwait, 4 times in my Tiatrs viz., SIR, POLICE I , POLICE II & ADVOGAD and the rest of the 14 times under different Directors, including Kuwait based Directors viz. Laurente Pereira, Mario de Majorda, Rosary Ferns, Comedian Philip, Jose Rod, KGTS, etc.
Undoubtedly, this speaks volumes that my comedy and my Tiatrs are liked and relished by Goan Tiatr lovers and the legion of my fans, to whom I am grateful from the bottom of my heart, and thank them profusely for the support, love and affection showered upon me. May God bless them all. With all this support, I can tread like a Giant and crush a Rabid Mad Dog like you under my feet.
Getting back to the so called 'Review', let me clarify that my troupe and myself arrived at 2 p.m. and were all set to perform by 3.30 p.m. Since the venue was new to most of the people, they were finding it difficult to find the same and were phoning my organizers that they are on their way. As such, I had to wait for the contractor's green signal and hence the delay. This fact was announced a couple of times by your good friend, Mr. Rosary Ferns, which you failed to hear, understandably, because you are turning deaf due to your old age. How about sponsoring you a HEARING AID DEVICE?
And yes, sadly, the GOAN STD TIME was, is and will be followed for ages by our susegado Goans. It is beyond our realm to change it, try as we may. And I can assure you, cent per cent, that the GST will be followed at your last voyage, your funeral, wherever held on Earth.
Regarding the storyline; Rape IS NOT a cheap topic. It is a hot topic, as there have been so many rape and murder cases in Goa , which have brought a bad name to all upright Goans. Through my humble writing, I have tried to show its ill effects on the victims and to educate and expose the unscrupulous ADVOGADS who try to shield such perpetrators. For selfish people like you, who bury their heads in the sand like ostriches and who believe in 'One for oneself, God for all', rape is a cheap topic, but it will become hot one day if someone rapes your immediate kin or your aged wife.
I humbly agree that I am an immature Director. But I can shout from my rooftop, that, in spite of being an immature Director with only 8 productions, I have scored a double century within a span of 13 months from its release, my super duper hit POLICE, a feat rarely achieved, not even by more mature directors.
I may be immature, but not an educated illiterate like you, who is turning senile by the passage of time.
Before I clarify about the songs, please identify my actors correctly, or get your vision corrected. You called JAJU Juju and Salu D'Souza was reported as Salu Faleiro, so much for your corrupt knowledge !!
The Trio on religious amity, sung by JAJU-XAV-SAL, was my subject but composed by Xavier Gomes. The Duet sung by Selvy-Anita was also my idea, composed by Francis de Tuem, and once again, the Duo sung by Roma & Steffi was also my subject, penned by Benny Rebello.
I state without fear, that the story idea, writing and direction is totally my baby. Every word in the comedy sequences is my property. I am the father of my tiatr 'ADVOGAD', and the credit should rightly go to the father first, then the children. No child takes birth without parents, one father and mother, not in your case though, because your words and actions make it amply clear that you were born of several fathers, or else have a DNA check and let us know the results.
I reiterate that I have never begged of any contractors to stage my shows, neither in the Gulf nor in the UK. My original contractors in Kuwait have always been Chequino, Mario and Tom. Xavier approached me quite a few times asking for the contract of my tiatr. I requested my above mentioned contractors, and with their permission and blessings, allowed Xavier to stage the show. It is the contractor's sole responsibility to do all the arrangements, legal formalities etc. in order to stage the show.
Everyone does it with profit motive, there is no gain without pain. I appreciate and thank Xavier for his efforts wholeheartedly. You have done the same, but with an ulterior motive. You did get free passes for yourself, your greedy family and your cronies, and you expect more next time, stinking parasite.
There is no question about my 'disappearance'. You could have said that if I had disappeared without performing. But, as usual, you are in a dirty habit of fabricating and making cock and bull stories.
I had to leave early, and I duly explained it to my artistes, only to accompany Comedienne Anita, who had to rush as she had to join B.Ed. classes. My good friends, Comedian Philip and Mario fully agreed to see to my artistes' comforts, which were mutually agreed beforehand. I asked some of my artistes if I could accommodate them at your place, but they flatly refused, thank Heavens for that. They said, they would rather spend their days at the Kuwait Church Compound, then in a stinking flat belonging to an ungrateful pervert like you. So much for your reputation! ! !
It is indeed intriguing to see you putting your fingers in every pudding and pie. You criticize every tiatrist inspite of being a NON ENTITY in this field. Script a Tiatr and stage it yourself before teaching us the traits. Show us if you have BA_ _ S, or else come down to Goa and I will employ you as a stage Helper (you will need training even for that), and I will pay you your dues.
A few more words about your 'Revenge Review'. Your good friend Mr. Rosary Ferns was supposed to sing a solo, which he did. He was informed well in advance about his slot, but even after my Musicians played the Intro about 4 times, Rosary was nowhere and people were booing, thus leaving a bad remark on my show. What kept you back in writing about this? A bottle of liquor? A few Dinars? Or a gift for your wife?
Before I wind up, please let me know if you have any personal grudge against me. Going by the things that you wrote, it is definitely personal vendetta and you have an axe to grind. As far as my memory goes the only grudge can be that you had requested me to bring 500 pork sausages and 4 packets of salted cashew nuts whilst coming to perform for Rosary's show. I brought the same eatables for you, but when I asked for the money, you fumed and got wild. Can this be the reason? You were pally with me before that, but fell off with me for reasons better know to you, which is typical of you, changing colours like a chameleon.
Your attitude and behavious towards others smells of polluted blood in your veins. Although you are a Rabid Mad Dog, you are not even of a top breed like Poms, Alsatian, etc. But a mixed blooded PARIAH DOG roaming the streets. The day is near when the MUNICIPAL AUTHORITIES will shoot you and leave you to rot. R.I.P.
By Comedian Agostinho
Writer / Director of ADVOGAD tiatr
comedianagostin@gmail.com
August 2, 2010
[Goa-world.com Moderator's note: All comments on this subject to be forwarded to goaworldtoday@yahoo.com .
Excellent response Comedian Agostinho Temudo. May your action be an inspiration to all other Tiatrists who are abused by such bloggers - in the name to gain some cheap fame as well to pleasure their croonies - as you rightly put it for 'sadistic pleasures' even after getting free entry passes.]
Link:
http://groups.yahoo.com/group/gulf-goans/message/30796
http://groups.yahoo.com/group/gulf-goans/message/30800
I, Comedian Agostinho, got to know you (I repent it now), for the first time, when I came to perform in Rosary Ferns' Tiatr at Kuwait. At that time, you were introduced to me as Veronic. But now in 2010, just as Temudo has become Temuz, the years have taken its toll and Veronic has transformed into VIKH (Poison). That poison has contaminated your whole body and changed you to a RABID MAD DOG. Your actions are enough proof, as you bark at anybody and everybody, for no valid reason whatsoever, even at religious catholic priests.
Hope you know that, or else confirm it soon, that your sole identity is, and you are known as a RABID MAD DOG in the whole of Kuwait.
Your dirty conscience started pricking, the moment you saw an almost houseful audience present for my hit show ADVOGAD. If there were very less spectators, you would have been very happy and would have enjoyed your sadistic pleasures from the core of your rotten heart.
The timings of my tiatr coincided with the live telecast of one of the best matches of the World Cup, between Brazil and Portugal , teams which are cherished and have a huge fan following amongst Goans. In spite of this, I take pride in revealing to a mad jealous dog like you, that my show was patronized by the likes of Mr. Gaspar Crasto, Mr. Britto, and scores of football lovers and football players themselves. This goes on to prove my worth. If any other Tiatr was to be staged that day at the same time instead of ADVOGAD directed by Kalcho Porcho Director, the ground reality would have been totally different.
I don't rest on my laurels. But it is a proven fact and a record (Please Rabid dog, note it down on your personal diary in red ink) that I am the only Konkani tiatrist to perform 18 times at Kuwait, 4 times in my Tiatrs viz., SIR, POLICE I , POLICE II & ADVOGAD and the rest of the 14 times under different Directors, including Kuwait based Directors viz. Laurente Pereira, Mario de Majorda, Rosary Ferns, Comedian Philip, Jose Rod, KGTS, etc.
Undoubtedly, this speaks volumes that my comedy and my Tiatrs are liked and relished by Goan Tiatr lovers and the legion of my fans, to whom I am grateful from the bottom of my heart, and thank them profusely for the support, love and affection showered upon me. May God bless them all. With all this support, I can tread like a Giant and crush a Rabid Mad Dog like you under my feet.
Getting back to the so called 'Review', let me clarify that my troupe and myself arrived at 2 p.m. and were all set to perform by 3.30 p.m. Since the venue was new to most of the people, they were finding it difficult to find the same and were phoning my organizers that they are on their way. As such, I had to wait for the contractor's green signal and hence the delay. This fact was announced a couple of times by your good friend, Mr. Rosary Ferns, which you failed to hear, understandably, because you are turning deaf due to your old age. How about sponsoring you a HEARING AID DEVICE?
And yes, sadly, the GOAN STD TIME was, is and will be followed for ages by our susegado Goans. It is beyond our realm to change it, try as we may. And I can assure you, cent per cent, that the GST will be followed at your last voyage, your funeral, wherever held on Earth.
Regarding the storyline; Rape IS NOT a cheap topic. It is a hot topic, as there have been so many rape and murder cases in Goa , which have brought a bad name to all upright Goans. Through my humble writing, I have tried to show its ill effects on the victims and to educate and expose the unscrupulous ADVOGADS who try to shield such perpetrators. For selfish people like you, who bury their heads in the sand like ostriches and who believe in 'One for oneself, God for all', rape is a cheap topic, but it will become hot one day if someone rapes your immediate kin or your aged wife.
I humbly agree that I am an immature Director. But I can shout from my rooftop, that, in spite of being an immature Director with only 8 productions, I have scored a double century within a span of 13 months from its release, my super duper hit POLICE, a feat rarely achieved, not even by more mature directors.
I may be immature, but not an educated illiterate like you, who is turning senile by the passage of time.
Before I clarify about the songs, please identify my actors correctly, or get your vision corrected. You called JAJU Juju and Salu D'Souza was reported as Salu Faleiro, so much for your corrupt knowledge !!
The Trio on religious amity, sung by JAJU-XAV-SAL, was my subject but composed by Xavier Gomes. The Duet sung by Selvy-Anita was also my idea, composed by Francis de Tuem, and once again, the Duo sung by Roma & Steffi was also my subject, penned by Benny Rebello.
I state without fear, that the story idea, writing and direction is totally my baby. Every word in the comedy sequences is my property. I am the father of my tiatr 'ADVOGAD', and the credit should rightly go to the father first, then the children. No child takes birth without parents, one father and mother, not in your case though, because your words and actions make it amply clear that you were born of several fathers, or else have a DNA check and let us know the results.
