Sunday, November 7, 2010

Meet to condole the death of Peter D’Costa

Meet to condole the death of Peter D’Costa


Well known artiste of tiatr stage, Peter D’Costa expired at a young age recently. He was an excellent artiste who could do any role including comedy roles. In his death the tiatr stage has lost a very good artiste of tiatr stage.

In order to condole the death of late Peter D’Costa, Tiatr Academy of Goa has organized a condolence meeting on Tuesday, 9th November 2010 at 4:30 pm at the Conference Hall of Ravindra Bhavan, Margao. Tiatr artistes and tiatr lovers are invited to attend the condolence meeting.



Victor de Sa
(Member Secretary)
Tiatr Academy Goa

Friday, October 22, 2010

Konkani Kadombori Karyaxalla

Konkani Kadombori Karyaxalla


Ixttamno,

Vincy Quadros hachea fuddarponnakhal Dalgado Konknni Akademi Kadombori karyaxalla ghoddun haddta. Aizver bottancher mezpa itle kadomborikar Konknni bhaxent asat. Hi ek bori sondi Dalgado Konknni Akademi novea ani umedi borovpeank dita. Hacho faido kaddunk amchi vinonti.

Hi karyaxalla Colva Residecny, Colva hanga 30 Otumbr 2010 disa sokallim suru zatoli ani 31 Otumbr 2010 disa sanjer somptoli. He karyaxallek margdorxon korunk nam'nnechi sahityakar ani Sahitya Akademi puroskar favo zaloli Xmt Hema Nayak margdorxon kortoli. Hea xivai anikui margdorxok yetole.

Tumi hacho faido kaddcho ani Konknni bhaxentle nove kadomborikar zaunche hich opexka. Dekhun aizuch tuji nanv nondnni korat Vincy Quadros - Mobile 9822587498 hanga vo Dalgado Konknni Akdemichea ofisant. Phone: +832 2221688.

Osli sondi chukun yeta.


--
Vincy Quadros
Vice President
Goa Konknni Akademi
Solution to Romi/Nagri Script Konknni
Email vincyquadros at gmail dot com

October 22, 2010

Wednesday, October 20, 2010

Tuesday, October 19, 2010

KONKNNI FILMACHO ONTOR'RAXTTRIK POILE PROIG KUWAIT DHESANT

KONKNNI FILMACHO ONTOR'RAXTTRIK POILE PROIG

Poilech pavtti Konknni filmache itihasan Konknni film Tum Kitem Kortolo Aslo? , hacho Ontor'raxttrik poile proig Kuveittchea desant zatole. Konknni filmachim 60 vorsam sorombhunk ani Konknni bhas bhailea desamni fankarunk ShaMaz Film (Goa) hannim hem film prosidd kelam.

Ontro'raxttrik Poilo Proig Sunkrar, Otumbrache 22ver, 2010 justuch sanjechiea 3:30 vaztam, Cinescape Metro (Farwaniya) hollant suru zatalo.
Film dakovpachi vellachi volleri oxi asa:
Otumbr 22, 2010 Sunkrar: 3:30 pm; 5:30 pm; & 8:00 pm ----3 proig
Otumbr 23, 2010 Son'var: 3:30 pm; 5:30 pm; & 8:00 pm ----3 proig
Otumbr 24, 2010 Aitar: 5:30 pm; & 8:00 pm ----2 proig

Filmachi kanni, digdorsponn ani utpoddon Sharon Mazerello hanchem zalear, Cinematoghraphy Domnic Dias-an kelam. Songit Baltazar Fernandes-an bosoilam. Hea film-an, Sharon Mazarello, Pradik Naik, Franky Gonsalves, Wilson Mazarrelo, Comedy Supremo Humbert, Comedian Eddison, Fermeeno Goes hancho aspav asa ani tankam khas sangat ditat Anjela Moraes, Rose Ferns, Menino de Bandar, ani her kolakar.

Tiketti sugur korunk www.cinescape.com.kw mhavlle thollar vechem vo sompork korcho: Tel: 99391452, 99540232, 99276171, 99106617, 97883981, 66502572, 65825964, 66153265, 66512602, 99732917 or email: kalamogui@gmail.com

http://aitaracheokaskuleo.blogspot.com/

Monday, October 18, 2010

TAG to Remember Late Dr. Rosario Rodrigues

TAG to Remember Late Dr. Rosario Rodrigues

Tiatr Academy of Goa will organize a special function to observe the Birth Anniversary of the most popular Khell-tiatrist of Goa Late Dr. Rosario Rodrigues on Sunday, 24th October 2010 at 10:00 am at Pai Tiatrist JAF Auditorium, Ravindra Bhavan, Margao. On this occasion Anil-Olga’s Popular Khell-Tiatr “Xim Mer Asonk Zai” will be staged.

Late Dr. Rosario Rodrigues was born on 24th October 1948 and hails from Benaulim in Salcete tuluka of Goa. He was a brilliant student during his childhood days but showed keen interest in dramas. Benaulim was famous for khell-tiatrists, literate as well as illiterate. Dr. Rosario would write down the scripts for those who could not write. Gradually he started writing his own scripts and lending it to others. In 1969 he formed his own troupe and wrote his first khell “MENAKXI”.

During those days there used to be competitions of khell-tiatrs. Two different directors would stage their khells for a competition and results were normally declared after show of hands. In 1971 Rosario brought a change and staged two khells on the stage. This was called a Khell-Tiatr as the khell was performed on the stage. He came up with khell-tiatrs of his own plays namely “AMI FATOR” and “EKUCH RATI”. Other directors also followed this pattern.

Each khell in the khell-tiatr was of one and half hour duration. “12 Vorsani” and “Patang”, “Patkin” and “Tem”, “Chedde Cheddvam” and “Ekleanuch Poila”, “Hindustani Cheddvam” and “Frank Sinatra” etc were some of his famous khell-tiatrs of one and half hour duration each. In 1976 Dr. Rosario Rodrigues started a new innovation on the khell-tiatr stage. Instead of two plays he staged a full length drama of 3 hours “FATTIM PAULO”. It was a big success. Other directors also followed this pattern.

There was a time when tiatrs were witnessed by high class and the literate people while khell-tiatrs by the masses. Dr. Rosario Rodrigues changed this too. He was instrumental in bringing khell-tiatrs on par with tiatrs so much so that the popularity of khell-tiatrs surpassed that of tiatrs. Rosario had many innovations to his credit in different fields of khell-tiatr.

He wrote and directed more than 75 dramas. He was responsible to take khell-tiatrs to each and every nook and corner of Goa and other parts of the country. He traveled to Mumbai, Pune, border areas of Karnataka, Maharashtra to stage his khell-tiatrs. He also staged performances in the Gulf.

This great personality of the khell-tiatr stage expired at a tender age of 58 years on 5th August 2003.

In order to keep the memories of late Dr. Rosario Rodrigues alive to the modern generation, TAG celebrates his birthday on 24th instant. Tiatr lovers and well wishers of Late Dr. Rosario are requested to attend the celebrations along with family members and friends.


Victor de Sa
Member Secretary
Tiatr Academy Goa

INTERNATIONAL PREMIERE OF KONKANI FILM

INTERNATIONAL PREMIERE OF KONKANI FILM
ON FRIDAY, OCTOBER 22, 2010 IN KUWAIT

For the first time in the history of Konkani films an international premiere of the Konkani film “Tum Kitem Kortolo Aslo?” produced by ShaMaz Films (Goa) will be held in the State of Kuwait to give the much needed international exposure for the Konkani films. Come, join in and celebrate the 60th anniversary of Konkani cinema.

