Friday, October 16, 2009

Tiatrists recognised for life-time dedication to the art-form

Tiatrists recognised for life-time dedication to the art-form

By Colin Savio Coelho

The tiatrist of the good old days really give a great boost to the art. In the 117 years of the tiatr, there was very little recognition given to the tiatrists by the government. The tiatr goers did give them a lot of love and recognition, especially with the traditional hooting to call the singer back on stage to repeat a song and applause at the end of a scene.

It was much later that M Boyer was awarded the Sahitya Academy Award and later the all-important Padma Shree. But many of the tiatrists sacrificed much of their lives and just enjoyed entertaining with the art-form with not much of an eye on any kind of recognition. But efforts like that don't go abegging. At some point of time someone will notice and give due credit to some good efforts.

The Tiatr Academy was one such recognition that tiatrists have gained. Though this Academy hit a few roadblocks, especially at the time it was first planned on the eve of the last state assembly elections, it finally took off with some gusto at a function at Pai Tiatrist Joao Agostinho Fernades, Ravindra Bhavan today.
One of the other highlights was recognition for life-time achievements coming from the government itself. The tiatrists who were applauded for their effort and sacrifice are:

Ophelia Cabral D'Souza from (Mumbai): Hailing from Socorro Bardez, she has spent most of her life in Mumbai. She was known as the 'Tragedy Queen' of the Konkani stage and she has acted in the C Alvares masterpiece 'Xezari Combo'. She contributed extensively to tiatr along with her husband Bab Peter. Her beautiful voice was also part of the hit films 'Amchem Noxib' and 'Nirmonn'. Ophelia could not make it to the awards ceremony due to health reasons and was represented by her brother Tony Cabral.

Antonette Mendes : One of those tiatrists who possesses a melodious voice, she has kept the crowds mesmerized with her singing. She is from Goa Velha and is also one of the many Mumbai based tiatrists.

Titta Pretto: He has been instrumental in writing many a triatr that has kept the audience entertained and involved at all times.
Anita Pereira Fernandes: Anita has been the first lady to have ever acted in Khel Tiatr. She also made a mark as a duet singer.

Lidvinda Clara Dias: This tiatrist from Orlim played those mother-in-law, sister and mother roles to great perfection. She is also gifted with a sweet voice that keeps her listeners spell-bound.

Lucas Fernandes: A native of Goa's coastal pride Colva, he was in the forefront of playing womens' role in the span 1947-59. He was acclaimed as a great singer and has sung over 300 songs on stage.

Alegro Roque T Antao: He is popularly known as 'Star of Arrossim' and did a marvelous job in back-up vocals, especially in rendering the second voice. He has to his credit one popular song 'Goenchi Xit Kodi' and has played womens' roles on stage many a time. His tiatr 'Retired Tarvotti' gained much acclaim in the days of yore.

Antonio Moraes: He is said to have shown the new way to tiatrists with his innovation, non-stop khel tiatr. This Tiatrist from Benaulim was well-liked for his khel tiatr 'Sandlolo Put' that made waves in 1956. He has to his credit a number of popular songs too.

Pedro Caetano D'Silva: Per-Seraulim, Colva is the home of this well-known tiatrist. He is better known by his stage-name C D'Silva. His great performance on stage always put the crowd in a spell. He has made a 60+ years contribution to tiatr and has also written over 13 khel tiatrs.

Thomas Domingo Rosario Antao: This music director from Nuvem has made a significant contribution into taking tiatr music to greater heights. He also made a major effort in encouraging khel tiatr music to also take forward steps.

Remy Colaco: This name will ring a bell with many. He has made a great impact with the tiatrs he has written. Originally from Sanvordem, Remy has lived in Mumbai most of the time. 'Ankvar Mariechem Dukh' is one song that has become a household tune over many years. Remy could not be present in person to accept the award.

Manuel Santana Aguiar: This is one of the most decorated tiatrist ever. Known for his spontaneity in composing lyrics on the spot, he started his stage career at the young age of 15. He is known to be a magician on the stage and over the years grew to be a much-loved artist. He drew laughter at his every move and also stressed on awareness on social issues. He was decorated with the Sahitya Academy Award and also the Padma Shree. Yes it can be none other than M Boyer, the Raia based comedian. His sister received the award on his behalf.

John Claro Fernandes: 'Portugues Kolvont', this is the one tiatr that John Claro is identified with because of its impact and popularity some two decades ago. This one tiatr staged around 200 shows around Goa. Hailing from Amona-Quepem, John Claro has been a well-appreciated writer-director of the Konkani stage.

Philomena Crasto: She was a great singer of repute and played many a role to such perfection that she won the hearts of her audience. She was wheeled in to accept the recognition for the great work she put into her acting.

Jose Lourenco Vaz: Nobody knows by this name really. He is only popular as Master Vaz. Calvim, Aldona is the hometown of this great artist, but he has spent his life in the South of Goa at Utorda. He started acting in the tiatr his father acted in at the age of seven. They called his father Mister Vaz and seven year old Jose was in turn called Master Vaz. The name stuck. He has played womens' roles and also sang a famous song 'O Catarin'.

The recognition to these tiatrists and the formation of the Tiatr Academy will surely help encourage younger talent to take to this age-old culture of Goa. Taking the tiatr to a higher level is surely the need of the hour. Tiatr needs to be looked upon as a career.

http://www.oheraldo.in/pagedetails.asp?nid=17351&cid=26

Thursday, October 15, 2009




Remembering a friend and a teacher - Alfred Rose


Remembering a friend and a teacher - Alfred Rose
Dearest Friend and Guru,



6 years have passed away, you left the tiatrist world and all your fans in deep shock, sorrow and sadness. No one has come to take your place on the Konkani stage.
We will remember you till the end of time. May your soul rest in peace.