I reiterate that I have never begged of any contractors to stage my shows, neither in the Gulf nor in the UK. My original contractors in Kuwait have always been Chequino, Mario and Tom. Xavier approached me quite a few times asking for the contract of my tiatr. I requested my above mentioned contractors, and with their permission and blessings, allowed Xavier to stage the show. It is the contractor's sole responsibility to do all the arrangements, legal formalities etc. in order to stage the show.
Everyone does it with profit motive, there is no gain without pain. I appreciate and thank Xavier for his efforts wholeheartedly. You have done the same, but with an ulterior motive. You did get free passes for yourself, your greedy family and your cronies, and you expect more next time, stinking parasite.
There is no question about my 'disappearance'. You could have said that if I had disappeared without performing. But, as usual, you are in a dirty habit of fabricating and making cock and bull stories.
I had to leave early, and I duly explained it to my artistes, only to accompany Comedienne Anita, who had to rush as she had to join B.Ed. classes. My good friends, Comedian Philip and Mario fully agreed to see to my artistes' comforts, which were mutually agreed beforehand. I asked some of my artistes if I could accommodate them at your place, but they flatly refused, thank Heavens for that. They said, they would rather spend their days at the Kuwait Church Compound, then in a stinking flat belonging to an ungrateful pervert like you. So much for your reputation! ! !
It is indeed intriguing to see you putting your fingers in every pudding and pie. You criticize every tiatrist inspite of being a NON ENTITY in this field. Script a Tiatr and stage it yourself before teaching us the traits. Show us if you have BA_ _ S, or else come down to Goa and I will employ you as a stage Helper (you will need training even for that), and I will pay you your dues.
A few more words about your 'Revenge Review'. Your good friend Mr. Rosary Ferns was supposed to sing a solo, which he did. He was informed well in advance about his slot, but even after my Musicians played the Intro about 4 times, Rosary was nowhere and people were booing, thus leaving a bad remark on my show. What kept you back in writing about this? A bottle of liquor? A few Dinars? Or a gift for your wife?
Before I wind up, please let me know if you have any personal grudge against me. Going by the things that you wrote, it is definitely personal vendetta and you have an axe to grind. As far as my memory goes the only grudge can be that you had requested me to bring 500 pork sausages and 4 packets of salted cashew nuts whilst coming to perform for Rosary's show. I brought the same eatables for you, but when I asked for the money, you fumed and got wild. Can this be the reason? You were pally with me before that, but fell off with me for reasons better know to you, which is typical of you, changing colours like a chameleon.
Your attitude and behavious towards others smells of polluted blood in your veins. Although you are a Rabid Mad Dog, you are not even of a top breed like Poms, Alsatian, etc. But a mixed blooded PARIAH DOG roaming the streets. The day is near when the MUNICIPAL AUTHORITIES will shoot you and leave you to rot. R.I.P.
By Comedian Agostinho
Writer / Director of ADVOGAD tiatr
comedianagostin@gmail.com
August 2, 2010
[Goa-world.com Moderator's note: All comments on this subject to be forwarded to goaworldtoday@yahoo.com .
Excellent response Comedian Agostinho Temudo. May your action be an inspiration to all other Tiatrists who are abused by such bloggers - in the name to gain some cheap fame as well to pleasure their croonies - as you rightly put it for 'sadistic pleasures' even after getting free entry passes.]
Link:
http://groups.yahoo.com/group/gulf-goans/message/30796
http://groups.yahoo.com/group/gulf-goans/message/30800
Saturday, July 31, 2010
Dr Jose Periera shares knowledge of ‘khell’
Dr Jose Periera shares knowledge of ‘khell’
Published on: July 30, 2010 - 23:36
www.navhindtimes.in
A rare archival collection on Khell by Goa’s foremost intellectual Dr Jose Periera was read out to a discerning lot. Dr Jose Periera used to write a long time ago, musical plays that were performed in the villages.
The enthusiast at the Xavier Centre of Historical Research, Porvorim got the opportunity to listen to this rare collection.
The story of ‘Konk Mauxi’ narrated from his collection is no longer available in the archives. Associate professor at the Goa University, Dr Rafael Fernandes while introducing the guest said that Dr Jose Periera was a man of great intellectual.
Dr Periera later spoke of what drove him to collect khell tiatrs. He points out to an incident when he heard the drum beating and feeling its vibrations in his body. This somehow encouraged him to interact with the Khell performers. The chance of talking to the performers gave him an insight into what ‘Khell’; the Goan drama was all about.
Such archival collection of tiatrs can be carried forward and preserved by performing, said Dr Pereira. Actors for ‘Khell’ dress in costumes of a horse tied to their body enact it, said Dr Pereira. He said this culture survived until it was taken over by the now sophisticated tiatrs. Mr Fernandes said that in order to preserve the rare archives, it could be converted into film too.
www.navhindtimes.in
Published on: July 30, 2010 - 23:36
www.navhindtimes.in
A rare archival collection on Khell by Goa’s foremost intellectual Dr Jose Periera was read out to a discerning lot. Dr Jose Periera used to write a long time ago, musical plays that were performed in the villages.The enthusiast at the Xavier Centre of Historical Research, Porvorim got the opportunity to listen to this rare collection.
The story of ‘Konk Mauxi’ narrated from his collection is no longer available in the archives. Associate professor at the Goa University, Dr Rafael Fernandes while introducing the guest said that Dr Jose Periera was a man of great intellectual.
Dr Periera later spoke of what drove him to collect khell tiatrs. He points out to an incident when he heard the drum beating and feeling its vibrations in his body. This somehow encouraged him to interact with the Khell performers. The chance of talking to the performers gave him an insight into what ‘Khell’; the Goan drama was all about.
Such archival collection of tiatrs can be carried forward and preserved by performing, said Dr Pereira. Actors for ‘Khell’ dress in costumes of a horse tied to their body enact it, said Dr Pereira. He said this culture survived until it was taken over by the now sophisticated tiatrs. Mr Fernandes said that in order to preserve the rare archives, it could be converted into film too.
www.navhindtimes.in
Tuesday, July 27, 2010
C. Alvares’s Contribution to Tiatr Stage
C. Alvares’s Contribution to Tiatr Stage
Kala Mogi Candolim in collaboration with Tiatr Academy of Goa will organize an academic discussion on the contribution of C. Alvares to Tiatr, its song and music. C. Alvares, who was born on 1st August, 1924, did wonders on the tiatr stage by staging tiatrs of high quality. He was one of the most popular heroes of the Konkani stage. He specialized himself in composing and singing duets on various social issues existing in our society. Naturally he was called “King of Duets”.
He excelled in Konkani Cinemas too. Konkani cinemas namely “Amchem Noxib” and “Nirmonn” in which he acted the hero’s roles have been the record breaking cinemas in the history of Konkani cinema.
The special programme “Contribution of C.Alvares to Konkani stage – A Discussion” on the occasion of the birthday of late C.Alvares, will be held on Sunday, 1st August, 2010 at 5.00 p.m. at the TAG’s Conference Hall, Campal, Panjim, Goa.
Ciriaco Dias, a versatile tiatr artiste and colleague of late C. Alvares will deliver a talk on C. Alvares’s contribution to Tiatr while Sharon Mazarello, a Konkani singer of repute will talk on C. Alvares’s songs particularly the Duets. Tomazinho Cardozo, President of TAG will preside over the function.
Tiatr lovers are requested to attend in great number.
Victor de Sa
Member Secretary
27/07/2010
[as forwarded by TAG to gaspar almeida, goa-world.com]
Kala Mogi Candolim in collaboration with Tiatr Academy of Goa will organize an academic discussion on the contribution of C. Alvares to Tiatr, its song and music. C. Alvares, who was born on 1st August, 1924, did wonders on the tiatr stage by staging tiatrs of high quality. He was one of the most popular heroes of the Konkani stage. He specialized himself in composing and singing duets on various social issues existing in our society. Naturally he was called “King of Duets”.
He excelled in Konkani Cinemas too. Konkani cinemas namely “Amchem Noxib” and “Nirmonn” in which he acted the hero’s roles have been the record breaking cinemas in the history of Konkani cinema. The special programme “Contribution of C.Alvares to Konkani stage – A Discussion” on the occasion of the birthday of late C.Alvares, will be held on Sunday, 1st August, 2010 at 5.00 p.m. at the TAG’s Conference Hall, Campal, Panjim, Goa.
Ciriaco Dias, a versatile tiatr artiste and colleague of late C. Alvares will deliver a talk on C. Alvares’s contribution to Tiatr while Sharon Mazarello, a Konkani singer of repute will talk on C. Alvares’s songs particularly the Duets. Tomazinho Cardozo, President of TAG will preside over the function.
Tiatr lovers are requested to attend in great number.
Victor de Sa
Member Secretary
27/07/2010
[as forwarded by TAG to gaspar almeida, goa-world.com]
Wednesday, July 14, 2010
‘Vovllik’ of the First World Konkani Cultural Convention
‘Vovllik’ of the First World Konkani Cultural Convention
Poilo Vixv Konknni Sanskrutik Mahamell (The First World Konkani Cultural Convention) is being organized from November 25 to December 19, 2010 at Kalaangann, Mangalore. In this 25 days world level Konkani Cultural Festival over 60 cultural troupes from all over the world are participating. Goa being the ‘Mull Pith’ of Konkani, about 30 cultural troupes presenting all cultural forms from Goa namely folk music, tiatr, nattok, etc will be showcased in the festival.
The Goa curtain-raiser of this World Convention will be held on Sunday, July 18, 2010at 7.30 p.m. at the Conference Hall, Ravindra Bhavan, Margao. On this occasion Shri, Digamber Kamat, Chief Minister of Goa will be the Chief Guest. Other dignitaries who will grace the occasion are Francisco Sardinha, M.P., Luizinho Faleiro, former Chief Minister, Eduardo Faleiro, Commissioner of NRI Affairs and Damodar Naik, MLA, Fatorda Constituency.
The Goa curtain-raiser is called ‘Vovllik’ meaning invitation. On this occasion a formal ‘vovllik’ will be extended to all the troupes from Goa participating in the First World Konkani Cultral Convention.
An exciting cultural programme has been arranged on the occasion in which a brass band from Honavar, a dance troupe from Mangalore and a folk troupe from Bhatkal will stage their robust performances. ‘Poilo Vixv Konknni Sanskrutik Mahamell’ invites all Goans to attend the Goa cuirtain-raiser ‘Vovllik’.
Tomazinho Cardozo
Candolim
Photos courtesy: www.daijiworld.com
Poilo Vixv Konknni Sanskrutik Mahamell (The First World Konkani Cultural Convention) is being organized from November 25 to December 19, 2010 at Kalaangann, Mangalore. In this 25 days world level Konkani Cultural Festival over 60 cultural troupes from all over the world are participating. Goa being the ‘Mull Pith’ of Konkani, about 30 cultural troupes presenting all cultural forms from Goa namely folk music, tiatr, nattok, etc will be showcased in the festival.