The Konkani film will be released as an International Premiere on Friday, October 22, 2010 at 3:00 p.m. at Cinescape Metro (Farwaniya) owned and managed by Kuwait National Cinema Co. (KNCC). The detailed screening schedule is as follows:
Oct. 22, 2010 Friday: 3:30 pm; 5:30 pm; & 8:00 pm ----3 screenings
Oct 23, 2010 Saturday: 3:30 pm; 5:30 pm; & 8:00 pm ----3 screenings
Oct 24, 2010 Sunday: 5:30 pm; & 8:00 pm ----2 screenings

The film has screenplay, direction and is produced by Sharon Mazarello with cinematography by Domnic Dias and Music by Blathazar Fernandes and featuring Sharon Mazarello, Pradip Naik, Franky Gonsalves, Wilson Mazarello, Comedy Supremo Humbert, Comedian Eddison, Fermeeno Goes and special appearances by Anjela Moraes, Roseferns and Menino de Bandar, among others.
For your ticket reservations please log on to www.cinescape.com.kw or contact Tel: 99391452, 99540232, 99376171, 99106617, 97883981, 66502572, 65825964, 66153265, 66512602, 99732917 or email: kalamogui@gmail.com


[as forwarded to gasper almeida, goa-world.com]

Sunday, October 17, 2010

Mapusa Nagrikancho Ekvott Panel for Mapusa Municipal Elections

Mapusa Nagrikancho Ekvott Panel for Mapusa Municipal Elections

MNE’s Five Candidates in Mapusa Municipal Election Fray



Mapusa, Oct 26: WOMEN POWER is in the limelight with the Mapusa Nagrikancho Ekvott [MNE] introducing five candidates – four of them ladies -- for the elections to the Mapusa Municipal Council Elections which will be held on October 31 this year.



The candidates are : Jacinto D’Souza (Ward No.3 – Karaswado) , Jeanette Gomes (Ward No.4 – Camarcazana), Freeda Coutinho (Ward No.6 – Feira Alta), Samira Swar (Ward No.8 – Angod) and Angela Sequeira (Ward No. 15 – Morod).



“These five candidates are members of the MNE and were chosen because of their active participation in the MNE-involved activities selected for their commitment towards fulfilling the aims and objectives of our organization, ” said MNE convenor Advocate Antonio Lobo.



Drastic restructuring of the cluttered and filthy Mapusa Municipal Market, bad roads, ineffective garbage collection, lack of sewerage system for Mapusa (which is now already in stages of implementation – thanks to the MNE’s efforts in this direction), overflowing drains and gutters, menace of stray dogs and cattle are some of the issues being highlighted in the MNE’s Manifesto that promises relevant solutions through its candidates being elected to the Municipal Council.



Jacinto D’Souza (35), a structural engineer by profession, is facing the municipal hustings for the first time and has pitched his hat into the fray to strengthen the overall development of the city’s infrastructure which includes the much-needed roads, sewage system and garbage collection.

“ There is also the slum area in my ward where hygiene desperately needs to be improved through cleanliness programmes to prevent deseases like malaria, typhoid and so on. Lack of sanitary facilities in my ward has led to people defecating/urinating in open spaces. So I will convince the PWD to build proper public toilets in this regard.”

“Malaria cases have been noticed to be increasing in my ward over the years and this menace has yet to be effectively dealt with through proper concerned actions by the Mapusa Municipality, which I intend to do on being elected to the municipal council, ” he said.



Jeanette Gomes (63), housewife and also first-time candidate, recalls how 15 years ago former Chief Minister Dr. Wilfred D’Souza had requested her to contest the Mapusa Municipal Council Elections. “The present candidate in ward No.4, who is contesting against me – Marlin D’Souza (BJP) – was my opponent then and had asked me to withdraw in her favour due to our friendship – which I did.”



“Though she (Marlin D’Souza) won the elections and was followed by her husband who is the present councilor, not much has been done to bring about improvements in the ward. There is a great need to deal with the garbage problems, bad roads, overflowing drains and gutters and insufficient street lighting to meet the needs of the ward’s 1991 voters. If I am elected, I intend doing something positive in this regard – including house-to-house garbage collection which is being presently done only in selected areas despite the entire ward paying taxes for this,” said Gomes.



Freeda Coutinho (46), a self-literate housewife with training in programmes like computers, tailoring, cookery and hotel management under her belt, is focusing on her area’s problems like garbage collection and hygiene and asking people to avoid dumping garbage indiscriminately, creating foothpaths over open drains which pose a hazard for schoolchildren and passers-by, chocked drains with foul water overflowing on roads used by pedestrians, also posing a health hazard for nearby residents, improper street lighting, lack of which causes vehicular accidents and robberies that have been occurring in the ward.

There is a need for police patrolling in this ward during night hours to prevent occurrences of criminal activities” she said while point out that huge potholes on badly-tarred and uneven roads cause accidents and injuries to pedestrians including schoolchildren, besides proper vehicle parking facilities needed to prevent illegal parking that causes traffic bottle-necks, zebra crossings marked and traffic police to be posted during school hours for safety of schoolchildren at heavy traffic roads, polluted water released into the drains by residential buildings and residents that could get into the potable water system pipes run alongside these drains. Too many buildings constructed without proper hygiene systems in place where labourers defecate and urinate in open places, building and raising heights of drainage walls, while also converting the lane going down to Alankar Cenema from the Mapusa-Bicholim main road at ‘Distikars’ to be made into a One-Way” she said.



Samira Swar (38), a B.Com graduate and housewife, said “My ward No.8 has a four decades-old water pipeline which is corroded, insufficient in size for providing adequate water supply to the 1,342 voters and others in the ward, and where a new pipeline has not yet been laid – despite having been approved by the PWD about six to seven years ago.”

“The power supply system here is problematic with chronic short-circuits and power tripping occurring almost daily, especially during the monsoons, and which – according to the electricity department – can be solved through the installation of a fused-based power supply system. Garbage collection is a big problem as it is not being done systematically but instead being carried out sporadically, while potholed roads need to be filled-in to prevent accidents and harm to pedestrians.”

Swar also highlighted the need for an exclusively-reserved marketing space in the Mapusa Municipal Market for Goan vendors from Bardez-Taluka. “About 75 per cent of this space is taken up by non-Goan vendors and , sadly, local vendors are being denied their space to market their products. So this marketing space will fulfill that need,” she added.



Angela Sequeira (48) Social worker and a house-wife, highlighted the need for a joggers park in the uncultivated agricultural land towards the Mapusa river as there is no facility for the local residents, especially the senior citizens to tend to their leisure except all round commercial activity. The very active and heavily used one-and-half kilometer Morod road is heavily pothole ridden and rendered unusable during monsoons. This road is being filled-in with rubble and powdered metal aggregate which has been a temporary solution for years. Indiscriminate parking causes bottle-necks where traffic is sometimes held up for hours together. One of the reasons for the frequent damages to the Morod road is that the gutter is at a higher level than the road, leading to water accumulation and thus leading to faster deterioration of the road surface, generating chronic dust pollution in the area.

“The main nallah which runs through the market, the storm water drainages and open gutters need to be covered with concrete slabs -- are chocked with filth that provide a breeding place for mosquitoes besides stinking to high heaven, the main consequence of unplanned development,” she said. The door to door garbage collection according to her is ineffectively implemented when all residents are paying taxes for the same. “The Mapusa Clinic road at Feira Baixa needs to be made a one-way” she adds.



Highlighting the background of the MNE, its convenor Adv. Antonio Lobo said it was basically formed by citizens of Mapusa and neighbouring areas of Bardez, who were concerned about the inefficient functioning of the Mapusa Municipal Council in meeting the needs of the population in their jurisdiction.

“The MNE came into being about three years ago and, since then, it has been interacting with the municipal council ( the chairperson and the chief officer) in highlighting the problems and suggesting solutions. However, these interactions have been stonewalled by the municipal council’s lack of suitable response and commitment.”

“Mapusa is growing at a hectic pace as far as ‘development’ is concerned and the new Outline Development Plan (ODP) formulated by the Goa Government is focusing on massive concretization of Mapusa in which much-needed open and green public spaces for parks, exhibition grounds, jogging tracks, auditoriums and playgrounds have been left out. When the MNE met the Goa Chief Minister and other elected representatives connected to Town & Country Planning and PDA, the ODP committee inserted – in the final ODP – a mere ten-meter-wide joggers track bordering the Mapusa river to seek to placate the MNE.

“The Kadamba bus stand, which was constructed about 20 or more years ago, is a ‘shame’ and needs to be relocated to another area to ease the traffic congestion caused by its usage as also inter-state transport hub where buses and trucks stop over in their movement from places such as Bangalore, Pune, Kerala etc.” Lobo said, adding that the growing number of vehicles like cars, buses, autorickshaws, motorbikes and scooters too has added to the congestion – coupled with roads badly in need of repair and lack of proper traffic management that hamper the smooth flow of traffic.