Ho cantaracho jhelo Bab Alfie aum thujea 6vea morna vorsanche ugdasac bhetoitam
(21-10-2003 – 21-10-2009).



KONKANI PALKACHO DIVO

I

Khuim asat adle tiastrist, lokak boro divertment ditale
Thode oskotaec sampodle, thode sounsar sodun gele
Ugddas aiz aum cortam tancho, sangat amkam khuim meutele
Bore cantorist voi partist, sasnak the cobar zale.


Ch

Alfred Rose voi bava, kitem keleim deva, oslem dhuens taka kiteac keleim favo
Sobit tacho tallo, aikonk amkam mello, chitun kalzak podla gavo
Cantorist Bangaracho, konak sor corinejo amchea monan sodanch Alfred urlolo zavo
Morna vorvim thujea kalzak toplo kivo konkni palkacho tum dhivo


II


Alfred Rose thujo ugdas cortam, thuje oslo cantorist disonam
Oxem dista thujea talleacho, cantorist zolmank euchonam
Melele moshik khuim baraser dudh, jivi astana valor kollonk nam
Aiz valor thujo colon eta, tuje vinem konkni palk sobonam


Ch


Thodim vorsam zalim, Alfred dhuent aslo, sangat tache pasot zait kon vavurla
Khambo konkni palkacho, cantorist apurbaicho, konem zait taka adar dhila
Konkani pasoth vavurla, dhuent zai passun, palkacher konkni baxecho mog dacoila
Aiz sounsarac somplo, Bombay Mahim tum aslo Guru thujo ugddas kela.


III


Alfred thujem cantar cortam, guru tum hea sounsarant nam
Zaite thujea tallean gaithat, matui sobonastanam
Tum podvi corta muntale, tujem kalliz volkonastana
Magtam sorginchem suk favo zaunk, devachi podvi deuch zanam


Ch

Alfred Rose, Alfred Rose, Alfred Rose bangarachea tallean cantar cortalo
Azun passun palkacher konuch nambava, zago thujo sambautolo
Tum palkacher etoch kantar thujem muntoch, aikoteleanchi kalzam zagoitalo
Sasnak Alfred thujo ugddas vochonezo, amchea kalzanim urtolo.



Francis de Verna
francisji@yahoo.com

21-10-2009
[This song was sung at the Konkani tiatr "Duens" held at Holy Rosary Church - Verna compound. Lyrics and composed by Francis de Verna. Francis de Verna has the much acclaimed Konkani CD "Ojeapanchi Maim" and hundreds of songs penned by him, several tiatrs, and stage performances to his credit. He is also the President and Member of Kuwait-Goa Tiatristanchi Sonvstha (KGTS). Francis de Verna has largely contributed his time, money and efforts in mobilizing resources for the establishment of the first Romi Script Konkani newspaper 'NOVEM GOEM' as well as supported GULAB - Goa's only coloured Konkani family magazine - now in its 27th year of publication (2009). He has also been elected to the Executive Committee of the Goan Welfare Society (GWS)-Kuwait].


Wednesday, October 14, 2009

Tiatr Academy Goa (TAG) to preserve Tiatr Literature

Tiatr Academy Goa
Panjim


TAG to preserve Tiatr Literature
Tiatr Academy Goa (TAG) has observed that although thousands of tiatr scripts are written and staged, there are very few tiatr scripts published in the book form. TAG intends to preserve tiatr literature for posterity. This can be done by publishing books of scripts of Tiatrs, One Act Plays and Lyrics of songs, with or without music scores. TAG, therefore will publish books of tiatr scripts, lyrics of songs, one act plays, etc in book form. Interested script writers and lyricists are requested to send three copies each of the scripts of tiatr or lyrics of songs to TAG on or before 15th November, 2009.

Promotion of Tiatr music
The TAG has observed that the number of musicians playing blowing instruments such as Trumpet and Saxphone is decreasing day by day and that these two instruments are very important in the music of the Tiatr. In view of this the TAG has formulated a scheme to encourage youth and others to learn to play blowing instruments particularly Trumpet and Saxphone by providing them with financial assistance.

Documentation of the history of Tiatr
TAG felt that there is an urgent need to document the history of Goan Tiatr. It was also strongly felt that priority must be given to oral documentation with the help of old Tiatr artistes who are still living.

Hence TAG has decided to document the history and experiences in the field of Tiatr by interviewing old artistes of Tiatr which includes writers, directors, actors, singers, musicians, persons involved in stage setting, light effects, background music, DVDs, etc. It was also resolved to document the history of tiatr by publishing books on history, critical appreciation and on any other topics related to Tiatr, its song and music.

Persons interested in taking up the work of documentation may contact the Member Secretary of TAG on phone number 9823375530 or the President on phone no. 9822170102

Tomazinho Cardozo
President
Tiatr Academy Goa

15/10/2009

[PRESS NOTE as forwarded to gasper almeida for favour of publication
to www.goa-world.com / Gulf-Goans e-Newsletter]


http://tiatracademy.blogspot.com
[is a private blog of gaspar almeida]

GOA FEST 2009 TAKES OFF ON A HIGH NOTE IN NEW DELHI


GOA FEST 2009 TAKES OFF ON A HIGH NOTE IN NEW DELHI


GOA SADAN, a colonial style white mansion on Amrita Shergill Marg was transformed into a “Feira” of sorts, which the sights and smells of Goa. Driving past, one cannot avoid the sound of Goan Music and Reverie amidst fairy lights, which is advertisement enough for anyone looking for some entertainment of another kind.