The Goa curtain-raiser of this World Convention will be held on Sunday, July 18, 2010at 7.30 p.m. at the Conference Hall, Ravindra Bhavan, Margao. On this occasion Shri, Digamber Kamat, Chief Minister of Goa will be the Chief Guest. Other dignitaries who will grace the occasion are Francisco Sardinha, M.P., Luizinho Faleiro, former Chief Minister, Eduardo Faleiro, Commissioner of NRI Affairs and Damodar Naik, MLA, Fatorda Constituency.
The Goa curtain-raiser is called ‘Vovllik’ meaning invitation. On this occasion a formal ‘vovllik’ will be extended to all the troupes from Goa participating in the First World Konkani Cultral Convention.
An exciting cultural programme has been arranged on the occasion in which a brass band from Honavar, a dance troupe from Mangalore and a folk troupe from Bhatkal will stage their robust performances. ‘Poilo Vixv Konknni Sanskrutik Mahamell’ invites all Goans to attend the Goa cuirtain-raiser ‘Vovllik’.
Tomazinho Cardozo
Candolim
Photos courtesy: www.daijiworld.com
DKA to commemorate its First President Day
DKA to commemorate its First President Day
Dalgado Konknni Akademi (DKA) will commemorate the Founder’s Day - late Fr. Freddy J. da Costa, on 19th July, 2010, the eve of his birth anniversary.
Late Fr. Freddy J. da Costa was the first dynamic president of Dalgado Konknni Akademi. He was a multifaceted personality who had contributed immensely to Konknni journalism, literature, tiatr, education and culture. His writings reflected the social concerns of Goan culture and society. He was a socialist, a humanitarian who
concretely worked for the social concerns of Goa.
As a priest, he involved himself in socio-cultural movements, and maintained public relations with peoples of all religions. He had a special interest for the development of Konkani in the Romi script. He always maintained that unity among Konknni writers and the development of Konknni was of moot importance.
The promoter and lover of Konknni in Romi script and the parish priest of Carambolim church Fr. Conceicao D’Silva will be the key note speaker for the function.
The function will start at 4.30 pm with a cultural programme in which Comedian Domnic, Luis Bachan, Socorro de St. Cruz, Sonia Fernandes and other tiatr artistes will partcipate. The formal function will be held at 5.00 pm. The function will be held at Tiatr Akademi Goa’s Auditorium, Campal, Panjim, Goa. All the Konknni lovers and members of DKA are requested to attend the function.
PHOTO: Late Fr. Freddy J Da Costa
as provided by DKA.
[Photo of the event].
Dalgado Konknni Akademi (DKA) will commemorate the Founder’s Day - late Fr. Freddy J. da Costa, on 19th July, 2010, the eve of his birth anniversary.
Late Fr. Freddy J. da Costa was the first dynamic president of Dalgado Konknni Akademi. He was a multifaceted personality who had contributed immensely to Konknni journalism, literature, tiatr, education and culture. His writings reflected the social concerns of Goan culture and society. He was a socialist, a humanitarian who
concretely worked for the social concerns of Goa. As a priest, he involved himself in socio-cultural movements, and maintained public relations with peoples of all religions. He had a special interest for the development of Konkani in the Romi script. He always maintained that unity among Konknni writers and the development of Konknni was of moot importance.
The promoter and lover of Konknni in Romi script and the parish priest of Carambolim church Fr. Conceicao D’Silva will be the key note speaker for the function.
The function will start at 4.30 pm with a cultural programme in which Comedian Domnic, Luis Bachan, Socorro de St. Cruz, Sonia Fernandes and other tiatr artistes will partcipate. The formal function will be held at 5.00 pm. The function will be held at Tiatr Akademi Goa’s Auditorium, Campal, Panjim, Goa. All the Konknni lovers and members of DKA are requested to attend the function.
PHOTO: Late Fr. Freddy J Da Costa
as provided by DKA.
[Photo of the event].
Monday, July 12, 2010
Tiatr Academy Goa & Parish Youth of Carambolim organizes Tiatr Workshop
Tiatr Academy Goa & Parish Youth of Carambolim
organizes Tiatr Workshop
Tiatr Academy of Goa (TAG) in collaboration with Parish Youth of Carambolim organised a workshop on Tiatr on Sunday, 11th July 2010 at the Parish Hall at Carambolim, Ilhas Goa. The Parish Priest Rev. Fr. Conceicao Silva inaugurated the workshop by lighting the traditional lamp in the presence of Tomazinho Cardozo, the President of TAG and Mr. Wilson Mazarello, a popular artiste of tiatr stage. In his speech, Fr. Conceisao Silva requested the youth to take interest in the Goan culture particularly in Tiatr, its Song & Music. He requested the youth to produce a tiatr by taking the required guidance as well as financial support from TAG.
Tomazinho Cardozo, President of TAG, who conducted the first session on ‘History & Format of Tiatr’ highlighted the historical facts on the tiatr stage in the form of quiz i.e. asking questions and getting answers from the participants about various aspects of tiatrs. He explained the characteristics of Tiatr and that of Khell-Tiatr and assured the participants to support their production activities of Tiatr or Khell-Tiatr or any activities related to it.
Wilson Mazarello guided the second session on ‘Direction & Acting’. Besides giving the knowledge of theoretical aspects of direction and acting, he organised practical demonstrations of direction and acting by directly involving the participants in acting.
In all 42 youth participated in the workshop. Certificates of participation were given to all the participants.
The office bearers of Parish Youth Association, Carambolim, namely: Cavin Caiado (President), Michael Carvalho (Vice-President), Emy Fernandes (General Secretary) and Danny Cardozo (Treasurer) also participated in the workshop. Edny Gonsalves compered the function.
Victor de Sa
Member Secretary
organizes Tiatr Workshop
Tiatr Academy of Goa (TAG) in collaboration with Parish Youth of Carambolim organised a workshop on Tiatr on Sunday, 11th July 2010 at the Parish Hall at Carambolim, Ilhas Goa. The Parish Priest Rev. Fr. Conceicao Silva inaugurated the workshop by lighting the traditional lamp in the presence of Tomazinho Cardozo, the President of TAG and Mr. Wilson Mazarello, a popular artiste of tiatr stage. In his speech, Fr. Conceisao Silva requested the youth to take interest in the Goan culture particularly in Tiatr, its Song & Music. He requested the youth to produce a tiatr by taking the required guidance as well as financial support from TAG.
Tomazinho Cardozo, President of TAG, who conducted the first session on ‘History & Format of Tiatr’ highlighted the historical facts on the tiatr stage in the form of quiz i.e. asking questions and getting answers from the participants about various aspects of tiatrs. He explained the characteristics of Tiatr and that of Khell-Tiatr and assured the participants to support their production activities of Tiatr or Khell-Tiatr or any activities related to it.Wilson Mazarello guided the second session on ‘Direction & Acting’. Besides giving the knowledge of theoretical aspects of direction and acting, he organised practical demonstrations of direction and acting by directly involving the participants in acting.
In all 42 youth participated in the workshop. Certificates of participation were given to all the participants.
The office bearers of Parish Youth Association, Carambolim, namely: Cavin Caiado (President), Michael Carvalho (Vice-President), Emy Fernandes (General Secretary) and Danny Cardozo (Treasurer) also participated in the workshop. Edny Gonsalves compered the function.
Victor de Sa
Member Secretary
Thursday, July 8, 2010
Saxtti dialect draws the laughs on Konkani stage
Saxtti dialect draws the laughs on Konkani stage
- by Joaquim Fernandes, TNN, 15 February 2010
PANAJI: When he takes to the stage, attired in Michael Jackson's trade-mark black outfit complete with gold trimmings, white socks, white glove, black shades and hat, there is an instantaneous applause. At his mimicry of Jackson's gesticulations, and his belting out the Konkani version of Jacko's pop hit 'Black or White', the applause swells.
It's as if the King of Pop himself is on stage. It is, however, not Jackson singing in Konkani, but new comic on the Konkani stage Richard of Raia enacting a role in Mario Menezes' “Beiman Kir”. Before Richard took over as 'Michael', the role was portrayed by Ben Evangelisto from Benaulim. Michael's 'girlfriend' is played by Joana, also from Benaulim.
It is no coincidence that all three comedians come from Salcete. Konkani comedy is now dominated by South Goa artistes. Tiatr Academy of Goa president Tomazinho Cardozo says, “Nowadays, there are only a few tiatr artistes in North Goa. There was a time, when North Goa dominated. When there are not enough tiatr artistes, how will you get comedians?” A renowned playwright himself, Cardozo says the proliferation of comedians in Salcete has nothing to do with the language.
The Salcete dialect of Konkani has been commonly used by Konkani comedians, who even poke fun at the Bardez dialect by mimicking it on stage. Konkani novelist, journalist and playwright Bonaventure D'Pietro, says the Salcete dialect became popular with the emergence of the new form of Konkani drama called khell-tiatr, which is popular in the South. Pietro, however, said that comedy in Konkani tiatr was pioneered by Bardez artistes. “In those days, even Salcete comedians would speak in the Bardez dialect,” says Pietro, citing the example of the late Anthony Mendes of Margao. “He was a Saxtticar, but on stage, he turned into a Bardezkar. You can see this in the film 'Amchem Noxib',” he says. That has turned around in recent years. Says writer-director of 67 Konkani tiatrs Roseferns, “A few years back, we had comedian Vitorino from Calangute-Bardez.
The audience loved him when he spoke in the Salcete dialect, which he did with difficulty. I think, it is the popularity of the Salcete dialect which is the reason for South Goa comedians dominating the Konkani stage now.” Cardozo is hopeful this will change. Says he, “There are still a few comedians in North Goa. There is Christopher (Comedian 64) from Divar and Mathew from Merces. Earlier, some of the best tiatr comedians were from the North. Jacint Vaz and Kid Boxer are examples. It is cyclic and as time passes, we may get more comedians from North Goa.”
Menezes agrees with Cardozo on that aspect. “Most tiatr troupes and major directorsare from South Goa. Only two or three troupes are from North. Since most artistes are from South Goa, comedians also come from the South. It must be a matter of convenience for the artistes,” Menezes said. Menezes lists out his top comedians which includes the brothers Jacob and Humbert, Agostinho, Selvy, Sally, Ben Evangelisto, John D'Silva, Ambe, Jesus, Janet, Joana, Anita and the siblings Dominic and Luis Bachan. Only the lastnamed are from North Goa (Ponda). Menezes too admits that North Goa artistes earlier dominated Goan comedy. Even now, he rates Sheikh Amir and Comedian 64 highly. Menezes opined that dialect could be an important reason for South Goa dominance. “The Salcete dialect is now preferred for comedy and Bardez comedians must be finding it difficult to speak it,” he said.