From: gulf-goans@yahoogroups.com [mailto:gulf-goans@yahoogroups.com] On Behalf Of floriano
Sent: Tuesday, October 26, 2010 5:43 PM
To: goaworldtoday@gmail.com; gulf-goans@yahoogroups.com; Goa-Goans@yahoogroups.com; canada goans; Goenchim Xapotam; moira-net@googlegroups.com; dasyagoa@gmail.com; csjpgoa@gmail.com
Subject: [Gulf Goans] MNE's Press Release at PC today at 5 p.m at Mapusa [1 Attachment]





[Attachment(s) from floriano included below]



Cheers

floriano

GSRP/GEAG/PPS/MNE









--------------------------------------------------------------------------------------------------------
It is not ENOUGH that GOOD, HONEST citizens contest elections.
It is not ENOUGH that GOOD, HONEST citizen voters elect good, honest representatives.
GOA urgently needs 'GOOD, HONEST, DISCIPLINED SYSTEM of GOVERNANCE'.
Wherein, even a dishonest person is forced to be good, honest n disciplined, or to QUIT.



Only through PPS can such 'good, honest n disciplined system of governance' be identified and accepted.

PPS GOA =PEOPLE for POLITICAL SANITY = PEOPLE'S POWER SYSTEM
for a date in 2012



Display the 'PPS' sticker on your vehicle today, to reject political madness tomorrow.
http://www.goasu-raj.org/gen/articles/70.asp
http://xa.yimg.com/kq/groups/254068/1043608998/name/roadmap_goa-su-raj_party.pdf



http://groups.yahoo.com/group/gulf-goans/attachments/folder/132590897/item/64224316/view


This is to announce that MNE [MAPUSA NAGRIKANCHO EKVOTT] has 5 candidates in fray as a PANEL in the forthcoming Mapusa Municipal Elections sheduled for 31st. October, 2010. It will be a peculiarity to note that 4 out of 5 candidates are WOMEN.
The joint visible campaign of the MNE for the Panel will commence from Tuesday (19 Oct) or Wednesday (20th October)

This is for your kind information.

Thank you & Cheers
floriano
GSRP/GEAG/PPS/NME
www.goasu-raj.org

16/10/2010
[www.goa-world.com]

Monday, October 11, 2010

Sad Demise - Comedian Peter da Costa (Pedru Menino da Costa)



Source: oHeraldo.in

Peter D’Costa’s Death Condoled

Tiatr Academy of Goa (TAG) has condoled the untimely death of the popular Comedian of Tiatr Stage Shri. Peter D’Costa who expired on 11th October 2010 at his residence in Colva.
Peter D’Costa was a good comedian and always tried his level best to make the performance of the tiatr lively and entertaining. He was at his best when it came to mimic certain famous personalities of the tiatr field. He would send the audience into peels of laughter by his dialogue delivery and appropriate body movements. Tiatr stage has lost an intelligent comedian. TAG conveys its condolences to the bereaved family and prays to the almighty that his soul rests in peace.

Tomazinho Cardozo
President, TAG.

Wednesday, October 6, 2010

UNTOLD GOAN MIGRATION STORIES

UNTOLD GOAN MIGRATION STORIES
By Dale Luis Menezes

If one were to ask me about a history book that I had read, on Goa (or for that matter on any other subject) that was so interestingly well written, my answer, without batting an eye-lid, would be Selma Carvalho’s "Into the Diaspora Wilderness". I was expecting to find random biographical sketches of Goans who undertook long and arduous journeys to unknown and distant lands, but what I got was more than I had expected: a history book that I read like a thriller-novel!

Selma Carvalho has spent most of her life in the Diaspora and hence she is able to bring a personal touch to this volume on Goan migration to the African colonies (of the British primarily), the Gulf, Europe and America. Along with the numerous stories of persons of extra-ordinary courage that Selma deftly etches against the background of the history of the region concerned, she also weaves her own personal story with equal eloquence. By placing the seemingly insignificant history (of a Goan) against the history of a region, Selma might have very well ushered in a change in analyzing Goan history and the way we perceive it. This book tells us the stories of those men and women who were nearly forgotten by everyone, including history. The focal-point is the humble Goan who comes from an equally humble village.

In this book, Selma assesses the political climate and economic condition of each region in which her stories are based. The reader will surely be awed by the fact that many Goans had a major part to play (politically and economically) in each of these regions. Reading through the pages one finds that racism is also a major element. This is natural as Selma has intimately experienced being a ‘brown’ person in the Gulf, in America and in the UK. She has walked the precarious tightrope of racism. Selma has a rare gift of the sensitivity of a writer as well as the spirit-of-inquiry of a historian. No one has ever portrayed the pathos of the expats with such haunting and heart-wrenching detail.

This book has certain lines and passages that are sure to stay with anybody who reads them for a long, long time. Selma is at her literary best when narrating her own migration story. After living in the Gulf for twenty-eight odd years, she had to leave that place – a place to which, she never belonged. And when she felt homeless and lost, this is what she said, “I bowed my head to hide the tears. Would I ever be back? I didn’t know. With a thud on my passport, the young immigration officer stamped me out of the country, my place of abode for 28 odd years. I was a stranger just passing through.” Sure, all of us who have left our home and family behind and are based elsewhere can empathize with the predicament of Selma.

A new look and perspective is seen in the pages of this book regarding the much mocked as well as envied tarvotti (one who works on a ship) and the Gulfie (one who works in the Gulf). This book records the chronicles of such Goans likes the ayahs, butlers and cooks and people engaged in other odd jobs in distant lands, and trying to plug their experiences and contributions to the mainstream history. Though all these stories begin in Portuguese India, one is startled to find the extent to which the British colonizers have shaped them. The English-speaking and meat-eating Goan Catholic was so indispensable for the British administration, particularly in Africa. In fact, the Portuguese appear only fleetingly which goes in to underpin the much neglected and overlooked influence of the British in the Goan Diaspora. Most of the records that Selma has utilized to write this book are lodged in various libraries across England and this should come as no surprise in the light of the abovementioned facts.

The most surprising of stories in this book are the ones of Goans in Kenya. Pio Gama Pinto, very much politically active before and after the independence of Kenya, became that country’s first martyr. Needless to say, he was from a Goan extraction. Kenya’s second vice-president, Joseph Zuzarte Murumbi, belonged to a Goan-Maasai ancestry. His father hailed from Guirim, a village in Goa.

Selma’s voice and prose flows like music and she has the words to keep the reader hooked-on to the book. But when Selma moves to the UK with her husband and daughter, her story ends abruptly and the last few chapters seem to be loosely strung together. This book could have also done with a better cover rather than a collage of nautical maps which gives it an appearance of a geography text-book. But these complaints dwarf in front of the immensity and magnitude of the work put in by Selma.

In one of the chapter titled, The Exiled Intellectual, Selma talks about the Goans who having an intellectual bent of mind, sought success in other lands, yet who were always longing to come back home. This longing, Selma says, is advantageous as, “Goa at least will never be bankrupt for its artistic sons of the soil, whether in Goa or in the Diaspora, refuse to abandon her.” Comforting lines not only about sons but daughters as well (like you Selma) who refuse to abandon dear Goa. With her voice and intellect, Selma shouldn’t stop at just one book. Into the Diaspora Wilderness is a must-read!


Name: Into the Diaspora Wilderness
Author: Selma Carvalho
Published by: Goa 1556, Saligão and Broadway Publishing House, Goa
Price: Rs. 295/-
ISBN: 978-93-80739-02-1
http://selmacarvalho.squarespace.com/order-the-book/

A version of this article appeared on Gomantak Times
dated 06-10-2010

http://waltermenezes.blogspot.com/
www.goa-world.com/goa/about_goa/

Wednesday, September 29, 2010

‘MUSICIAN’ – a new Konkani Video Film shot in Kuwait

‘MUSICIAN’ – a new Konkani Video Film in Kuwait by Shahu Almeida



Musicians usually specialize in particular types of music although there can be the opportunity to move between the genres. The job requires high levels of skill, expertise and dedication. Most musicians do their job as they have a passion for music.

Kuwait based Goan musician Shahu Almeida, first Goan musician to play a one-man band in dramas, has been playing a variety of music right from his young age. He ventures his skills into direction and singing in a Konkani songs video (DVD) album comprising select Goan artistes based in Kuwait.