And so GOA FEST 2009 took off to a colourful start on Friday, 6th November 2009 at 6 p.m. This three day, annual festival organized by “Goenkarancho Ekvot” an association of Goans in Delhi and the NCR in association with Department of Tourism, Government of Goa is a festival all Goans in these parts, as well as, Delhiites, Expatriates and Tourists who have come to love Goa and everything Goan look forward to eagerly.

Hon’ble Justice V.S. Sirpurkar, Judge Supreme Court of India inaugurated the Goa Fest 2009 and Shri Digambar Kamat Hon’ble Chief Minister of Goa presided over the function. Gracing the occasion were important guests Shri Shripad Naik Lok Sabha MP, Rajya Sabha Member, Shri Shantaram Naik and Shri Sanjay Kumar Srivastava, Chief Secretary Goa.


The Guests were introduced in turn and welcomed with floral bouquets by members of the committee.

Mrs. Suman Kurade, Chairperson of Goenkarancho Ekvot, welcomed the guests and all present. She gave a brief of the associations activities in Delhi and the listed out the various efforts carried out in order to keep the Goan Culture alive in Delhi and the NCR. She also pleaded with the Chief Minister to ensure that the New Goa Sadan be readied soon so that Goans visiting New Delhi are not put through any inconvenience in locating lodgings


The Chief Guest Hon’ble Justice V.S. Sirpurkar in turn gave, very personal and emotional experiences of being associated with Goa and its inimitable culture. He, recounted the several occasions he visited Goa, and praised Goa for its Uniform Civil Code which grants equality to both men and women and that is something other States should take example from.


Shri Digambar Kamat appreciated the great work being done by Mrs. Kurade who with her tremendous dedication to keeping the organisation and culture alive despite all odds has achieved a great deal of support and respect from the Goans. He specially mentioned, that he had taken time off for this evening, only because he could not say no to someone so special!

Shri Shripad Naik M.P.(L.S), Shri Shantaram Naik M.P. (R.S) and Shri Sanjay Srivastava gave their experiences of living in Goa and the efforts that were being made to make it a world class tourist destination.

Two Goan students Shri Rohan Sharma And Shri Mayank Dias, who have done academically
very well in their Board examinations were honored and given a certificate each by the Chief Guests.

Father Bento Rodrigues, Principal, Fr. Agnels School then gave the vote of thanksThe festival was declared open. The guests and the crowd were treated to some Goan and Portuguese Folk Dances and Goan Music by a live Goan Band. But the main attraction as always was the food on offer – Sorpotel, Xacuti, Fish Curry, and delicious snacks to be washed down my our trademark Feni! This festival attracted huge crowds during the weekend.


Info, photos courtesy of:
Rene Baretto as forwarded to goa-world.com

UMK to present 'Mange Malpodchi'


United Mangaloreans Kuwait (UMK) will be organizing a cultural evening, for a noble cause of helping the HIV-affected inmates of "Sneha Sadan", Gurpur, Mangalore. The highlight of the event which will be held on 6th November 2009, from 5.30 p.m. onwards at Indian Community Senior Girls School, Salmiya, is hilarious tulu comedy play 'Mange Malpodchi', written by Parkala Panduranga Prabhu.

UMK in its press release stated that, the evening will begin with a cultural program by the local talents with children and adults dancing and singing to your hearts' content. "We are confident while you enjoy an evening of fun-packed entertainment, you will be among those who are contributing towards helping the children suffering from HIV," Mr Avil Fernandes, one of the organizers.

We assure all the Konkani and Tulu art lovers that we will make this first event memorable one, says the press release. "Through our talents, we like to serve our underprivileged brethren at the Sneha Sadan, who are lonely, who need our helping hand and word of comfort," it added.

The entry for the event is free, so be on time and reserve your seats!.

Monday, October 12, 2009

Ramee Musical Evening in Bahrain

An evening of musical treat rolled out

October 12, 2009

A TOP politician from the southern Indian state of Karnataka will be chief guest at the Ramee Sangeetha Sanje (Ramee Musical Evening) this weekend.
It will be held by Kannada Sangha Bahrain on Friday at the Delmon International Hotel, starting 6pm. Entry is free for Sangha members and all music lovers.

Mr K Abhayachandra Jain, the chief whip of opposition in the Karnataka Legislative Assembly, will attend. "He is an influential member of the Congress party from Moodbidri and a trustee of many educational, sports and charitable organisations," said sangha president Austin Santhosh.

The programme will feature artists from the southern Indian cities of Bangalore and Mangalore. The title sponsors are Ramee International Hotel and the co-sponsors are J & N Trading and Mohammed Ali Fruits & Vegetables. Well-known singers Anuradha Bhat, Ganesh N and Ester Noronha will entertain music lovers with hit numbers in Kannada, Tulu, Konkani and Hindi. "We are planning a good mix of modern, classical and cinematic music so that the evening will be enjoyable to everyone," said Mr Santhosh. For details contact Mr Santhosh on 39837771.