(The Times of India)
- by Joaquim Fernandes, TNN, 15 February 2010
PANAJI: When he takes to the stage, attired in Michael Jackson's trade-mark black outfit complete with gold trimmings, white socks, white glove, black shades and hat, there is an instantaneous applause. At his mimicry of Jackson's gesticulations, and his belting out the Konkani version of Jacko's pop hit 'Black or White', the applause swells.
It's as if the King of Pop himself is on stage. It is, however, not Jackson singing in Konkani, but new comic on the Konkani stage Richard of Raia enacting a role in Mario Menezes' “Beiman Kir”. Before Richard took over as 'Michael', the role was portrayed by Ben Evangelisto from Benaulim. Michael's 'girlfriend' is played by Joana, also from Benaulim. It is no coincidence that all three comedians come from Salcete. Konkani comedy is now dominated by South Goa artistes. Tiatr Academy of Goa president Tomazinho Cardozo says, “Nowadays, there are only a few tiatr artistes in North Goa. There was a time, when North Goa dominated. When there are not enough tiatr artistes, how will you get comedians?” A renowned playwright himself, Cardozo says the proliferation of comedians in Salcete has nothing to do with the language.
The Salcete dialect of Konkani has been commonly used by Konkani comedians, who even poke fun at the Bardez dialect by mimicking it on stage. Konkani novelist, journalist and playwright Bonaventure D'Pietro, says the Salcete dialect became popular with the emergence of the new form of Konkani drama called khell-tiatr, which is popular in the South. Pietro, however, said that comedy in Konkani tiatr was pioneered by Bardez artistes. “In those days, even Salcete comedians would speak in the Bardez dialect,” says Pietro, citing the example of the late Anthony Mendes of Margao. “He was a Saxtticar, but on stage, he turned into a Bardezkar. You can see this in the film 'Amchem Noxib',” he says. That has turned around in recent years. Says writer-director of 67 Konkani tiatrs Roseferns, “A few years back, we had comedian Vitorino from Calangute-Bardez.
The audience loved him when he spoke in the Salcete dialect, which he did with difficulty. I think, it is the popularity of the Salcete dialect which is the reason for South Goa comedians dominating the Konkani stage now.” Cardozo is hopeful this will change. Says he, “There are still a few comedians in North Goa. There is Christopher (Comedian 64) from Divar and Mathew from Merces. Earlier, some of the best tiatr comedians were from the North. Jacint Vaz and Kid Boxer are examples. It is cyclic and as time passes, we may get more comedians from North Goa.”
Menezes agrees with Cardozo on that aspect. “Most tiatr troupes and major directorsare from South Goa. Only two or three troupes are from North. Since most artistes are from South Goa, comedians also come from the South. It must be a matter of convenience for the artistes,” Menezes said. Menezes lists out his top comedians which includes the brothers Jacob and Humbert, Agostinho, Selvy, Sally, Ben Evangelisto, John D'Silva, Ambe, Jesus, Janet, Joana, Anita and the siblings Dominic and Luis Bachan. Only the lastnamed are from North Goa (Ponda). Menezes too admits that North Goa artistes earlier dominated Goan comedy. Even now, he rates Sheikh Amir and Comedian 64 highly. Menezes opined that dialect could be an important reason for South Goa dominance. “The Salcete dialect is now preferred for comedy and Bardez comedians must be finding it difficult to speak it,” he said.
(The Times of India)
Wednesday, July 7, 2010
DKA’S IMPRESSIVE KONKNNI COMPERING WORKSHOP
DKA’S IMPRESSIVE KONKNNI COMPERING WORKSHOP
The Konknni Compering workshop which was conducted by Dalgado Konknni Akademi (DKA) recently evoked a good response with 73 participants, most of them were youth and college going students.
The workshop was held in two sessions. The duties and responsibilities of a compere was impressively spelled out by well known compere Dr. Ajay Vaidya. “The duty of a compere is to conduct a function in a disciplined manner. That’s why the person who
has accepted the responsibilty to be compere for any function he or she should report on the venue half an hour before the function and leave the venue half an hour after the function,” Dr. Vaidya said while guiding the participants in the workshop. He urged the participants to do the preparation and home work much in advance for the compering of any function.
In the second session, Xavier Fernandes, who has been booked as Master of Ceremonies for the next three years shared his various experiences in the field of compering. His experiences gave an insight to the participants that while compering the functions the compere should be ready for any eventuality.
The workshop was formally inaugurated at the hands of Dr. Ajay Vaidya and . Xavier Fernandes in presence of DKA’s president Premanand A. Lotlikar and secretary Jose Salvador Fernandes. Due to the demand of many more workshops in the field of compering, it was announced that DKA will hold its next workshop on compering in Margao very soon.
At the end of the workshop, certificates were presented to the participants at the hands of guests.
[PHOTO: Dr. Ajay Vaidya seen lighting the traditional lamp to inaugurate the Konknni Compering Workshop in the presence of DKA president Premanand A. Lotlikar, secretary Jose Salvador Fernandes, Tiatr Akademi Goa president Tomazinho Cardozo and speaker Xavier Fernandes].
Info source & photo:
Dalgado Konknni Akademi (Goa)
The Konknni Compering workshop which was conducted by Dalgado Konknni Akademi (DKA) recently evoked a good response with 73 participants, most of them were youth and college going students.
The workshop was held in two sessions. The duties and responsibilities of a compere was impressively spelled out by well known compere Dr. Ajay Vaidya. “The duty of a compere is to conduct a function in a disciplined manner. That’s why the person who
has accepted the responsibilty to be compere for any function he or she should report on the venue half an hour before the function and leave the venue half an hour after the function,” Dr. Vaidya said while guiding the participants in the workshop. He urged the participants to do the preparation and home work much in advance for the compering of any function.
In the second session, Xavier Fernandes, who has been booked as Master of Ceremonies for the next three years shared his various experiences in the field of compering. His experiences gave an insight to the participants that while compering the functions the compere should be ready for any eventuality.
The workshop was formally inaugurated at the hands of Dr. Ajay Vaidya and . Xavier Fernandes in presence of DKA’s president Premanand A. Lotlikar and secretary Jose Salvador Fernandes. Due to the demand of many more workshops in the field of compering, it was announced that DKA will hold its next workshop on compering in Margao very soon.
At the end of the workshop, certificates were presented to the participants at the hands of guests.
[PHOTO: Dr. Ajay Vaidya seen lighting the traditional lamp to inaugurate the Konknni Compering Workshop in the presence of DKA president Premanand A. Lotlikar, secretary Jose Salvador Fernandes, Tiatr Akademi Goa president Tomazinho Cardozo and speaker Xavier Fernandes].
Info source & photo:
Dalgado Konknni Akademi (Goa)
Konkani Musical Programme on National Integration
Konkani Musical Programme on National Integration
The scheme of Tiatr Academy of Goa (TAG) namely ‘Production of Musical Programmes on Patriotism/National Integration/Communal Harmony’ is gaining momentum as TAG is receiving more and more applications to stage shows on national integration.
Soccoro de Santa Cruz will stage ‘Bharat Amcho Des’ a Konkani Musical Show on patriotism and national integration on 8th July 2010 at 3:30 pm at Gomant Vidya 
Niketan, Margao. The show fully supported by TAG will also be staged on 12th July 2010 at 6:30 pm at Raju Gandhi Kala Mandir, Ponda and 27th July 2010 at 7:00 pm at Kala Academy, Panjim. The aim of TAG in supporting the production of such activities is to create love towards our country amongst the lovers of tiatr and its music.
The inaugural function of ‘Bharat Amcho Des’ will be held at Gomant Vidya Niketan at
3:30 pm on 8th July 2010 (today). Mr. Churchill Alemao, Hon’ble Minister for Public Works Department (PWD) will be the Chief Guest and Mr. Tomazinho Cardozo, President of Tiatr Academy Goa (TAG) will preside over the function.
‘Bharat Mhozo Des’ a musical show directed by Soccoro de Santa Cruz features well known singers of tiatr stage namely Anthony San, Sonia Fernandes, Aniceto Lourenco, Andrew D’Souza, Albert Cabral, Shaik Amir, Clarissa Fernandes and others.
The music is provided by Louis Cotta and the light effects are by Praveen.
Tomazinho Cardozo
President
Tiatr Academy Goa
8 July 2010
The scheme of Tiatr Academy of Goa (TAG) namely ‘Production of Musical Programmes on Patriotism/National Integration/Communal Harmony’ is gaining momentum as TAG is receiving more and more applications to stage shows on national integration.
Soccoro de Santa Cruz will stage ‘Bharat Amcho Des’ a Konkani Musical Show on patriotism and national integration on 8th July 2010 at 3:30 pm at Gomant Vidya 
Niketan, Margao. The show fully supported by TAG will also be staged on 12th July 2010 at 6:30 pm at Raju Gandhi Kala Mandir, Ponda and 27th July 2010 at 7:00 pm at Kala Academy, Panjim. The aim of TAG in supporting the production of such activities is to create love towards our country amongst the lovers of tiatr and its music.
The inaugural function of ‘Bharat Amcho Des’ will be held at Gomant Vidya Niketan at
3:30 pm on 8th July 2010 (today). Mr. Churchill Alemao, Hon’ble Minister for Public Works Department (PWD) will be the Chief Guest and Mr. Tomazinho Cardozo, President of Tiatr Academy Goa (TAG) will preside over the function.
‘Bharat Mhozo Des’ a musical show directed by Soccoro de Santa Cruz features well known singers of tiatr stage namely Anthony San, Sonia Fernandes, Aniceto Lourenco, Andrew D’Souza, Albert Cabral, Shaik Amir, Clarissa Fernandes and others. The music is provided by Louis Cotta and the light effects are by Praveen.
Tomazinho Cardozo
President
Tiatr Academy Goa
8 July 2010
TIATR REVIEW: Fattlean Poi
Fattlean Poi
khasgi jivitacher nodor marunk apoita
Ek monis tore-torecheo chuki kaddun, sobhemazar dusreank kikont korunk proitn kortana, toch monis teach chiklant ani toslech poristhitint asunk xeokta mhonn tannem visrunk favo na, oxem Mario Menezes aplea 'Fattlean Poi' tiatrant xiddkaita.
Aplo dhaktto bhav Daryl (Victor) ek tarvotti zaun, eka asromantlea onath cheddva Riza-chea mogan asa mhonn David (Mario de Vasco), ek pulis inspektor nosaiyen bhorta. Tem ek fulgoddem mhonn tacher gharannem ghalun, tachi vatt soddunk to aplea bhavak suchoita.