The album, entirely shot and produced in Kuwait is scheduled to go public on 1st October 2010 at Kuwait Medical Association Hall, Jabriya, Kuwait.

For decades Konkani language songs 'Cantaram' on radio and on stage have been taking their cues from real life. Konkani singers are quick to get across their views, on life and day-to-day issues, with stunning boldness, criticism and satire.

However, in a video film, the challenge any videographer faces is to create a video that keeps the ‘watcher’ captivated. It requires an extra effort spent on special effects and specialized editing techniques. Those who are new to the business may not have time to develop such techniques as they refine more basic capabilities—like learning to shoot efficiently or streamline their editing workflow—before finding the specialities. Ignatius Fernandes, the editor of the film realizes the time and burden that these demands add to a typical edit and has covered it up with a very decent cinema-photography.

‘Musician’ doesn’t have creative elements to boast of but it definitely portrays fabulous artistic quality in both Shahu the musician and Ignatius the videographer. The DVD has sparkling quality in clarity.

Being shot in Kuwait, many would expect the unexpected with Ignatius to exploit what the structural beauty of Kuwait City has to offer. Still, Shahu and Ignatius have done a tremendous job. Shooting a video-film in a country like Kuwait, known for it’s strict legislation for outdoor filming, is difficult indeed. But Ignatius, the young, budding filmmaker shows great potential and professionalism with a more than average creation.


Report: Gasper Crasto

[As forwarded to goa-world.com]

Konkani CD "Gheyat, Punn Diyat"


The well renowned Bab Andrew proudly presents to you, his fourth Konkani album “Gheyat, Punn Diyat”. The music album which was earlier released in Qatar and Bahrain has catchy tracks by well known Bab Andrew, Andrea, and Andson, Aaron. They are well supported by Albert Cabral, Marcus Vaz, Francis de Tuem, Tony de Ribandar, Alias & Tommy(Jr Nelson). It is well knitted with good solos, duets, duos, Trios, and a well sung Chouko by the family.
In the opening song Bab Andrew tells us about the consequences we face we we don’t return our debts in time. A well sung solo which also suggest us to save something for our unseen difficult times instead of enjoying our life. The second song is by Marcus Vaz who brilliantly come out with the importance of wearing a rosary and a scapular, which is rarely worn by the people in thes modern times. The third is a Albert-Andrew duo that sings highly about the priests and the sacrifice the make for
the society and instead of appreciating that some people just makes a mole out of an anthill and depicts them as a nuisance in the same society. A very catchy tune and great lyrics. Then there is beautifully rendered solo by Andrea on ‘Niddukai’. Then come Francis de Tuem with his typical style. Here he sings about the malpractices at the “Fatorda Stadium”. Bab Andrew sings “Fokannam” with his daughter Andrea and his two sons - Andson and Aaron. A humorous 'chouko' by the family which is very rare these days. Further to that Tony de Ribandar sings a well knitted solo “Bogsonnem” wherein he sings about the care we should take while we discipline our children. Great lyrics indeed. Then come a duet with Andrea which highlights the importance of marriage vows taken on the wedding day. Alias renders a solo “Fotkiro” on the hardships faced by a people who stands as surety for others in need and ends up paying the debt themselves. Once again Albert-Andrew comes out with the religious values in the duo “Miss” demonstrate there is nothing more holy than the holy mass. In his song “Fond Vikinaka” Tommy (Jr. Nelson) speaks about the recent trend of buying the grave in the cemetery. And goes on to say that if everybody does this all our cemeteries will fall short and there will no place left for all of us. And finally the last song is a political trio sung by Bab Andrew-Albert-Tony de Ribandar. The music is superbly composed by Norman Cardozo and this Album is recorded at “Audio Masters” by Aurville Rodricks. His three previous released albums namely: SONVSAR KONNACHO, MAIM PAIK SAMBALL, and CHEAR SOTAM (VCD) were well received by the audience. And this album too is a must for all household.


[Review by Mickey Fernandes]

Link:
KONKANI SONG BAB ANDREW---GIRESTKAI
http://www.youtube.com/watch?v=XKONzUaSY98

Monday, September 27, 2010

Konkani tiatr “Kal ani Aiz” to be staged on 29th September

“Kal ani Aiz” to be staged on 29th September



“Kal ani Aiz” a Konkani tiatr written by Tomazinho Cardozo will be staged on 29th September at 7:00 pm at the DMK Auditorium of Kala Academy in the 36th Tiatr Festival organized by Kala Academy Goa.

Goa is going to complete 50 years of its liberation in the next year 2011. Is Goa developed in the true sense of the word during the last 50 years? This is the question asked by many Goans when they compare the situations in the Goan society in the Goa of the past and of the present times.

Tomazinho Cardozo’s “Kal ani Aiz” deals with issues on social, political, religious and economic fields that are faced by the Goan society during the last 50 years and highlights the rapid changes that have taken place in the Goan society.

Mathias Mascarenhas and Irene Cardozo arein the lead roles lead roles while Anthony Carvalho, Sheik Amir, Simonia Cardozo, Jocelyn Mesquita, Larisa Fernandes, Shivanand Naik, Assis Cardozo, Tukaram Naik also feature in the play. Child artistes namely Karan, Josepha, Violet and Vhorty also act in important roles. Sucorro de Santa Cruz, Sonia, Maria Cardozo, Joao Cardozo, etc participate in singing which forms an integral part of Goan tiatr.

The music is provided by Louis Cota, stage setting by Timoty Dias, background music by Joy Fernandes, light effects by Dnyaneshwar Morajkar and costumes by Simonia Cardozo. The play is produced by Kala Mogi Candolim and directed by Tomazinho Cardozo.

Saturday, September 18, 2010

Friday, September 17, 2010

Revealing the History of Konkani Cinema

Revealing the History of Konkani Cinema
By Tomazinho Cardozo


If one has to gather authentic information about Konkani Cinema one must read the book “Konknni Cholchitram” written by well-known writer Isidore Dantas.
The book, written in Konkani in the Roman script, begins with information about the production and exhibition of the first Konkani celluloid film “Mogacho Anvddo” by producer-actor AL Jerry Braganza under the banner of ETICA Films way back in 1950. In fact, this book was published in 2010 on the occasion of completion of 60 years of Konkani Cinema.
One cannot forget the contribution of late Andrew Greno Viegas who single-handedly published the first book on the same subject titled “50 Years of Konkani Cinema” on the occasion of the golden Jubilee of Konkani Cinema in the year 2000.
Isidore Dantas’ “Konknni Cholchitram” gives detailed information about celluloid Konkani films produced during the last 60 years. In all there are 31 celluloid Konkani films produced till date. The films released as late as December 2009 find place in this book. These productions are done Konkani cinema aficionados from Goa, Karnataka and Maharashtra. In brief the book can be considered a kaleidoscope of Konkani cinema from the Konkan region.
Mr Dantas has taken a lot of pains in giving detailed information about every film. He has made it a point to give the story of every film in brief besides including other technical and even financial aspects of the film. The success stories of film have also been included. The book is decorated with numerous photographs from every film. Besides, it carries lyrics from every film together with musical scores. This is the greatness of this book.
Mr Dantes has also added a chapter enlightening readers on the valuable contribution of Konkani-speaking filmmakers, artistes, technicians, musicians, singers, etc, to Indian Cinema. He has listed 48 personalities which include Goan actress Ermelinda (Sudhabala), Mangeshkar sisters, Shyam Benegal, Girish Karnad, Bhaskar Chandravarkar, Ashok Saraf, K Vaikunth, Domnic Dias, Varsha Usgaokar, Remo Fernandes and Hema Sardesai. He has also featured new entrants to the film world namely Freida Pinto, Iliana D’Cruz and Genelia D’Costa.
The book is dedicated to late Frank Fernando, who composed memorable music for the Konkani films “Amchem Noxib” and “Nirmonn”. The production of this book has been funded by George Pinto besides many others. The credit page records the valuable advice given by Ben Antao, Cecil Pinto and Francis Rodrigues.
The book was released on April 4 in California, USA on the occasion of the 10th Anniversary of Goa Sudharop, a NGO working for the promotion of Konkani language, culture and Goan identity. The book, “Konknni Cholchitram” will be released in Goa on September 21 at 4.30 p.m. Hotel Mandovi, Panjim.




http://www.navhindtimes.in/iexplore/revealing-history-konkani-cinema








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Tuesday, September 14, 2010

KONKANI COMEDY AND MUSICAL SHOW IN OMAN

KONKANI COMEDY AND MUSICAL SHOW: Friday, 8th October, 10.30 am to 1.30 pm, at the Ruwi Parish Hall. Goa Konkani comedy king Agostinho, famous comedian Selvy, Goa's number one singer Marcus and singer Francis de Tuvem who was well appreciated last year will form a team of artistes coming from Goa. Additionally, locally based singers and musicians will perform. Please see the above poster attachment for details. Tickets RO 5 and RO 3 available with the below-named persons.