(Gulf Daily News)

Goa's Unsung hero - General M.A. Vassalo e Silva

GULF-GOANS e-NEWSLETTER (since 1994)
http://www.yahoogroups.com/group/gulf-goans/ http://www.goa-world.com
--------------------------------------------------------------------------------

Unsung hero


If at all, our Goans were sad because of the Liberation of Goa, it was only because they felt a big loss of the Portuguese governor, General Vassalo e Silva.

We saw with our own eyes how much he had done for our Goa and the people. He cast aside the order received from his High Command in Portugal, to return Goa in ashes to the Government of India, if at all the time permits. Today, if Goans are living in their beautiful Goa, it is because of our last Portuguese Governor.

After he left Goa, he did not take his asylum in any of the Western countries, but went to Portugal and suffered humiliations and other punishments for the great heroic work he had done in his position as the last Governor of Goa, Daman and Diu.


Paulo Mascarenhas, Panjim

http://www.oheraldo.in/pagedetails.asp?nid=28481&cid=13


Links: http://www.goa-world.com/GOA/music/proud_to_be_a_goan.htm
http://www.goa-world.com/goa/basilio-magno/

Photo: exclusive to www.goa-world.com
gaspar almeida


Additional link:
http://www.militaryphotos.net/forums/archive/index.php/t-163901.html
Portuguese troops in Goa, India - 1954






OPERATION VIJAY



© Stories of Heroism, Dr. B.C. Chakravorty, edited by Dr. U.P. Thapliyal, Government of India, Ministry of Defence, History Division.



The Portuguese refusal to transfer her Indian settlements of Goa, Daman, Diu and Anjidiv Islands to the Indian Republic, led to Operation Vijay in 1961. They had ruthlessly suppressed a peaceful Satyagraha launched to liberate these territories in 1955. In 1961, they even fired on some Indian coastal steamers and fishing boats near Anjidiv Island. India, therefore, decided to use force to liberate the Portuguese pockets on her soil.
Goa Operations
On 11 December 1961, 17 Inf Div and attached troops were ordered to advance into Goa to capture Panjim and Marmagao. The main thrust on Panjim was to be made by 50 Ind Para Bde Group from the north. Another thrust was to be carried by 63 Inf. Bde from the east. A deceptive thrust, in company strength, was to be made from the south along the Majali-Canacona-Margao axis.
The Eastern Thrust
On December 18th, the 50 Para Bde Group moved into Goa in three columns. The western column (the 2 Sikh LI Group) marched on the Dodamarg-Tivim-Betim-Panjim axis, the central column (1 Para Punjab) on the Benastarim-Panjim axis and the eastern column (2 Para Maratha) on the Dodamarg-Usgao-Ponda axis. The first 2 competed in the race for Panjim. The western column led by armour moved out at 0630 hrs. The armour reached Betim shortly after 1700 hrs without encountering any opposition. The 2 Sikh LI joined it by 2100 hrs, crossing over mines and demolished bridges en-route. Panjim now lay only 549 metres away. But in the absence of orders from above, the unit stayed at Betim for the night. The same night Major Sidhu of the 7 Cavalry was killed when Portuguese guards fired on an unsuspecting Indian rescue party at Aguada Fort.
On December 19th, the 2nd Sikh LI received permission to cross over to Panjim and the two rifle companies landed there at 0735 hrs. The race to Panjim was won. The central column of 1 Para Punjab crossed the border at 0600 hrs. Up to Bicholim it moved as the eastern column but from there it turned on the Banastarim-Panjim axis. It reached Banastarim at 1730 hrs but was held up there on account of the broken bridge. On December 18th, the water obstacle was negotiated and the column reached Panjim by 0830 hrs, 55 minutes after the Sikhs. The eastern most column (2 Para Maratha) moved on the northern route on the Sanquelim-Usgao-Ponda axis. It reached Ponda at 1345 hours and brought order to the town. The eastern column conducted patrolling in the Ponda-Banastarim sector and established contact with the rear elements of 1 Para on December 19th.
The Northern Thrust
The 63 Indian Inf. Bde. moved into Goa from Anmond in two columns. The right column (2 Bihar) moved through a track whereas the left column (3 Sikh) moved down the existing road. Both columns linked up at Mollem and then moved on to Ponda taking separate routes. 3 Sikh could not go beyond Darbandora on December 18th. 2 Bihar went further to settle at Candeapar for the night. Meanwhile the 4 Sikh, the rear battalion, reached Candeapar river crossing at midnight. At 0600 hrs on December 19th, 4 Sikh crossed Candeapar by wading through chest high water and by mid-day rolled into Margao. It then marched on to Dabolim through Verna where a number of Portuguese surrendered at 1530 hrs. Finally it moved to Vasco Da Gama where the Portuguese formally surrendered at 2030 hrs. With the 4 Sikh in the lead, 2 Bihar also pressed on in the direction of Margao. But finding the Sikhs well set on the outskirts of the town it advanced on Verna. The enemy stronghold was attacked on both flanks and their resistance collapsed.
The swift action of 2 Bihar at Verna enabled the 4 Sikh to press on to Dabolim and Marmagao unhindered. The 3 Sikh was put on reserve on December 19th. From here it marched on to Margao and beyond in two columns. Some 400 Portuguese soldiers surrendered before it on December 20th. A diversionary move was made from south along the Majali-Canacon-Margao axis, in company (4 Rajput) strength. It was meant to mislead the Portuguese about the direction of the main Indian thrust. The southern column marched up to Margao overcoming road blocks, mines & broken bridges and helped in restoring order there. The 17 Division ended more than four centuries of Portuguese rule over Goa in just 40 hours. The IAF also played a useful role as its Canberra aircraft, twice bombed the Dabolim airfield whereas Hunters bombed Bombolim Wireless Station.
Daman Operations
Operations in Daman were conducted by the 1 Maratha LI. It launched an attack on Nani Daman from the north after neutralising the Flying Control Tower and Post-175 in a pre-dawn sweep. By 1700 hrs, the two companies had reached the Garden area south of the airfield. The battalion settled in this area for the night. At 1100 hrs on December 19th, the Portuguese made a surrender in Daman without giving any fight. In this push forward, artillery and air support played an effective role. The Army captured 600 soldiers and some guns & mortars in Daman. The Army suffered 1 JCO and 3 ORs killed and 1 JCO and 13 ORs wounded in the Daman operations. Portuguese suffered 10 killed and 2 wounded.