Ponn Rizacho apnnem niz mog kela mhonn Daryl aplea bhavak spoxtt korta ani aplim ghorchim aplea moga add aslear-ui, apunn Rizak kosoch soddchona mhonn sangta.
Logn uprant zorui Daryl-acho bapui Daniel (Mario Menezes) gharant sun ailea mhonn sontosta, toruiastona tachi avoi Jenetra (Rosy Alvares) Riza-k vaitt nodren polleta. Ani Daryl tarvar vetoch, eka gundda Travasso (Lawry Travasso) udexim aple sunek jivexim marunk fuddem kaddta.
Ponn Riza-k marpacho proitn kortana, Travasso okosmat zokhmi zata ani Riza tacho jiv salvar korta. Kel'lea upkara khatir, Travasso aplem vankddem panvl fattim gheta. Aplo ek 'plan' na iesesvi zalo dekhun, Jenetra aple sunek gharant-uch naka zal'lo vaur diun, bhorpur sotaita.
Titlea mhonnosor, agbott tufanak sampddun, Daryl sangata her soglle tarvotti ontorle mhonn fon ieta. Rizak lagon aplo put apleak na zalo mhonn sangun, sasumaim aple sunek ek 'ponvoth' mhonn somzota ani gharantlem bhair ghalunk khottpott korta.
Tea vellar, Jenetrachea patthlea jivitar nodor marun, nigttench kazar zal'lem tedna ticho ghorkar obsoegak sampddun koso somplo ani tiche hal lohu korunk apunn tiche lagim koso logn zalom, tem Daniel tika kolloita. Punn aplea-i jivitant toxench kitem ghoddlolem mhonn Jenetra sudhronk proitn korta kai? Na! Urfattem, Jenetra aplech nirnnoya pormonnem fuddem veta ani Rizak gharantlem bhair ghalta.
Tea vellar, Rizak konn pavta? Tem konnachea gharant asro gheta? Rizak ticho ghorkar porot mellta kai? Soglleam addmelleam modem tancho ekvott zata kai? Tem sogllem tiatrachea dusrea bhagant bhes bore toren polleonk mellta.
Komedi babtint, Balchao (Ben Evangelisto) Elema (Joana) ghov-bail koxim eka mekak sangat diun, lokak bhorpur hansoitat. Balchao Daryl ani David-acho titiv mhonnttoch, aple potinni sangata to Daniel-achea gharant pennem korta ani dispottim bhaji-pallo vikhun, aplo disvaddo zhoddtat. Rizak lagon gharant zatoleam kestanvank udexim
Balchao ani Elema-cher-ui kedna-i far ieta. Ponn tim dogam-i sogllem hanstea tonddan ghetat ani fokan’nam korun sogllem sobhoun vhortat.
Kantaram vixim, Ben Evangelisto ani Joana-anchem 'Poder', Agnes ani Mario de Vasco-chem 'Kazari Bhoinn', Lawry Travasso-chem 'Susti Zainakat', Mario Menezes-Mario de Vasco-Victor-anchem 'Kaide Kosle?' ani Joana-chem 'Khodd'dde Tiatrist' boro sondex ditalim.
P AGXEKAR
V-Ixtt.com
khasgi jivitacher nodor marunk apoita
Ek monis tore-torecheo chuki kaddun, sobhemazar dusreank kikont korunk proitn kortana, toch monis teach chiklant ani toslech poristhitint asunk xeokta mhonn tannem visrunk favo na, oxem Mario Menezes aplea 'Fattlean Poi' tiatrant xiddkaita.
Aplo dhaktto bhav Daryl (Victor) ek tarvotti zaun, eka asromantlea onath cheddva Riza-chea mogan asa mhonn David (Mario de Vasco), ek pulis inspektor nosaiyen bhorta. Tem ek fulgoddem mhonn tacher gharannem ghalun, tachi vatt soddunk to aplea bhavak suchoita.
Ponn Rizacho apnnem niz mog kela mhonn Daryl aplea bhavak spoxtt korta ani aplim ghorchim aplea moga add aslear-ui, apunn Rizak kosoch soddchona mhonn sangta.
Logn uprant zorui Daryl-acho bapui Daniel (Mario Menezes) gharant sun ailea mhonn sontosta, toruiastona tachi avoi Jenetra (Rosy Alvares) Riza-k vaitt nodren polleta. Ani Daryl tarvar vetoch, eka gundda Travasso (Lawry Travasso) udexim aple sunek jivexim marunk fuddem kaddta.
Ponn Riza-k marpacho proitn kortana, Travasso okosmat zokhmi zata ani Riza tacho jiv salvar korta. Kel'lea upkara khatir, Travasso aplem vankddem panvl fattim gheta. Aplo ek 'plan' na iesesvi zalo dekhun, Jenetra aple sunek gharant-uch naka zal'lo vaur diun, bhorpur sotaita.Titlea mhonnosor, agbott tufanak sampddun, Daryl sangata her soglle tarvotti ontorle mhonn fon ieta. Rizak lagon aplo put apleak na zalo mhonn sangun, sasumaim aple sunek ek 'ponvoth' mhonn somzota ani gharantlem bhair ghalunk khottpott korta.
Tea vellar, Jenetrachea patthlea jivitar nodor marun, nigttench kazar zal'lem tedna ticho ghorkar obsoegak sampddun koso somplo ani tiche hal lohu korunk apunn tiche lagim koso logn zalom, tem Daniel tika kolloita. Punn aplea-i jivitant toxench kitem ghoddlolem mhonn Jenetra sudhronk proitn korta kai? Na! Urfattem, Jenetra aplech nirnnoya pormonnem fuddem veta ani Rizak gharantlem bhair ghalta.
Tea vellar, Rizak konn pavta? Tem konnachea gharant asro gheta? Rizak ticho ghorkar porot mellta kai? Soglleam addmelleam modem tancho ekvott zata kai? Tem sogllem tiatrachea dusrea bhagant bhes bore toren polleonk mellta.
Komedi babtint, Balchao (Ben Evangelisto) Elema (Joana) ghov-bail koxim eka mekak sangat diun, lokak bhorpur hansoitat. Balchao Daryl ani David-acho titiv mhonnttoch, aple potinni sangata to Daniel-achea gharant pennem korta ani dispottim bhaji-pallo vikhun, aplo disvaddo zhoddtat. Rizak lagon gharant zatoleam kestanvank udexim
Balchao ani Elema-cher-ui kedna-i far ieta. Ponn tim dogam-i sogllem hanstea tonddan ghetat ani fokan’nam korun sogllem sobhoun vhortat.
Kantaram vixim, Ben Evangelisto ani Joana-anchem 'Poder', Agnes ani Mario de Vasco-chem 'Kazari Bhoinn', Lawry Travasso-chem 'Susti Zainakat', Mario Menezes-Mario de Vasco-Victor-anchem 'Kaide Kosle?' ani Joana-chem 'Khodd'dde Tiatrist' boro sondex ditalim.
P AGXEKAR
V-Ixtt.com
'Oh My Love' mogache torekvar rupkar dakhoita
'Oh My Love'
mogache torekvar rupkar dakhoita
‘Oh My Love' hi Sandy-n bhair kaddloli Konknni kantaranchi VCD mogachea veg-vegllea rupancher atthaploli asa. Mogacho vixoy gheun, te visiddint torekvar kantaram aikhunk melltat. Survek, Sandy 'Khium Asa Tum' hea kantarant aplea mogeak koso ani kitlo axeta tem spoxtt zata. Tea uprant Aurvile 'Nach Bai Nach' aplea mogeak nachunk koso fuslaita, tem sidh zata. Eksurponn ek pidda ani monxeak ti holu-holu nattak korunk xeokta mhonn Ethel aplea 'Eksurponn' hea kantaran sangta.
Toxench, fottkirea mogacher patieunk upkarona ani toxem kelear eka cheddvachem jivit koxem koddu ani niraxiponnan bhorta tem Sonia 'Fottkiro Mog' hem kantar gavun sidh korta. Hanv mogak axelam ani zor apleak mog mell'lo, tor apleak sogllench mell'lem mhonn Eddie aplea 'I Wanna Love' hea kantarant sangta.
Tea uprant Sandy-n gailolem 'Oh Cheddva', Aurvile ani Trisca-chem 'Bhurgeponnacho Mog' ani Lavina-chem 'Kazaracho Ghutt' mogache veg-veglle rong dakholl kortat. Sorv-xevttim, apunn ekttea cheddvacho mog kortalom punn okosmat dusrean to mog ani kalliz koxem chorun vhelem tem Sandy 'Kalliz Chorun Vhelem' hea kantaran sangta. Soglleam kantarancho nad ani sur ekech dixtten gel'lo melltalo. Punn siddint kantaram sangata tore-toreche dekhave dakhoileat te nazuk asat ani polletoleak apunnui tea-tea kolakara sangata thoim asa, oxem dista.
Soglle aple ikmotin 'Oh My Love' hi visiddi uzvaddak haddli dekhun, V Ixtt Sandy-ik
porbim dita ani tache fuddle ievzonnent sogllo ies anvddeta.
P AGXEKAR
www.v-ixtt.com
mogache torekvar rupkar dakhoita
‘Oh My Love' hi Sandy-n bhair kaddloli Konknni kantaranchi VCD mogachea veg-vegllea rupancher atthaploli asa. Mogacho vixoy gheun, te visiddint torekvar kantaram aikhunk melltat. Survek, Sandy 'Khium Asa Tum' hea kantarant aplea mogeak koso ani kitlo axeta tem spoxtt zata. Tea uprant Aurvile 'Nach Bai Nach' aplea mogeak nachunk koso fuslaita, tem sidh zata. Eksurponn ek pidda ani monxeak ti holu-holu nattak korunk xeokta mhonn Ethel aplea 'Eksurponn' hea kantaran sangta.
Toxench, fottkirea mogacher patieunk upkarona ani toxem kelear eka cheddvachem jivit koxem koddu ani niraxiponnan bhorta tem Sonia 'Fottkiro Mog' hem kantar gavun sidh korta. Hanv mogak axelam ani zor apleak mog mell'lo, tor apleak sogllench mell'lem mhonn Eddie aplea 'I Wanna Love' hea kantarant sangta.Tea uprant Sandy-n gailolem 'Oh Cheddva', Aurvile ani Trisca-chem 'Bhurgeponnacho Mog' ani Lavina-chem 'Kazaracho Ghutt' mogache veg-veglle rong dakholl kortat. Sorv-xevttim, apunn ekttea cheddvacho mog kortalom punn okosmat dusrean to mog ani kalliz koxem chorun vhelem tem Sandy 'Kalliz Chorun Vhelem' hea kantaran sangta. Soglleam kantarancho nad ani sur ekech dixtten gel'lo melltalo. Punn siddint kantaram sangata tore-toreche dekhave dakhoileat te nazuk asat ani polletoleak apunnui tea-tea kolakara sangata thoim asa, oxem dista.