KONKANI MOGEANK KHUXEALKAIECHI KHOBOR ---------- GCO ( GOAN CUMMUNITY OF OMAN) GODUNK ADDTTA KONKANI MUSICAL SHOW 2010, “GOENCHI GIRESTKAI” ZO ZATOLO 8 VER OTUMBRACHE SOKALLIM 10.30 VORAR , RUWI IGORJECHEA HALLANT.
ATUN BHAG GEUNK GOEAM THAUN EITAT FAMAD NANV VOSTE KALAKAR------- COMEDY KING AGOSTINHO, HIT COMIDIAN SELVY, POLITICAL CRITIC SINGER FRANCIS DE TUVEM, SENSATIONAL SINGER MARCUZ VAZ ANI FAMAD MUSICIAN ANTHONY DE VELIM. TOSECH AMCHIM SOGLEANCHIM KALLZAM JIKON GETLELE AMCHE MUSCAT CHE KALAKAR; ASSUMTINA, VELROSE, AVERS PERIERA, E-PERRY, LOUIS GOMES, FRANK DE QUEPEM, XAVIER, BASILIO,LOUIS ANIC COMEDIAN GEORGE. SOGLEAK AMCHIM MOGACHEM AMONTRONN.
TIKETTEO MEUTOLEO RUWI IGORJECHEA KOCHERINT, TOSECH E-PERRY 99676472, ANTHONY 99232150, LOUIS 94052985, ROCKY 99382698, BONNY 99008931, HERMAN 99013135, DOMINGOS 99430190, DOMINIC 99474503 ANI STEVEN 99517369.

Wednesday, September 8, 2010

TAG to support Non-Commercial Tiatr Troupes

TAG to support Non-Commercial Tiatr Troupes

In the meeting of the Executive Board of Tiatr Academy of Goa (TAG) held on 8th September 2010, it was unanimously resolved to give financial support to Dramatic Troupes participating in the yearly Tiatr Festival organised by Kala Academy Goa.

The financial assistance to be given to each troupe is Rs.10,000/-. The purpose behind this scheme is to help the producers of Tiatr to improve the quality of stage setting, light effects, background music, costumes, make-up and direction. TAG is of the opinion that this financial support will help the tiatr producers to stage a better performance which will lead in the improvement of the standard of Tiatr.

In fact the participants of yearly Tiatr Festival had sent a memorandum to the President of TAG explaining thereby the need of financial support to the participating troupes as it is given to commercial tiatr artistes for participating in the Popular Tiatr Festival organised by TAG.

In order to explain the details of the scheme to the participanting troupes of the 36th Tiatr Festival, a meeting of all concerned is called on 15th September 2010 at 4:30 pm at TAG’s Conference Hall.

The representatives of the participating troupes are requested to attend the meeting.

The scheme will be made applicable to all the participating troupes of the 36th Tiatr Festival organised by Kala Academy Goa which is due to commence from 21st September 2010 at Kala Academy.


Victor de Sa
Member Secretary


8/9/2010
As forwarded to gaspar almeida, www.goa-world.com by TAG.

Tuesday, September 7, 2010

PELEACHO ABRU-MAN UBOV NAIE! (THOU SHALL NOT DEFAME OTHERS)

From: Domnic Fernandes [mailto:domvalden@hotmail.com]
Sent: Wednesday, September 08, 2010
Subject: PELEACHO ABRU-MAN UBOV NAIE! (THOU SHALL NOT DEFAME OTHERS)

Dear netters,

The following Konkani article was written for Anjuna parish 3rd quarterly magazine ‘San Miguelicho Avaz’, which was released yesterday. I thought I would share it with you all. Rough English translation follows after Konkani version:

PELEACHO ABRU-MAN UBOV NAIE!

Devan munxeak aplea sarko rochla and taka muki kuddiche sande dileat zoxe porim – hat, paim, nak, kan, dolle, mendu, jib, adi.

Amkam don hat dileat ami koixtt korun jieonk, Devachi xeva korunk ani Taka donui hathanim dhumpavnk. Amkam don paim dileat ami Dev-bhirantichi vatt cholonk ani Tachea mondirant vochon Taka nomoskar korunk. Amkam ek nak dilam vaitt-borem hungonk. Don dolle dileat sobit ani boreo vostu polleunk, Rochnnaracho rupkar tantuntlean chitravnk ani Povitr Pustok vachunk. Mendu dila vaitt-borem chintunk, Devacho niall korunk ani Tachem raj fankaravnk. Don kan dileat borem aikonk - kanar vaitt sadovta tem ami eka kanan aikonk zai ani dusrea kanantlean bhair uddovnk zai, ani jib dilea sot tem ulovnk ani Devachem utor porgottunk.

Heam kuddichea sandeam modekat amchi jib ekuch hathiar zacho jitlo upeog zata titli tachi dhar vhaddtta. Amchi jib ek dhakttulo sando zo donantlem ek rochta – sumell vo vegllochar; borem vo vaitt. Amchi jib hadd nasleli dekun ami tika zai toxe vapurtanv - dekunuch mhunnttat: “Kaddli jib, laili tonddak!” Hakach lagon zaite pavtt ragan uloilelem utor chukichem zavnk pavta; karann, rag ek dhoxea jeant bhejea poros jib rostin vavurta. Aiz-kal choddxe khun jibeche ruzvatik lagon ghoddttat. Kitle kazari ghorabe amche jibek lagon moddon poddonk nam zait? Dekun ghoddtta zalear tujem tondd bond dovor, punn dolle ugtte jeant tujean subej polleunk zatelem ani unnem ulovnk.

Devan amkam sonvsarant jieonk Sumurtiche Dha Upodes dileat. Devache Sumurticho Attvo Upodes amkam fott marunk ani peleachem nanv ubovnk advarta. Aiz-kalcho sonvsar bhov motlobi. Fottingponn vaddot asa. Fott marop amcho dhondo zala. Fotti viret kainch cholonam, zanv eka ghorabeant vo amchea dhondeant. Amchi jib vaprun ami heo fotti martanv. Toxech dilele soput ami kainch nhoi korun negar vetanv ani Devachem nanv gorje viret amche jiber haddun Taka okman kortanv. Peleachem borem dekche suater amchi jib vaprun ami taka xirap soddttanv ani tachem vaitt zavnk anvddetanv. Ghoddtta zalear vonddavnnechea vonttantlean doiallponnanchim utram uloi. Sodanch sot uloi ani Dev jerul tuka sasnnanchea sukacho visov ditolo.

Amkam sonvoim jib vaprun dusreancheo gozali korunk. Hea sonvsarant gozaleam poros paixtt anik kainch nam. To/tem oslo/oslem ani toslo/toslem mhunnon ami peleak kikont kortanv ani tacho abru-man uboitanv. Amchea ghorcheancheo, seza-samareancho ami gozali kortanv ani tanchea kuttumbar kallo dag ghaltanv fokot amchea jivak borem dista dekun. Internet-ar pasun gorje viret ami peleacho abru-man uboitanv. Amkam dista peleacho abru-man uboilear ami jiklet oxe; hem chintop sarkem nhoi. Peleachem vaitt chintche bodlek ghoddtta zalear taka borem mag; taka xirap soddinaka ani tachem padd ghalinaka. Varear ublolo kapus portun hatan einam. Ugddas dhor amchea dhor eka kortubacho ixeob ami Devak divnk zai.

Tuka zai dusreanim tuji thoknnai keleli? Tor tum aplich voddvik kednanch korinaka. Ami dusmanancho mog korunk zai ani nhoi kanttallo. Kanttallo mogan bodolta jednam amchem vaitt chinteleank ami borem anvddetanv. Amkam soglleank bhogsonneanchi goroz dekun ami sodanch peleak bhogsunk zai.