Diu Operations
Diu was the smallest Portuguese possession in India. A two-pronged attack was made on Diu-one from the north-west and the other from the north-east. The north-western thrust on Kob-Forte-Do Passo-De Covo axis was made by two companies of 20 Rajput, to establish a bridge-head and to capture the airfield. But the Rajput effort was frustrated by the well sited MMG and LMG fire across the creek. The Rajputs (B Coy) where, however, successful in their thrust on the Ahmdepur-Gogal axis. They replaced the 4 Madras and successfully attacked Gogla at 1600 hours. The enemy resistance was overcome with heavy pounding of guns. Portuguese garrison showed a white flag and surrendered. In Diu operations the IAF gave very useful support to the Rajputs. Toofani aircraft gave much needed support by bombarding the citadel and the control tower at the airfield on December 18th. On December 19th, the 4 Madras (C Coy) occupied the Island of Panikota and captured 13 Portuguese soldiers.
Anjidiv Island
Anjidiv lies to the south of Goa. The task of capturing this Island was entrusted to the INS Mysore and the INS Trishul. While the INS Mysore was to provide covering fire, the INS Trishul was to land a party on the Island. The assault party called 'Rustum' landed there successfully at 0715 hrs on December 18th. Another party followed at 0746 hrs. At this stage, the Portuguese hoisted a white flag near beach Lima. But this was a deceptive move and the Portuguese soon started firing on the second Indian party nearing the beach. The Army suffered some casualties in this treacherous attack. INS Trishul and the INS Mysore thoroughly shelled the enemy strong points to break the resistance. As a result of this pressure, many Portuguese surrendered on December 18th. More prisoners were taken over on December 19th. At 1425 hrs on December 19th, the Indian Flag was hoisted at Anjidiv.

http://www.militaryphotos.net/forums/showthread.php?t=163901&page=3


The invasion of Goa in the eyes of a Portuguese military

--------------------------------------------------------------------------------

"The invasion of the Portuguese territories of Goa, Daman and Diu, consummated in 1961 by Indian troops, was “illegal, illegitimate and against human rights,” told to Lusa, the general Carlos Azeredo.

“It was an attack absolutely illegal, illegitimate and against human rights … this is a historical truth and the truth is not fan,” said Carlos Azeredo, in an interview to the agency Lusa, in Porto, where he lives.

Carlos Azeredo, then with 31 years old, was in Goa as a liaison officer from the commander of the State Police in India (PEI, name given to the Portuguese Army in India), General Vassalo e Silva, when 50 thousand troops of the Indian Union invaded the State Portuguese in India, in the evening of December 17, 1961. “They had automatic weapons and we some Kropatchek of 1892, weapons of Czech origin completely obsolete, that we had to load after each shot. We did not have any aircrafts and they attacked us with a jet aircrafts. It was the first time I saw a jet airplane” recalled Carlos Azeredo.

The attack was done by land, with armored fighting vehicle, using air, with many fighters and bombers, and by sea, with several ships of war. The resistance lasted little. The then captain Azeredo had the task of commanding the troops in the last redoubt, in Goa, but it did not come into action. With only an anti-aircraft machine gun, little artillery, little ammunition and only a warship, a notice of the first class, the Portuguese could not resist a long time. Less than two days later, at 17.00 of December 19, they accepted the cease-fire and consumption on the Indian Union occupation, but the unilateral annexation was not recognized by Portugal and the United Nations until 1974.

With the cease-fire, which was not an official surrender, as stressed Carlos Azeredo, the Indiana sent to the prison camps 3500 soldiers of PEI. Prevented from trying to escape, under penality of being “traitors”, only six months after a Portugueses ship went there for take the prisoners, received in Lisbon under the threat of guns, as Salazar accused them of “cowards” for not having fought until death. “Goa was a tragedy, a national disaster,” said Carlos Azeredo, former head of the Military House of President of the Republic Mário Soares. For Carlos Azeredo, there was no reason, “not to be geographical,” to integrate Goa, Daman and Diu in the Indian Union, which was well creation later than the Portuguese India."


in http://dn.sapo.pt/2007/01/08/nacional/invasao_goa_ilegal_ilegitima_e_contr.html



"Paris Match" of 13 January 1962. Goans farewell to the last portuguese Governor, Vassalo e Silva.

http://www.militaryphotos.net/forums/showthread.php?t=163901&page=5

Sunday, October 11, 2009

TONY CARR - MONTH'S MIND




(www.oheraldo.in)

33rd Kala Academy's Tiatr Competition in Goa



33rd Kala Academy's Tiatr Competition in Goa
Mali bags tops slot in 33rd tiatr competition at KA
HERALD NEWS DESK