Soglle aple ikmotin 'Oh My Love' hi visiddi uzvaddak haddli dekhun, V Ixtt Sandy-ik
porbim dita ani tache fuddle ievzonnent sogllo ies anvddeta.
P AGXEKAR
www.v-ixtt.com
'Tin Horancho Raza'
'Tin Horancho Raza' tiatristancher atthaploli kotha
Devan dilole gunn vapddun, thodde tiatrist thokos gheun vhoir sortat ani ghor-sonvsar kortat zalear, dusre apunn boroinnar ani digdorspi mhonn somzun, dusreanchea adaran porzolltat ani aplea oslo anink konnuch na mhonn gorvan bhonvtat. Ek tiatr lokamche avddicho ani 'hit' zatolo zalear kolakaram sangata kantoristanchi-i goroz mhonn Samuel Carvalho 'Tin Horancho Raza' hea aplea tiatrant spoxtt korta.
Ek tiatrist zaunchi khoxi asli dekhun, Joe (Neville)-achim avoi (Chitra) ani bapui (Succor de Santa Cruz) sogllo thokos gheun, aplea ektteach putak ek tiatrist kortat. To bekar ason-ui, fuddarak apleak adaracho zatolo mhonn somzun, tim taka logn'-ui korunk fuddem sortat.
Punn logn' zatoch, aple ghorkarn' Flavia (Synetra)-k lagon, Joe aplea avoi-bapaik visorta, tankam kikont korta ani apli bail sangta teach pormonnem doryant aplem voddem tanddta. Ek dis Joe-acho bapui gombhir piddek sampoddta. Tacheo don-ui 'kidneys' pidd'ddear zatat ani fokt aplem nanv sambhallunk, Joe taka Apollo hospitolant bhorti korta. Punn dor disa ilaza fattlean chodd khorch zatolo, hem chintun, ani tacho avoi-bapui gorib mhonn voizank fott marun, Flavia aplea sasupaik ghara haddta.
Aplo tiatr hanga-thoim dakhoun, aplea zanttea avoi-bapaik toxench aplea kuttumbak Joe-ak vell diunk mellona. Apli vaddti dhuv Zarina (Cybil)-achea xikxonnacher-ui lokx ghalunk ani favo to artik adar diunk Joe chukta.
Tacheach durlokxak lagon, Joe-acho bapui sompta. Toruiastona, tachea monar uzvadd poddona. Aple bailechea sangnnea pormonnem to aplem jivit fuddem vhorta. Aplo tiatr Paris-ak vhorunk melltole axen, Joe aplea eka kolakar Sonia (Sonia)-k aplea tiatrantlem bhair kaddta ani aple dhuvek eka famad tiatrista thaim nachunk sondhi dita.
Aple dhuvek tiatrantlem bhair kaddlem dekhun, Sonia-che avoi (Meena)-k khont zata, punn tache dhuve Zarina-cher aplo dollo dovrunk visornaka mhonn ti Joe-ak xiddkaita. Punn Joe apleach tiatrachea vavurant buddlolo asta. Sorv-xevttim, ek tiatrist koso Joe sasnank fottovta. Koso? Tache soglle kolakar xevott meren taka sangat ditat? Tachea kuttumbachea vangddeanche hal koxe zatat? Tem sogllem tea tiatrachea dusrea bagant polleonk mellta.
Ek tiatrist koso, kitlech tiatr boroun ani sador korun, dusreank soglle torecho adar diun, xevottak apunnuch koso fottovlo tem Samuel Carvalho aple eke attvech toreche bhumikentlean tea tiatrant bhes bore toren dakholl korta.
Komedi vixim, Michael ani Marcus eka-mekak sangat diun, lokak bhorpur hansoitat. Toxench, kantaram vixim, Aniceto-chem 'Bhogsonnem', Sonia-chem 'Jivit', Anicet/Succor de Santa Cruz-anchem 'Salam Purtugez serkarak', Xavier Almeida-achem 'Nirmilelem Dista', Chitra/Meena/Synetra-anchem 'Tegi Bhoinnieo' ani Cybil-achem 'Tin Vostu' aikopa sarkhim aslim ani boro sondex ditalim.
DIGDORSPI ULOITA: Samuel Carvalho
-1984 vorsa Patrick Dourado-chea 'Noketr' tiatrant poilech pavtt machier choddlom.
-1997 vorsa thaun svotache tiatr borounk survat keli. 'Hem Tumkam Soglleank' zaun asa mhozo poiloch tiatr.
-Az meren hanven sat tiatr machier dakhoileat. Mhaka tiatracho bhorpur mog ani somajik vixoy gheun, monant ievzota tem hanv boroitam ani machier sador kortam.
-Mhoje tiatr machier dakhounk vetana, 'stage setting'-acher hanv chodd bhor ghaltam.
-Mhojea tiatrant lokak sogllench mellchem, oxem chintun hanv zaiteam kolakarank gheun, mhozo tiatr dakhounk proitn kortam. He khepek mhojea tiatrant 18 kolakar asat.
P AGXEKAR
www.v-ixtt.com
Devan dilole gunn vapddun, thodde tiatrist thokos gheun vhoir sortat ani ghor-sonvsar kortat zalear, dusre apunn boroinnar ani digdorspi mhonn somzun, dusreanchea adaran porzolltat ani aplea oslo anink konnuch na mhonn gorvan bhonvtat. Ek tiatr lokamche avddicho ani 'hit' zatolo zalear kolakaram sangata kantoristanchi-i goroz mhonn Samuel Carvalho 'Tin Horancho Raza' hea aplea tiatrant spoxtt korta.
Ek tiatrist zaunchi khoxi asli dekhun, Joe (Neville)-achim avoi (Chitra) ani bapui (Succor de Santa Cruz) sogllo thokos gheun, aplea ektteach putak ek tiatrist kortat. To bekar ason-ui, fuddarak apleak adaracho zatolo mhonn somzun, tim taka logn'-ui korunk fuddem sortat.
Punn logn' zatoch, aple ghorkarn' Flavia (Synetra)-k lagon, Joe aplea avoi-bapaik visorta, tankam kikont korta ani apli bail sangta teach pormonnem doryant aplem voddem tanddta. Ek dis Joe-acho bapui gombhir piddek sampoddta. Tacheo don-ui 'kidneys' pidd'ddear zatat ani fokt aplem nanv sambhallunk, Joe taka Apollo hospitolant bhorti korta. Punn dor disa ilaza fattlean chodd khorch zatolo, hem chintun, ani tacho avoi-bapui gorib mhonn voizank fott marun, Flavia aplea sasupaik ghara haddta.
Aplo tiatr hanga-thoim dakhoun, aplea zanttea avoi-bapaik toxench aplea kuttumbak Joe-ak vell diunk mellona. Apli vaddti dhuv Zarina (Cybil)-achea xikxonnacher-ui lokx ghalunk ani favo to artik adar diunk Joe chukta.
Tacheach durlokxak lagon, Joe-acho bapui sompta. Toruiastona, tachea monar uzvadd poddona. Aple bailechea sangnnea pormonnem to aplem jivit fuddem vhorta. Aplo tiatr Paris-ak vhorunk melltole axen, Joe aplea eka kolakar Sonia (Sonia)-k aplea tiatrantlem bhair kaddta ani aple dhuvek eka famad tiatrista thaim nachunk sondhi dita.
Aple dhuvek tiatrantlem bhair kaddlem dekhun, Sonia-che avoi (Meena)-k khont zata, punn tache dhuve Zarina-cher aplo dollo dovrunk visornaka mhonn ti Joe-ak xiddkaita. Punn Joe apleach tiatrachea vavurant buddlolo asta. Sorv-xevttim, ek tiatrist koso Joe sasnank fottovta. Koso? Tache soglle kolakar xevott meren taka sangat ditat? Tachea kuttumbachea vangddeanche hal koxe zatat? Tem sogllem tea tiatrachea dusrea bagant polleonk mellta.
Ek tiatrist koso, kitlech tiatr boroun ani sador korun, dusreank soglle torecho adar diun, xevottak apunnuch koso fottovlo tem Samuel Carvalho aple eke attvech toreche bhumikentlean tea tiatrant bhes bore toren dakholl korta.
Komedi vixim, Michael ani Marcus eka-mekak sangat diun, lokak bhorpur hansoitat. Toxench, kantaram vixim, Aniceto-chem 'Bhogsonnem', Sonia-chem 'Jivit', Anicet/Succor de Santa Cruz-anchem 'Salam Purtugez serkarak', Xavier Almeida-achem 'Nirmilelem Dista', Chitra/Meena/Synetra-anchem 'Tegi Bhoinnieo' ani Cybil-achem 'Tin Vostu' aikopa sarkhim aslim ani boro sondex ditalim.
DIGDORSPI ULOITA: Samuel Carvalho
-1984 vorsa Patrick Dourado-chea 'Noketr' tiatrant poilech pavtt machier choddlom.
-1997 vorsa thaun svotache tiatr borounk survat keli. 'Hem Tumkam Soglleank' zaun asa mhozo poiloch tiatr.
-Az meren hanven sat tiatr machier dakhoileat. Mhaka tiatracho bhorpur mog ani somajik vixoy gheun, monant ievzota tem hanv boroitam ani machier sador kortam.
-Mhoje tiatr machier dakhounk vetana, 'stage setting'-acher hanv chodd bhor ghaltam.
-Mhojea tiatrant lokak sogllench mellchem, oxem chintun hanv zaiteam kolakarank gheun, mhozo tiatr dakhounk proitn kortam. He khepek mhojea tiatrant 18 kolakar asat.
P AGXEKAR
www.v-ixtt.com
::Tiatr Review :: 'Chol-ia London'
::Tiatr Review :: 'Chol-ia London'
Goُychem daiz sambhallunk ulo marta
Poromporik ani purvozanchea vevsaiyancher visor ghalun, il'le subez poixe melltat mhonn Goykar pordesant, odhik korun London-ak dhanv martat. Pordesant dhanv marli mhonn kaim vaitt na. Thoimsor il’lez subez poixe komaile mhonn koslich horkot na. Punn zaite amche Goykar Goyant aplem aslem-naslem dusreank vikhun, thoinch pennem korunk ievjitat. Fuddarak hem oxench chol'lem zalear, Goyant Goykaranchem mhonnonk
kainch ek urchem na ani Goykarponn holu-holu somptolem mhonn Roseferns aplea 'Chol-ia London' hea tiatrant spoxtt korta. Oxikxit Anton (Roseferns) ani tacho xiklolo bhav Marian (Peter) sangatan jietat khore, punn aplo ekttoch put Nikhil (Victor) London-ak asa, hem chintun, Marian-ui London-ak vochpachim sopnam sopneta. Punn Anton-ik toslem mon na. Tachem kalliz-mon Goyant rombhlolem asa ani Goyantuch ravun, aplo ghor-sonvsar korunk to chinta. Aple ghorkarn' Isabel (Roshan) ani put Aaron (Ulhas Tari) sangata jieon, to aplem purvozanchem xet umedhin roita.