Devak rozar kelearuch ani sodankal ghorant Saibinnincho ters kelearuch puro nhoi; ami amchea peleachem borem chintunk zai. Igorje misak gelearuch ami bore Kristanv zainanv. Dekunuch Povitr Pustok mhunntta: Zorui tuvem peleak vaitt kelam ani tachem lagim tum uloinam zalear misachi bhett sodd ani poilem tujea dusmana lagim bhogsonnem mag ani tednanch ki tuji misachi bhett Devak manovteli. Oxem ami kortat kai? Zorui dusmanank bhogxinanv zalear ami Amchea Bapachi adnea pallinanv.

Devan zonn ekleak rochla ani taka apli zababdari dilea. Zorui pelean patok adarlam zalear to aplea patkanchem farikponn ditolo – ‘korit to bhogit’. Ghoddtta zalear tujea peleak sozmai ani to vaitt rostear cholta zalear taka nitt rostear haddunk tozvit kor punn nhoi tachi ttika marun ani tacho abru-man ubovn. Ami moddvoll zavn dusreachim patkam dhuvunk favonam. Devan amkam sangonk nam dusreacheo chukleo kelear ani dusreachim patkam voir kaddlear Apunn sorgar vortolo mhunnon!

Setembrache 8ver Kristi sonvsar Ankvar Moriecho zolm dis monoitat. Hea mhoineant amche jibek ami talem marum-iea ani ti fokot Devachem borem utor porgottunk vaprum-iea. Tujea lagim ghoddta zalear peleachem borem chint ani borem kor; tachem padd ghalunk ani taka sokol uddovnk tozvit korinaka. Amchea dolleant vanso astannam ami dusreachea dolleantlem kuskutt kaddunk bhonvtanv; hem sarkem nhoi. Borem uloi ani boreo korneom kor. Oxem kelearuch ami sasnnanchem sukh bhogunk pavteleanv.

Soglleank khuxealborit Mont Saibinninchem fest anvddetam!

English translation:

THOU SHALL NOT DEFAME OTHERS

God created man in His likeness and gave him main body parts like hands, legs, nose, eyes, brain, tongue, etc.

He gave us two hands to work hard, to serve Him and to incense him with both hands. He gave us two legs to follow the God-fearing path, to go to His temple and to adore Him. He gave us a nose to smell good and bad things. He gave us two eyes to see beautiful things, visualize Him through them and to read the Holy Bible. He gave us brain to differentiate between good and bad and to spread the word of His Kingdom. He gave us two ears to hear good things – whenever we hear bad things, we must listen to them in one ear and throw them away through the other ear; and he gave us a tongue to speak the truth and to preach the word of God.

Among all the above-cited parts, our tongue is the only weapon which grows sharper every time we use it. It is a small organ which creates one of the two – good or bad. Our tongue is boneless which is why we use it liberally; that’s why they say in Konkani: “Kaddli jib, laili tonddak’ (Use it the way you want!) This is why many a times a word spoken with anger turns out to be wrong, for anger is a state of mind in which the tongue works faster than the brain. Nowadays, most murders take place because of arguments. Similarly, many a families have split because of our tongue. Therefore, if possible, keep your mouth shut but eyes open so you can see more and speak less.

In order to help us live, God provided us with Ten Commandments. The eighth Commandment forbids us to tell lies and defame our neighbor. Today’s world is very tricky. Cheating is on the increase. Telling lies has become our business. We can’t do anything without telling lies, be it in our homes or in our businesses, and we do this by using our tongue. In the same way, we easily deny given promises and offend God by taking His name in vain. Instead of thinking positive of our neighbor, we use our tongue to curse him and wish him bad. If possible, utter words of sympathy. Always speak the truth and God will definitely accept you in His paradise.

It’s our habit to use our tongue and gossip about others. In this world there is nothing worse than gossip. We make a mockery of our neighbor and defame him. We speak ill of our relatives, neighbors and paint a black mark on them. Why? Just because we feel good! We even defame our fellow netters on the Internet unnecessarily. We think if we defame our neighbor, we win; this is wrong thinking. Instead of thinking negative of your neighbor, if possible, wish him/her well; don’t curse him/her and wish him/her bad. Once you let cotton escape from the grip of your hand, it’s difficult to get it back. Keep in mind we are accountable for every deed of our life.

Do you want others to speak highly of you? Then never praise yourself. We must love our enemy and not hate him/her. Hatred turns into love when we wish well to those who think ill of us. We all need forgiveness; hence, we must always forgive our neighbor.

It is not enough to pray to God and to say rosary every day; we must be concerned about our neighbor and think well of him/her. Similarly, we do not become good Christians only by attending a mass in the Church. This is exactly why the Holy Bible says: If you hurt your neighbor and you are not in talking terms with him/her, leave the mass offering and first beg pardon with your enemy and only then your mass offering will be acceptable to God. Do we do this? If we are not ready to forgive our enemy we are not fulfilling the will of our Father.

God created each human being and assigned him with his/her own responsibility. If your neighbor committed a sin, he will pay for it – one has to pay for his/her mistakes. If possible, try to make him/her understand and if he/she is following the wrong path, try to correct him/her and put him/her back on the right path but not by criticizing and defaming him/her. We should not become washer men and try to wash others’ sins. God did not tell us that if we become tale-bearers He will take us to heaven!

On September 8, the Christian world celebrates the birth day of the Blessed Virgin Mary. Let us lock our tongue in this month and use it only to preach good word of our Lord. Let us not defame and destroy our neighbor; instead, let us think well of him/her. Let us not try to find fault with others and try to remove the speck from others’ eyes when there is a log in our eyes; this is not correct. Speak well of others and think good about them. If we do so, only then we will earn eternal peace.

Wish everyone happy Mount Mary’s feast!

Moi-mogan,

Domnic Fernandes
Gaumvaddy, Anjuna,
Bardez, Goa


Photo of Domnic Fernandes by Joel D'Souza

__________________

DHA MANDAMENT - Konkani Song by Marcus Vaz
and Xavier Gomes
produced by v.p. sinari
http://www.youtube.com/watch?v=Xm5eHD9Z1lU


konkani song saibin (IVY)
http://www.youtube.com/watch?v=gyJP87KGJqU

Isidore Dantas' Konkani Book Launch

Monday, September 6, 2010

Drummer Boy John Fernandes

Drummer boy
Published on: September 4, 2010
The Navhind Times www.navhindtimes.in


By J P Pereira

JOHN FERNANDES: John Fernandes is one of the talented young drummers in Goa today. Hailing from Maddel, Margao, he is the son of Francis Antonio and Caitana Fernandes.

His father was an ace drummer himself, playing for the ‘Young Stars of Goa’ theatre group, brass bands and the popular ‘Radio Serenaders’. As a young boy, John would accompany his father, playing the bass and snare drum at feasts and funerals while simultaneously completing his education at the Holy Spirit High School, Margao.
At the age of 8 years, John played for a ‘tiatr’ by Rocky Dias. This was an amateur show, but also the beginning of a long career. First there were the village dramas and soon the commercial stage. In ‘Battli’ a non-stop show by Pascoal Rodrigues, the young man got his professional break.

John has played for well known music directors like Josinho, Carlito, Augusto de Panchwadi, Agnelo Dias, Anthony de Velim, A Moraes, John de Nuvem, Thomson, Babush and Norman Cardozo and for dramas by directors like the late C Alvares, late Rosario Rodrigues as well as Felcy, Jose Rod, Tony Dias, Simon Gonsalves, Filipe and Janet, Ben Evangelisto, Milagres de Chandor, Mini Mario and many others. Lately he has played for ‘Mahanand’ the impressive presentation from Tony Dias, a ‘tiatr’ titled ‘Denvti’ by Comedian Ambe and is presently playing for ‘Goem Soddun Paulem Ghanttar’ the hit, from Peter-Roshan, that is running to packed houses.