The results of 33rd tiatr competition organized by Kala Academy have been declared and accordingly Mali staged by St. Michael Taleigao Socio-Cultural Association, Taleigao, bagged the first prize for the best performance. The competition was held between September 21., to October 10 at the Dinanath Mangeshkar Kala Mandir, Panjim with the participation of 12 tiatr groups. The competition was judged by Anthony Vaz, Teotonio D’Costa and Prof. Jose Salvador Fernandes, who gave their detailed results after evaluating the performances staged in the competition.
As per the detailed result, Odruxtti Jivit staged by Kala Mogi, Candolim has been selected for second prize, whereas Dolleam Add staged by Dramatic Troupe of Ribandar, Ribandar was adjudged for third prize. The consolation prize for performance was awarded to Chuddet’ staged by Britona Dramatic Academy, Penha -De -France.
The first prize for direction has been awarded to Premanand Polle for Mali, whereas the second prize has been given to Diogo Fernandes for Dolleam Add.The third prize for direction has gone to Avinash Chari for Fantodd.
The first prize for acting (male) has been given to Pradeep Naik (Romeo) - Dolleam Add..., and Custodio Cabral (Jaki-Pai) - Mali has been selected for the second prize. The first prize for acting (female) has been awarded to Gloria D’Souza (Bostian - Mai) - Mali and the second prize has been given to Irene Cardozo (Carmelin) - Odruxtti Jivit. The merit certificates for acting (male) have been awarded to Anthony Carvalho (Castelino) - Odruxtti Jivit, Shirish Naik (Clive) -Chuddet, Francisco Xavier Gonsalves (Lewis) - Air Hostess, Reginaldo Nazareth (Minglu) and Max Cabral (Max)- Xevott Aschona. Merit certificates for acting (female) have been awarded to Rosalia Rodrigues (Milly) - Dolleam Add. and Edwina Pires (Misha) -Utor.
Mathias Mascarenhas (Baltu) - Odruxtti Jivit has been adjudged as best comedian and the merit certificates for comedian has been given to Christopher Menezes (Jupeter) -Pattimbo, Sheikh Amir (Zemric) -Xevott Aschona and Joslyn Misquita (Istimosao) - Odruxtti Jivit. The prize for best child artist (male) has not been awarded. The prize for best child artist (female) has been bagged by Gemma Fernandes (Velly) - Chuddet.
The prizes for technical aspects -Setting -Shyam Kalangutkar (Mali), Light effects -Vikas Chopdekar (Mali), Music band - Agnelo Dias (Visronk Nam), Make-up -Sadanand Gawde (Dolleam Add...), costumes -Sonia Rodrigues (Chuddet), background music -Kedar Joshi (Dolleam Add.) have been awarded to respective artists.
Divino Almeida (Saoimbacho Samball) - Xevott Aschona and Nazario Pinto (Melea Uprant) -Fantodd, have been selected for first and second prize respectively for singing (male solo). The merit certificates in this category have been given to George Gonsalves (Munxeachi Kala) and Jose Gonsalves (tiatrist) -Pattimbo, Marciano Noronha (Visronk Nam)- Visronk Nam, Joao Camilo (Cancer)-Khonuch Noko and Agnelo Vaz (Koxtt Kor) - Xevott Aschona.
Livia D’Silva (Goa) -Mali and Evelize Fernandes (Bhurgeponn) - Mali have been selected for first and second prize respectively for singing (female solo). Hubert Clement (Devacho padri) -Fantodd has been adjudged as the best child singer (male) whereas the merit certificates in this category have been awarded to Aldair Figuiredo (Duddvank Lagon) - Zoglavnnem and Ciano King Fernandes (Altar boy) - Pattimbo. Claniffa Almeida (Burgim Girestkai) -Utor has been selected as the best child singer (female solo) whereas Benzilla Lobo (Kaide) -Dolleam Add has been awarded merit certificate in the same category.
Dorothy Viegas and Ezilda Fernandes (P.E. Jose Vaz) -Mali, have been selected for best duet/duo prize and the merit certificates in this category have been awarded to Shirlie and Lenzie Camilo (Axea) -Chuddet, Francis Cardozo and Magdeline Fernandes (Nirmon) -Dolleam Add, Ivy Pereira and Suzeta Pereira (Kaido), Francis Pinto and Nazario Pinto (Soro) -Fantodd.
Colisha D’Silva, Clancy D’Silva and Andrea D’Silva (Fudlea Pindkek) - Chuddet have been awarded prize for best trio whereas, Lenzie Camilo, Michelle Camilo, Tresila Camilo and Shirlie Camilo (Chorio) - Chuddet have been adjudged for best quartet singing prize.
Joe Luis D’Souza (Fudlea Pindkek Samball) - Chuddet has bagged the prize for best lyrics whereas the merit certificate in this category has been given to Sebastiao Salvador Fernandes (Konknni Bhas) - Khonuch Noko.
The first prize for script writing has been awarded to Pedro Vaz for the script of Mali whereas, the second prize has been bagged by Diogo Fernandes for Dolleam Add. Kala Academy has congratulated all the prize winning institutions and also the artistes.


Related news clippings on Gulf-Goans e-Newsletter:
http://groups.yahoo.com/group/gulf-goans/message/15892

Pedro Vaz' tiatr "MALI" wins first prize at
Kala Academy Tiatr Competition 2007


"Mali" written by Pedro Vaz and presented by St. Micheal Socio Cultural Association, Taleigao won the first prize at the Kala Academy’s 33rd Konkani Tiatr Competition 2007. "Odruxtti Jivit" written by Joao Cardozo and presented by Kala Mogi, Candolim bagged the second prize, while "Dollem Add...." written by Diogo Fernandes and staged by Dramatic Troupe of Ribandar was awarded the third prize.