Aplo bapui London-ak ek dhondekar dekhun ani apunn unchlea kuttumbantlem mhonn somzun, Aaron-achi potinn Aisha (Antonette) gorvan bhonvta ani aplea sasupaik-sasamaink man diunk visorta. Tanche modhem zaitech pavtt hanga-thoim ttanv-ttinv zata.
London-ak vochun, aplea puta sangata thoinch pennem korpache bobke martana, aplea bhava Antonachea hatantlean sogllem bhatt-bhens apleachem korunk ani tea uprant tem vikhunk Marian bharim vavurta.
Chintlolim sopnam purim zainant tim polleon, aplea putacho adar gheun, Marian aplea bhavak eka fasak sampddaita ani akantvaddeank sangat dita mhonn tacher ek boglantt ghalun, Anton bonddkonnint poddta. Oxem zal'lem astona, atam purvozanchem bhatt, xet apleachem zatolem mhonn somzun Marian sontosta. Punn boltench ghoddta.
Sot uzvaddak haddunk ani nit melloun gheunk Isabel aplea putacho adar gheta, punn to aple potinni sangata bhonvddek gel'lo aslolean, Aisha-k lagon, Antonik bhorpur sonschem poddta.
Sampoddlolo opradhi boltoch mhonn kolltoch, Anton-ik xevottak suttka favo zata. Dusre vatten, aplea avoik okman korta dekhun, Aaron ragan Aisha-cher ek thapott fuloita. Tea ragan, mobail-ar Aisha aplea bapaik sogllem kolloita ani tabortob taka Goy apoita.
Goy ietoch, Aisha-cho bapui aple dhuvek koxe porim vaddoilem ani Anton-in apleak koso adar kelo, tem sangta. Tea uprant, to Marian-ak tachea puta vixim zaitench kolloita. Aplo put Nikhil, konnank na kolltam, London-ak logn' zalo ani taka ek put asa mhonn aikhun, Marian dukhi zata. Taka atak ieta ani tachem moronn mirmireanchem zata. London-ak vochpachim Marian-achim sopnam sopnanch urtat.
Kantaram vixim, Peter/Roshan-anchem 'Tiatrist', Tony de Ribandar-achem 'Sogllech Patki', Ulhas Tari-chem 'Sotavnni', Roseferns-achem 'Mosteponnam' ani Victor/Tony/Ulhas Tari-anchem 'Goyche Pulis' aikopa sarkhim aslim ani boro sondex ditalim. Vinodhi bhumikent, Brian ani Sally eka-mekak sangat diun, lokak bhorpur hansoitat. Goykaram modhem zagrutai vaddunk Roseferns-an anink osle tiatr machier haddche.
P AGXEKAR
www.v-ixtt.com
Goُychem daiz sambhallunk ulo marta
Poromporik ani purvozanchea vevsaiyancher visor ghalun, il'le subez poixe melltat mhonn Goykar pordesant, odhik korun London-ak dhanv martat. Pordesant dhanv marli mhonn kaim vaitt na. Thoimsor il’lez subez poixe komaile mhonn koslich horkot na. Punn zaite amche Goykar Goyant aplem aslem-naslem dusreank vikhun, thoinch pennem korunk ievjitat. Fuddarak hem oxench chol'lem zalear, Goyant Goykaranchem mhonnonk
kainch ek urchem na ani Goykarponn holu-holu somptolem mhonn Roseferns aplea 'Chol-ia London' hea tiatrant spoxtt korta. Oxikxit Anton (Roseferns) ani tacho xiklolo bhav Marian (Peter) sangatan jietat khore, punn aplo ekttoch put Nikhil (Victor) London-ak asa, hem chintun, Marian-ui London-ak vochpachim sopnam sopneta. Punn Anton-ik toslem mon na. Tachem kalliz-mon Goyant rombhlolem asa ani Goyantuch ravun, aplo ghor-sonvsar korunk to chinta. Aple ghorkarn' Isabel (Roshan) ani put Aaron (Ulhas Tari) sangata jieon, to aplem purvozanchem xet umedhin roita.Aplo bapui London-ak ek dhondekar dekhun ani apunn unchlea kuttumbantlem mhonn somzun, Aaron-achi potinn Aisha (Antonette) gorvan bhonvta ani aplea sasupaik-sasamaink man diunk visorta. Tanche modhem zaitech pavtt hanga-thoim ttanv-ttinv zata.
London-ak vochun, aplea puta sangata thoinch pennem korpache bobke martana, aplea bhava Antonachea hatantlean sogllem bhatt-bhens apleachem korunk ani tea uprant tem vikhunk Marian bharim vavurta.
Chintlolim sopnam purim zainant tim polleon, aplea putacho adar gheun, Marian aplea bhavak eka fasak sampddaita ani akantvaddeank sangat dita mhonn tacher ek boglantt ghalun, Anton bonddkonnint poddta. Oxem zal'lem astona, atam purvozanchem bhatt, xet apleachem zatolem mhonn somzun Marian sontosta. Punn boltench ghoddta.
Sot uzvaddak haddunk ani nit melloun gheunk Isabel aplea putacho adar gheta, punn to aple potinni sangata bhonvddek gel'lo aslolean, Aisha-k lagon, Antonik bhorpur sonschem poddta.
Sampoddlolo opradhi boltoch mhonn kolltoch, Anton-ik xevottak suttka favo zata. Dusre vatten, aplea avoik okman korta dekhun, Aaron ragan Aisha-cher ek thapott fuloita. Tea ragan, mobail-ar Aisha aplea bapaik sogllem kolloita ani tabortob taka Goy apoita.
Goy ietoch, Aisha-cho bapui aple dhuvek koxe porim vaddoilem ani Anton-in apleak koso adar kelo, tem sangta. Tea uprant, to Marian-ak tachea puta vixim zaitench kolloita. Aplo put Nikhil, konnank na kolltam, London-ak logn' zalo ani taka ek put asa mhonn aikhun, Marian dukhi zata. Taka atak ieta ani tachem moronn mirmireanchem zata. London-ak vochpachim Marian-achim sopnam sopnanch urtat.
Kantaram vixim, Peter/Roshan-anchem 'Tiatrist', Tony de Ribandar-achem 'Sogllech Patki', Ulhas Tari-chem 'Sotavnni', Roseferns-achem 'Mosteponnam' ani Victor/Tony/Ulhas Tari-anchem 'Goyche Pulis' aikopa sarkhim aslim ani boro sondex ditalim. Vinodhi bhumikent, Brian ani Sally eka-mekak sangat diun, lokak bhorpur hansoitat. Goykaram modhem zagrutai vaddunk Roseferns-an anink osle tiatr machier haddche.
P AGXEKAR
www.v-ixtt.com
TIATR REVIEW: Ami Jikle vo Harle?
TIATR REVIEW: Ami Jikle vo Harle?
- by J P PEREIRA
Many times Goans harbour a feeling of regret. Did Goans really benefit from the liberation? Or was it better under the Portuguese rule? In his latest tiatr, "Ami Jikle vo Harle?", Tony Dias presents a tale of dreams many Goans had when they fought for liberation.
This is also about those Goans who had a premonition, that this tiny gem-Goa would one day see a lot of corruption and its fallouts.
There is Mr Figueiredo, a rich land lord who does not want Goa to be liberated. His son Armando and daughter-in -law Isabel support the freedom fighters. Goa finally is liberated from the clutches of the Portuguese but soon finds itself trapped into a web of corruption, rape, misuse of power and rampant availability of drugs. Goans, who had expected jobs in the administration, watch helplessly as non-Goans grab the best employment opportunities. The Goan youth opt for Portuguese passports and leave the land to work abroad. Besides these problems, there are many others that the people have to face. Watch it all on the stage.
The direction is top-notch. There are beautiful settings. The cast is near perfect which all goes into making this play worth watching. The opening scene in a setting of an Indo-Portuguese styled house is a treat to the eyes. The wedding scene and the special effects of the tiger and the goat are well done. The cast has veteran Clara, cast as the elderly spinster. She does a good job. The young Andrea is pretty, has a good dress sense and executes her role, as the young lover in style. Filu plays Isabel and later a reporter. Willie Silveira is back and is cast opposite Andrea. He plays a fine role of the young man in love but wants to seek employment abroad. The pick of the cast is Premanand Sangodkar, perfect as Mr Figueiredo. He has great acting skills and dialogue delivery. It is great to watch him. Ronnie acts well as the minister, Filipe Almeida plays various roles well, Trindade and Rocky Dias are the freedom fighters. It is good to see Janet, back on stage, providing the humour along with Jane, Valencia, Caetano, Piety, Jeson and Aurelius. Ambe is superb with a perfectly natural act that is packed with humour.
A D Diniz and his band provide the music. In between the acts there are songs by Filu, Valencia, Janet, Filipe, Cielo, Trindade and Francis. Solos by Felcy, Abel (good voice and modulations), Nazario, Ignatius de Xelvon and a trio from Ignatius-Felcy-Abel need a special mention.
Those who have nostalgic memories of the good old days should watch this drama. Many will agree with Mr Figueiredo. To the others, the show is definitely worth watching.
http://www.navhindtimes.in/iwatch/ami-jikle-vo-harle
(LBD)
- by J P PEREIRA
Many times Goans harbour a feeling of regret. Did Goans really benefit from the liberation? Or was it better under the Portuguese rule? In his latest tiatr, "Ami Jikle vo Harle?", Tony Dias presents a tale of dreams many Goans had when they fought for liberation.
This is also about those Goans who had a premonition, that this tiny gem-Goa would one day see a lot of corruption and its fallouts.There is Mr Figueiredo, a rich land lord who does not want Goa to be liberated. His son Armando and daughter-in -law Isabel support the freedom fighters. Goa finally is liberated from the clutches of the Portuguese but soon finds itself trapped into a web of corruption, rape, misuse of power and rampant availability of drugs. Goans, who had expected jobs in the administration, watch helplessly as non-Goans grab the best employment opportunities. The Goan youth opt for Portuguese passports and leave the land to work abroad. Besides these problems, there are many others that the people have to face. Watch it all on the stage.