John is a regular in bands that back the singers, for audio albums. He plays for recordings of Manfa Music, with Chris Corriea and other music directors. Edwin D’Costa gave him his first break for audio recordings and since then, there have been numerous albums, some recorded in Mumbai, for which John has backed with some stylish drumming, especially the rolls. He has played for dance bands like Genesis, Major Strings and is presently playing for Saby’s (of the Wings) new band. With great pride he mentions of the musical shows he played for, the late M Boyer and also for the legendary, late Chris Perry, who had presented a grand musical evening at the Kala Academy open air hall, Panaji.

John is quite happy with the progress made in music, for dramas. By emulating the dedication shown by the veteran musicians, there is even more scope for improvement. Taking a break from professional music, John was abroad for some time and worked at the ‘Pizza Hut’ as a pizza maker. Presently he is full time into music and lives with his wife Maria. We wish you all success John and a great career in drumming.

Tiatr ani Tiatrists

Saturday, September 4, 2010

From tiatr to cinema

From tiatr to cinema


Sharon Mazarello, a household name in Goa, famous crooner, is now all excited as she sets out to promote her first Konkani film, ‘Tum Kitem Kortolo Aslo?’ (What would you have done?), written, produced and directed by the lady herself.
Sharon who is a professional singer in tiatrs for the last 25 years tried her hand at writing and that is how this movie idea eventually was born.

“This story is actually a tiatr script which I had submitted at the Kala Academy’s competition and had staged. It received a good response. That is when I submitted the same script to avail of the film financing scheme of the Goa government. Actually we (my husband, Wilmix, son, Claron) had submitted three scripts but this got selected. That is when the process of writing a story began,” stated Sharon while speaking at the launch of the music of the movie at the FM radio station, Radio Mirchi. ‘Tum Kitem Kortolo Aslo? is slated to be released on November 1.
The music album was formally released by the president of the Tiatr Academy of Goa (TAG), Mr Tomazinho Cardozo who stated that Sharon’s venture into Konkani cinema would help take Konkani music to a wider audience.

The music for the film has been created by Balthazar Fernandes (ex-assistant to Kalyanji-Anandji) while Wilmix has penned the lyrics and set it to tune. The cinematography has been done by Domnic Dias.

The cast of the movie includes Sharon Mazarello, Pradip Naik, Franky Gonsalves, Wilmix, Comedy Supremo Humbert, Effie Fernandes, Roseferns, Menino de Bandar, Comedian Edisson, Fermeeno, etc.

The music album will be formally released in the market next week. Till then Radio Mirchi will play the songs on their radio station.
Speaking more about the movie, Sharon added that it was a woman centric film. “In our society we always blame a woman even if she is not at fault. My film deals with this aspect,” added Sharon who refused to reveal more about the film as it would then lose out on the suspense element.

Commenting further, she mentioned that this film has achieved many firsts. Through this film, Sharon has started a blog (sharon-shamazfilmsgoa.blogspot.com) and has become the first Goan tiatrist to do so. This blog has interesting snippets related to the movie, its cast, and crew. There is also a section on Wilmx and Sharon - a real life couple - and their love and their journey on the Konkani stage. There is detail data about their work and their achievements.

“We also wanted to do away with giving press kits and by having this blog we are actually saving on a lot of paper,” adds Claron Mazarello.
This will also be the first Konkani film to use professional choreography involving Goan fire-dancers.
‘Tum Kitem Kortolo Aslo? also came across a few hurdles prior to its release. It was stalled by the censor board for using two names -‘Parvati’ and ‘Tulsi’ in a comic scene. “We didn’t realise they are mythological names; we were only trying to make a comic remark on TV serials. We changed those names as we don’t want to hurt any sentiments,” says Sharon.

Currently Sharon is working on two more scripts and is considering films as the next step. She says, “I will continue acting on stage but films are what that I am focusing on as of now. It is indeed a wider and a bigger platform,” concludes Sharon.

http://www.navhindtimes.in/iwatch/tiatr-cinema

From Bollywood to Konkani films, making sweet music

From Bollywood to Konkani films, making sweet music

BY CLARA A RODRIGUES
Having worked as assistant music director for Bollwood greats like Kalyanji Anandji and being a part of musical masterpieces like ‘Meri desh ki dharti’ and ‘Pal Pal dil ke pas’ Balthazar Fernandes, aka Baltu, from Goa speaks of his tryst as a first time music director for a Konkani film. He looks back on his journey in Bollywood.
‘Tum kito kortolo aslo’ is your first Konkani film as music director. Tell us something about the music?


This will be my first Konkani film as music director, but I have earlier worked as assistant music director for Frank Fernand for Konkani classics like ‘Amche Noxib’ and ‘Nirmon’. The music for this film has been composed for an orchestra. Around 40 local musicians are part of the ensemble. The music has a Goan feel with a lot of Goan music elements like harmony, counter-point, counter-melody and chorus.
What was the reason for such a massive music set up?
It is different when you listen to music played by an orchestra. I wanted to show how orchestra music is possible for a film. To get type of music, you need to play in an orchestra. In India there are not many orchestras. In fact you can count them on your fingers tips.
What Bollywood assignments are you currently working on?
I now have fewer assignments. Now just about anybody gets into music direction. In many cases, the music is created by one man on the keyboard. Till today, whenever I listen to an orchestra, I have tears in my eyes. It is not the same when you hear other music.
Many Goans have played pivotal roles in Bollywood in the early 70s. Sadly, not many have got recognition for their contribution. Comment.
Indian music is different. It is based more on melody. The rhythm is important. On the other hand Goan music has counter harmony and harmony which not many understand. I worked as an assistant music director for Anandji-Kalyanji, but my name never appeared in the credit scroll. The payment was not good either, and that is what compelled me to quit after working with them for 11 years.
Do Goans still dominate the music scene in Mumbai like they did once before?
Now there are many educated musicians on the scene. They know how to write Indian music. They do it in a simple style. A lot of students are also studying counter point. There are many Goans but there are also many musicians from other states.
What have you to say about the lack of originality on the Goan music scenario?
Goans are talented; unfortunately something has gone wrong. Music is there in our blood. Goans will appreciate music more than the others do. The Goan school of music or Church schools where solfege was taught are no longer there. Music is neglected in schools. The entire system of education has changed.
Could you suggest steps to bring about improvement?
We have to teach music right from the primary level. Children must not learn by rote. Be it drama or church, they must be given a chance to perform in public. This is what I would advise them.
Could you tell us something about your own journey in the music industry?
I learnt in the Goan school of music. If not for it, I would not have been what I am. I learnt the violin from foreign teachers in Mumbai. I later taught brass bands in schools. Then I got a break in the Hindi film industry.
What was it like to work in the Bombay film industry?
To be frank, I did not enjoy it. It is not my kind of music. But you got to earn your bread.
Do you have plans of relocating to Goa?
Yes. Although, I am stationed in Mumbai, Chorao is my native place. I come every six months to Goa. On my visits, I do a lot of music with the church and the children from my village.
http://www.navhindtimes.in/ilive/bollywood-konkani-films-making-sweet-music
From Bollywood to Konkani films, making sweet music