The much patronized Kala Academy annual tiatr competition commenced on September 21 and concluded on October 10, 2007 (yesterday). The tiatr loving audience have a good time throughout the 3-weeks of the competition, where talented script writers, directors, stage set decorators, musicians and actors get a chance to display their talents, and gain recognition and fame.

In all, 12 Goan tiatr groups participated in this competition and included Sao Minguel Club, Dona Paula, Corjuem Dramatic Troupe-Corjuem, Kala Bharati Goa-Mormugao, Machi Mogi-St. Cruz, Britona Dramatic Academy-Penha de France, Alfi Art Production-Divar, United Dramatic Association-Carambolim, Tornateacho Ekvott-Margao, and Merces Club-Merces.

Other tiatrs staged during the competition were:
"Xevott Aschona" written by Eusico Fernandes.
"Visronk Nam" written by Anthony Gomes.
"Utor" written by Rumaldo Estrocio.
"Air Hostess" written by Menino Mario Araujo.
"Chuddet" written by Vinod Kumbharjuvekar
"Patimbo" written by Alfred Fernandes.
"Khonuch Noko" written by Sebastiao S. Fernandes.
"Fantodd" written by Agnelo Fernandes; and
"Zoglavnnem" written by Mark de Araujo.

Watch out for other details of the other prize winners for the different categories of the KA tiatr competition.......... in your favourite Gulf-Goans e-Newsletter (www.goa-world.com).

As every year.............
you heard about the KA Tiatr Winners - first at www.goa-world.com
We hope to maintain this tradition.

Gaspar Almeida
(Goa-World.com Team - Goa/Kuwait)
Special thanks to AM&GM.


www.goa-world.com/goa/music/

Tiatr "Ixob" - a punch at Goans' hypocritical attitude

TIATR "IXOB" - A punch at Goans' hypocritical attitude

TNN 10 October 2009


Promising to be a play worth watching, given that these guys had won a place at last
year's tiatr competition, there was as much expectation and excitement in the air as there were people to witness the last show of the 35th Tiatr Competition at the Kala Academy. 'Ixob', calculation or how one perceives one's life, was another thought-provoking tiatr with much to get entertained about as well.

With the talented Augie D'Mello at the helm of affairs, with assistance from veteran
playwright-cum-director Anil Kumar, this all-amateur cast had very little to worry
about.

Tiatr regulars often point out that competition plays at times put commercial tiatrs
to shame with their better command over technicalities. Put up by the Britona
Dramatic Academy, hailing from the Penha de Franca village, 'Ixob' lived up to this,
with its take on a rather hot topic in Goa-migration.

Though a phenomenon since time immemorial, the play made one realize that Goans have
not as yet come to terms with migration. Well handled by playwright D'Mello, it
emphasized the ever-present paradox-frustration among locals at the growing influx
of non-Goans, even as they (Goans) continue to plan and dream about migrating
abroad. It brought out the hypocritical attitude of Goans.

Given that everyone has a choice and the right to decide where to migrate and live,
the plot revolves around the aspirations of a particular family.

The ironic part, well brought out by the play, is that although these guys have
everything going good for them, they are somehow obsessed with the lifestyle of a
foreign country. Interplayed with comic scenes, things go awry when in a parallel
story a man who has experienced the reality of living abroad, opts to return home,
to Goa.

"It was different in the olden days when there were less facilities in Goa and Goans
therefore worked on ships, or went abroad, or even to Mumbai for better job
prospects. Things have totally changed today and we can help develop our own state
by living here. Facilities exist here as well. Why always blame the government or
migrants for us Goans opting to migrate and live lifestyles like those abroad?" Anil
Kumar described the concept behind the play.

The songs and comedy performed by Swapnil Naik, who plays a gay in the tiatr, had
plenty for the audience to be amused about. Among the songs that stood out were
quartets sung by the Camillo and D'Silva sisters, with a tribute to the late H
Briton also thrown in. Joanna Braganza excelled in her role as the mother, while
Tushar Mandrekar has the makings of a great artiste.

The sets were created by Kamlakant Chari, lights handled by Dhananjay Chopdekar and
the band was Agnelo Dias and his jolly boys.

As for the entire competition, apart from the management's goof-ups, it saw some
real warm-hearted support from professionals, production people, and the bands who
kept bring the amateurs back on track whenever they lost a beat. The audience was
ever-supportive and polite, making it a point to clap after every act. In all, a
great event.


http://timesofindia.indiatimes.com/city/goa/A-punch-at-Goans-hypocritical-attitude/articleshow/5108619.cms

Saturday, October 10, 2009

Tiatrs in Focus

NEW KONKANI VCD RELEASED: GOAN FESTIVE NOSTALGIA by Kuwait-based AGGY DIAS

NEW KONKANI VCD RELEASED: GOAN FESTIVE NOSTALGIA by Kuwait-based AGGY DIAS



The local music industry is in great demand. both locally and internationally, thanks to the Goans spread out all over the world who regularly medicate themselves with lavish doses of Goan Konkani music. Whenever the pangs of homesickness get unbearable 'mandos', 'kantarans', 'dulpods', and other Konkanj songs are prescribed.