The direction is top-notch. There are beautiful settings. The cast is near perfect which all goes into making this play worth watching. The opening scene in a setting of an Indo-Portuguese styled house is a treat to the eyes. The wedding scene and the special effects of the tiger and the goat are well done. The cast has veteran Clara, cast as the elderly spinster. She does a good job. The young Andrea is pretty, has a good dress sense and executes her role, as the young lover in style. Filu plays Isabel and later a reporter. Willie Silveira is back and is cast opposite Andrea. He plays a fine role of the young man in love but wants to seek employment abroad. The pick of the cast is Premanand Sangodkar, perfect as Mr Figueiredo. He has great acting skills and dialogue delivery. It is great to watch him. Ronnie acts well as the minister, Filipe Almeida plays various roles well, Trindade and Rocky Dias are the freedom fighters. It is good to see Janet, back on stage, providing the humour along with Jane, Valencia, Caetano, Piety, Jeson and Aurelius. Ambe is superb with a perfectly natural act that is packed with humour.
A D Diniz and his band provide the music. In between the acts there are songs by Filu, Valencia, Janet, Filipe, Cielo, Trindade and Francis. Solos by Felcy, Abel (good voice and modulations), Nazario, Ignatius de Xelvon and a trio from Ignatius-Felcy-Abel need a special mention.
Those who have nostalgic memories of the good old days should watch this drama. Many will agree with Mr Figueiredo. To the others, the show is definitely worth watching.
http://www.navhindtimes.in/iwatch/ami-jikle-vo-harle
(LBD)
Tuesday, July 6, 2010
Khell, Khell-Tiatr & ‘Non-Stop Drama’
Khell, Khell-Tiatr & ‘Non-Stop Drama’
What is Khell, Khell-Tiatr and ‘Non-Stop Drama’? This is a question that is asked by many lovers of Khell-Tiatr. The question has arised becauses the present artistes stage Khell-Tiatrs and Tiatrs which do not conform with the traditional Tiatr as well as Khell-Tiatr.
In order to understand the exact nature of Khell, Khell-Tiatr and ‘Non-Stop Drama’, the Tiatr Academy of Goa (TAG) called a meeting of veteran Khell artistes which was attended by Patrick Dourado, Vitorino Pereira, Ligorio Fernandes, and the present Khell-Tiatr artistes namely Roseferns and Mario Menezes.
According to these veterans, the Khell was always performed on the ground and hence it was known as ‘Zomnivoilo Khell’. It was truly a form of folk art. ‘Zomnivoilo Khell’ consisted of three ‘Parti’ (playlets) and each ‘Part’ (playlet) comprised of 8 to 10 small songs i.e. ‘Cantos’. The entire story of the ‘Khell’ was narrated to the audience through the songs. Each ‘Canto’ consisted of 2 verses and one chorus. Each ‘Part’ would be of 45 mins to 60 mins duration. The comedy was related to the story of the ‘Parti’.
Somewhere in the late 1950s, Antonio Moraes performed the Khell on a stage. Since then, the ‘Zomnivoilo Khell’ came to be known as ‘Khell-Tiatr’.
Each Khell-Tiatr consisted of two ‘Parti’ having two different themes-one before the interval and the second after the interval. Each ‘Part’ consisted of 10 to 12 songs i.e. ‘Cantos’ and the story of the ‘Khell-Tiatr’ used to be told through the songs. Many a times very few dialogues were said and mostly these dialogues were based on the lyrics of the songs. A ‘Khell-Tiatr’ of two ‘Parti’ can be actually referred to as a musical drama having two different stories. Comedy in the Khell-Tiatr was related to the stories of the two ‘Parti’
In 1976, Rosario Rodrigues, for the first time satged a Khell-Tiatr by setting the entire plot on just one theme instead of two ‘Parti’. He called this presentation of one story from the beginning to the end as Non-Stop Drama. On an average it had 20 to 30 ‘Cantos’ in the beginning. The comedy was fully interwoven with the theme of the play.
As per this information from the veteran Khell-Tiatr artistes, it is clear that the roots of Khell-Tiatr or ‘Non-Stop Drama’ lie in the traditional folk drama called ‘Zomnivoilo Khell’.
In reality, Khell, Khell-Tiatr or ‘Non-Stop Drama’ all means a musical drama which exists in all other languages. The veteran artistes who attended the meeting requested TAG to make efforts to preserve this musical form of Konkani drama called ‘Khell-Tiatr’.
TAG will make efforts to preserve and promote the Khell-Tiatr in its traditional form.
Tomazinho Cardozo
President
Tiatr Academy Goa
What is Khell, Khell-Tiatr and ‘Non-Stop Drama’? This is a question that is asked by many lovers of Khell-Tiatr. The question has arised becauses the present artistes stage Khell-Tiatrs and Tiatrs which do not conform with the traditional Tiatr as well as Khell-Tiatr.
In order to understand the exact nature of Khell, Khell-Tiatr and ‘Non-Stop Drama’, the Tiatr Academy of Goa (TAG) called a meeting of veteran Khell artistes which was attended by Patrick Dourado, Vitorino Pereira, Ligorio Fernandes, and the present Khell-Tiatr artistes namely Roseferns and Mario Menezes.
According to these veterans, the Khell was always performed on the ground and hence it was known as ‘Zomnivoilo Khell’. It was truly a form of folk art. ‘Zomnivoilo Khell’ consisted of three ‘Parti’ (playlets) and each ‘Part’ (playlet) comprised of 8 to 10 small songs i.e. ‘Cantos’. The entire story of the ‘Khell’ was narrated to the audience through the songs. Each ‘Canto’ consisted of 2 verses and one chorus. Each ‘Part’ would be of 45 mins to 60 mins duration. The comedy was related to the story of the ‘Parti’.
Somewhere in the late 1950s, Antonio Moraes performed the Khell on a stage. Since then, the ‘Zomnivoilo Khell’ came to be known as ‘Khell-Tiatr’.
Each Khell-Tiatr consisted of two ‘Parti’ having two different themes-one before the interval and the second after the interval. Each ‘Part’ consisted of 10 to 12 songs i.e. ‘Cantos’ and the story of the ‘Khell-Tiatr’ used to be told through the songs. Many a times very few dialogues were said and mostly these dialogues were based on the lyrics of the songs. A ‘Khell-Tiatr’ of two ‘Parti’ can be actually referred to as a musical drama having two different stories. Comedy in the Khell-Tiatr was related to the stories of the two ‘Parti’
In 1976, Rosario Rodrigues, for the first time satged a Khell-Tiatr by setting the entire plot on just one theme instead of two ‘Parti’. He called this presentation of one story from the beginning to the end as Non-Stop Drama. On an average it had 20 to 30 ‘Cantos’ in the beginning. The comedy was fully interwoven with the theme of the play.
As per this information from the veteran Khell-Tiatr artistes, it is clear that the roots of Khell-Tiatr or ‘Non-Stop Drama’ lie in the traditional folk drama called ‘Zomnivoilo Khell’.
In reality, Khell, Khell-Tiatr or ‘Non-Stop Drama’ all means a musical drama which exists in all other languages. The veteran artistes who attended the meeting requested TAG to make efforts to preserve this musical form of Konkani drama called ‘Khell-Tiatr’.
TAG will make efforts to preserve and promote the Khell-Tiatr in its traditional form.
Tomazinho Cardozo
President
Tiatr Academy Goa
Friday, July 2, 2010
65 students of Carmel College attend Tiatr Academy Goa (TAG) Workshop
Tiatr Academy Goa (TAG) organises Workshop on Tiatr
Tiatr Academy of Goa (TAG), in collaboration with Carmel College of Arts, Science & Commerce for Women, Nuvem organised a one-day workshop on Tiatr on 25th June 2010 at the auditorium of Carmel’s College. In all 65 students participated in the workshop.
The first session on ‘History and Format of Tiatr’ was guided by Tomazinho Cardozo, President of TAG. The students were made aware of the history of tiatr and the original format due to which a tiatr is considered a unique dramatic form.
The second session on ‘Script & Lyrics Writing’ was conducted by Joe Rose, a popular tiatr artiste. Mr. Rose who himself is a scriptwriter and lyricist, besides giving theoretical knowledge about script and lyrics writing, also enriched his presentation with personal experiences of writing scripts and composing songs.
The post lunch session on ‘Direction & Acting in Tiatrs’ was conducted by Fr. Nevel Gracias, a writer and director of tiatr. Besides, theoretical aspects, Fr. Gracias stressed on practicals as far as acting is concerned.
The presentations were substantiated with entertainment programme presented by Ben Evangelisto and Janet which included solo singing, duets and acting.
Earlier the workshop was inaugurated by the Principal of the College, Dr. (Sr.) M. Aradhana A.C by lighting the traditional lamp in the presence of Tomazinho Cardozo, Joe Rose and the Head of Konkani Department Queenie Viegas.
During the valedictory function, the participants of the workshop were awarded with certificates of participation. Mr. Agnelo proposed a vote of thanks.
Victor de Sa
Member Secretary
Tiatr Academy Goa (TAG)
Tiatr Academy of Goa (TAG), in collaboration with Carmel College of Arts, Science & Commerce for Women, Nuvem organised a one-day workshop on Tiatr on 25th June 2010 at the auditorium of Carmel’s College. In all 65 students participated in the workshop.
The first session on ‘History and Format of Tiatr’ was guided by Tomazinho Cardozo, President of TAG. The students were made aware of the history of tiatr and the original format due to which a tiatr is considered a unique dramatic form.
The second session on ‘Script & Lyrics Writing’ was conducted by Joe Rose, a popular tiatr artiste. Mr. Rose who himself is a scriptwriter and lyricist, besides giving theoretical knowledge about script and lyrics writing, also enriched his presentation with personal experiences of writing scripts and composing songs.
The post lunch session on ‘Direction & Acting in Tiatrs’ was conducted by Fr. Nevel Gracias, a writer and director of tiatr. Besides, theoretical aspects, Fr. Gracias stressed on practicals as far as acting is concerned.
The presentations were substantiated with entertainment programme presented by Ben Evangelisto and Janet which included solo singing, duets and acting.
Earlier the workshop was inaugurated by the Principal of the College, Dr. (Sr.) M. Aradhana A.C by lighting the traditional lamp in the presence of Tomazinho Cardozo, Joe Rose and the Head of Konkani Department Queenie Viegas.
During the valedictory function, the participants of the workshop were awarded with certificates of participation. Mr. Agnelo proposed a vote of thanks.
Victor de Sa
Member Secretary
Tiatr Academy Goa (TAG)
Wednesday, June 30, 2010
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- Goa-World.COM
- A big e-welcome to you. Tumcam Maie-mogacho ieukar. Enjoy Life - This is not a rehearsal! Konkani uloi, boroi, vach ani samball - sodankal. Hich Goenchi osmitai ani amchem khalxelponn. Goenchi amchi Konkani bhas! Ekvottachem saddon Goenkaranchem. This is Gaspar Almeida from Parra, Bardez, Goa, based in Kuwait and am connected with the www.goa-world.com website created by Ulysses Menezes, and as Moderator of the famous first of its kind Gulf-Goans e-Newsletter (since 1994) and The Goan Forum and several Goan and Indian associations and forums and e-forums in Goa, India, Kuwait, The Middle East and worldwide.