Agnelo Dias better known by his stage name Aggy has added to their collection. Out with his second album 'Goan Festive Nostalgia', his album sings a different tune. In Aggy's words, "It's an album that brings musicians into the limelight." A little elucidation will bring to light his novel exercise. Aggy is a musician who plays not only the guitar and keyboards but also the clarinet, drums, flute, saxophone and oboe. In his latest video album he has abundant use of wind instruments.


Goans were always known to add their charm to occasions by playing their brass instrument. However, the number of these 'jolly boys' are on the decline. The result is that we are losing out on the beautiful sounds of these instruments. Besides using brass instruments this musician, who has also played in the Goa Symphony Orchestra, says that another highlight of his album is the concept of sing-a-long 'mandos' and 'dulpods'.

These traditional Goan songs, presented in a contemporary instrumental style, invite you to sing along to the words that are printed beneath. So from 'Sorgar Uzvadd Noketrancho', 'Doriachen Lharari' to 'Ugdass Tela Mhaka', you can involve yourself with the song - a great way to herald a Konakani karaoke revolution. "It is a nice way to learn these songs or teach it to children," he says.

Aggy has included three of his own compositions, one that he composed way back in 1986. All three showcase the Goan spirit, especially when experienced as a community. The composition 'Jua' is his tribute to his native land of St Estevam. The old houses, landmarks and natural beauty all find a place in this song.


The songs have been shot at various locales across Goa. Aggy admits that marketing and advertising add to the expenditure but nothing could be graver than the problem of piracy.

Criss-crossing between Kuwait, where he works, and Goa, his home, Aggy says he plans to continue coming up with more albums. An upcoming assignment is one comprising of instrumental Gospel songs. One wonders why the penchant for instrumental music. Aggy does not take much time to answer the question. "I can express myself best through instrumental music," he says. Guess that's what they mean when they say "let the music do the talking".




[This article has been first published in The Navhind Times (Wednesday, 09-09-2009, written by Clara A. Rodrigues/NT Network and pictures by Krishna Divkar)

Aggy Dias can be contacted by email: aggynelo@yahoo.com
Website: www.aggydproductions.com
Tel.: +965 66574781


[Info source: Mario Rebello for www.goa-world.com/gulf-goans e-newsletter].

http://goa-kranti.blogspot.com/2007/12/collectors-audio-instrumental-by-aggy-d.html

Showman of Konkani Stage Prince Jacob presents 70mm entertainment "ZAIAT ZAGE"


“ZAIAT ZAGE” this November 2009 in DUBAI & KUWAIT

The Showman of Konkani Stage Prince Jacob presents 70mm entertainment in his new super hit tiatr ZAIAT ZAGE. Wake Up for loads of comedy and a blend of solos, duos, duets, trios & plenty more.

Watch out for more details.

In Dubai 12th Nov' 2009 at 9.15 pm
In Kuwait 13th Nov' 2009 at 4.15 pm


Source: ACD
________________________________

TIATRO " ZAIAT ZAGE " Written and directed by Prince Jacob



ZAIAT ZAGE - a laugh-a-minute riot on stage

Prince Jacob the Showman of the Konkani stage has done it once again. Known for his penchant for experimenting with progressive and innovative ideas on stage, his latest offering ‘Zaiat Zage’ (Wake Up) is drawing tiatr lovers by the throes to the theatres in Goa.

‘Zait Zage’ is a really entertaining show with plenty of healthy comedy and a strong message to every Goan. It’s a show for the entire family if you are looking out for quality entertainment with a sound message.

(Quote from a Review by Daniel F. D'Souza - Vasco, Goa.)

Workshop on Tiatr Script:


Tiatr Academy Goa
Panjim, Goa

PRESS NOTE for favour of publication

Workshop on Tiatr Script:

Parent Teacher Association (PTA) of Jawaharlal Nehru Higher Secondary School, Fatorda in collaboration of Tiatr Academy Goa (TAG) will organize a one day workshop on Tiatr script on Sunday, 11th October, 2009 from 9.00 a.m. onwards at the Government High School, Ambaulim, Quepem Goa. The workshop will be inaugurated by Tomazinho Cardozo, president of TAG in the presence of Smt. Archana Naik, Principal of Jawarharlal Nehru Higher Secondary School and Mr. Teotonio D’Costa, Chairman of PTA.

The workshop will highlight the characteristics of tiatr such as Acts (Podd’dde), Kantaram and Comedy. The participants will be given an opportunity to do practical work on writing and acting. They will have to present a 10 minute presentation which will be discussed and improvised. The participants will guided by the resource persons namely Avinash Chari, Agnelo Fernandes and Teotonio D’Costa. 50 students will participate in the workshop.

Victor De Sa
Member Secretary
Tiatr Academy Goa.
Email: tiatracademy@gmail.com

9/10/2009

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A big e-welcome to you. Tumcam Maie-mogacho ieukar. Enjoy Life - This is not a rehearsal! Konkani uloi, boroi, vach ani samball - sodankal. Hich Goenchi osmitai ani amchem khalxelponn. Goenchi amchi Konkani bhas! Ekvottachem saddon Goenkaranchem. This is Gaspar Almeida from Parra, Bardez, Goa, based in Kuwait and am connected with the www.goa-world.com website created by Ulysses Menezes, and as Moderator of the famous first of its kind Gulf-Goans e-Newsletter (since 1994) and The Goan Forum and several Goan and Indian associations and forums and e-forums in Goa, India, Kuwait, The Middle East and worldwide.