BY CLARA A RODRIGUES

Having worked as assistant music director for Bollwood greats like Kalyanji Anandji and being a part of musical masterpieces like ‘Meri desh ki dharti’ and ‘Pal Pal dil ke pas’ Balthazar Fernandes, aka Baltu, from Goa speaks of his tryst as a first time music director for a Konkani film. He looks back on his journey in Bollywood.
‘Tum kito kortolo aslo’ is your first Konkani film as music director. Tell us something about the music?
This will be my first Konkani film as music director, but I have earlier worked as assistant music director for Frank Fernand for Konkani classics like ‘Amche Noxib’ and ‘Nirmon’. The music for this film has been composed for an orchestra. Around 40 local musicians are part of the ensemble. The music has a Goan feel with a lot of Goan music elements like harmony, counter-point, counter-melody and chorus.
What was the reason for such a massive music set up?
It is different when you listen to music played by an orchestra. I wanted to show how orchestra music is possible for a film. To get type of music, you need to play in an orchestra. In India there are not many orchestras. In fact you can count them on your fingers tips.
What Bollywood assignments are you currently working on?
I now have fewer assignments. Now just about anybody gets into music direction. In many cases, the music is created by one man on the keyboard. Till today, whenever I listen to an orchestra, I have tears in my eyes. It is not the same when you hear other music.
Many Goans have played pivotal roles in Bollywood in the early 70s. Sadly, not many have got recognition for their contribution. Comment.
Indian music is different. It is based more on melody. The rhythm is important. On the other hand Goan music has counter harmony and harmony which not many understand. I worked as an assistant music director for Anandji-Kalyanji, but my name never appeared in the credit scroll. The payment was not good either, and that is what compelled me to quit after working with them for 11 years.
Do Goans still dominate the music scene in Mumbai like they did once before?
Now there are many educated musicians on the scene. They know how to write Indian music. They do it in a simple style. A lot of students are also studying counter point. There are many Goans but there are also many musicians from other states.
What have you to say about the lack of originality on the Goan music scenario?
Goans are talented; unfortunately something has gone wrong. Music is there in our blood. Goans will appreciate music more than the others do. The Goan school of music or Church schools where solfege was taught are no longer there. Music is neglected in schools. The entire system of education has changed.
Could you suggest steps to bring about improvement?
We have to teach music right from the primary level. Children must not learn by rote. Be it drama or church, they must be given a chance to perform in public. This is what I would advise them.
Could you tell us something about your own journey in the music industry?
I learnt in the Goan school of music. If not for it, I would not have been what I am. I learnt the violin from foreign teachers in Mumbai. I later taught brass bands in schools. Then I got a break in the Hindi film industry.
What was it like to work in the Bombay film industry?
To be frank, I did not enjoy it. It is not my kind of music. But you got to earn your bread.
Do you have plans of relocating to Goa?
Yes. Although, I am stationed in Mumbai, Chorao is my native place. I come every six months to Goa. On my visits, I do a lot of music with the church and the children from my village.

http://www.navhindtimes.in/ilive/bollywood-konkani-films-making-sweet-music

Wednesday, September 1, 2010

Tiatr Academy of Goa to conduct orientation courses

TAG to conduct orientation courses

Tiatr Academy of Goa (TAG) will organise Orientation Classes in Dramatics for artistes interested in Tiatr, its Song & Music. The orientation courses will be organised in different compartments of Tiatr such as Script Writing, Lyrics Composition, Direction, Acting, Stage Setting, Background Music, Light Effects, Make-up etc. Regular classes will be held twice a week preferably at the weekends or any other days suggested by the participants as per their convenience. Each session will be of 3 hours and it will be conducted by persons well versed in dramatics.

The training will be of preliminary nature. However, it will definitely help our tiatr artistes to improve the standard of tiatr. Some travelling allowance to meet the expenditure of transport will be given only after the full course is completed by the participant.

The interested persons may apply to TAG on or before 13th September 2010. The Prescribed Application form is available in the office of TAG during office hours.




Victor de Sa
Member Secretary
Tiatr Academy Goa

Friday, August 27, 2010

DVD REVIEW: DHARUNN VHODDIL (CRUEL FATHER)

DVD Review
DHARUNN VHODDIL (CRUEL FATHER)


Dharunn Vhoddil is the latest offering from FC Global Music. It is the DVD product of a tiatr filmed on VHS. This suspense tiatr is penned, directed and produced by the famous trio- Mendes Brothers comprising of Felix, Xavier and Derrick.
The DVD boasts of a star cast of C Alvares, Saby Coutinho, Antonette, Jessie Dias, Cajie, Titta Pretto, Alfred Rose, Rita Rose, Joe Rose, Betty Ferns, Mendes Brothers, William de Curtorim and Marcelino de Betim. Music is provided by Babush.

The story revolves around a family consisting of Nunes, his wife, three sons, a handicapped daughter, a daughter-in-law and a servant. Nunes is interested in amassing wealth. He is so obsessed with money that he breaks the oral promise given to his close friend Gordon Figueredo due to which the latter suffers severe loss. Gordon swears to avenge. Nunes on the other hand as a father is a terror and in his authoritarian style harasses his daughter in law for not bringing dowry. His cruelty reaches its climax when he kicks his pregnant daughter in law for robbing his money although the money is stolen by his own drunkard son. Nunes is murdered. The suspense as to who the murderer is well maintained as every one is confused regarding the suspect. It can be Gordon Figueredo or the married son or the drunkard son. The DVD is to be watched to know how the puzzle is solved. The use of Konkani proverbs in the tiatr adds glitter to the presentation.

Saby Coutinho acts the title role. Jessie Dias enacts the role of his wife. The three sons are performed by C Alvares, Felix and Xavier. Antonette is the daughter-in-law. Rita Rose acts as a handicapped daughter. Titta Pretto is in the role of a servant. Cajie a star of the yesteryears dons the role of Gordon Figueredo whereas his son Inspector Gerald is played by Joe Rose. Derrick is the constable Ninety Nine and Alfred Rose is the doctor. Betty Ferns is the comedienne.

The interlude in the tiatr comprises of popular songs rendered by Alfred Rose, Rita Rose, Joe Rose, Antonette, Mendes Brothers, Marcelino de Betim, Titta Pretto and William de Curtorim.

It is a treat to see the gathering of many old timers in this tiatr.

Isidore Dantas
isidordantas at yahoo.co.in

Computer Exhibition in Goa on 4th/5th of September 2010

Computer Exhibition in Goa on 4th/5th of September 2010.
All of you are invited for this Event!
Graffitisys and Goenche.com will be participating for it. Visit us and the other participants and find out about Latest Computer Technology and Solutions!
Check below Facebook group for more details.

Our Offerings on this Day :
- Free Antivirus Checkups of Laptops, Drives etc
- Special Offers on our product lines.
- Special Offers from other vendors
and much more!!!

http://www.facebook.com/event.php?eid=145580472138955&ref=mf


Ray
Best regards,
Goenche.COM mailto:info@goenche.com

Thursday, August 26, 2010

Konknni tiatrachi Akademi sthapli

Konknni tiatrachi Akademi sthapli

Gõykaranchi khup kallachi ievzonn Tiatr Akademi sthapunk asli ti xekim atam purai zali. Atam he Akademi udexim 117 vorsanchea tiatrachea vavrak mhotv vaddtolem ani tiatracho-i dorzo voir sortolo, oxi opekxa zalea. Konknni tiatranchim boroupam xudh ritin zaunchim mhonn amkam dista. Adle tiatrist apnnak somzota ani upkarta toxem tiatrachem boroup kortale. Tiatrachim sogllim boroupam - Romi vo devonagori zaum, promann ritin asunk he Akademichea vavurpeamni vavurchi goroz asa. Na tor bexttench nanvam purtench kam’ kelem ani aplem sadoilem mhonnlear Akademicho vavr nirfoll zaunk favona. Amcho fanki tiatrist Tomazinho Cardozo baban hacher chotrayen lokx diunchem. Osli Akademi ghoddun haddpachi tachich ievzonn oxem hanv somzotam. Tachea fuddariponna khal Akademicho vavr nettan fuddem vetolo, ani Gõycho tiatr unchlea dorjear pavtolo mhonn axa ballgitam.

Jeremias Furtado
Sangolda

[Archived article from www.v-ixtt.com]

Launch of my book Konknni Cholchitram

I would like to invite you for the launch of my book Konknni Cholchitram - history of all Konkani celluloid films produced so far on 21st September 2010 at 4 p.m. at Covention Hall,Hotel Mandovi,Panjim, Goa by Goa Sudharop organisation.
Please visit www.konkanifilmbook.com

I. Dantas

‘Kantaram Singing Competition’ to be organized by TAG

‘Kantaram Singing Competition’


Kantaram i.e. stage songs in Konkani are an integral part of Goan Song & Music. Kantaram are of various types such as Solos/Duets/Duos/Trios/Quartets/Quintets etc. Tiatr Academy of Goa (TAG) has observed that the present day composers and singers very often go for solo singing only and do not promote Duets/Duos/Trios/Quartets/Quintets etc.

In order to preserve and promote Duets/Duos/Trios/Quartets and Quintets in its true form as they were presented on the Tiatr stage in the past, TAG has organised a competition of singing of original Duets, Duos, Trios, Quartets and Quintets on Saturday, 18th September 2010 from 10 am onwards at the Conference Hall of Goa State Museum at Patto Plaza, Panjim.

Those interested in participating in this competition should note the following:-

1.The Duets/Duos/Trios/Quartets/Quintets to be sung in the competition should be newly composed for participating in the competition.
2.The lyrics of the Duets/Duos/Trios/Quartets or Quintets should be of interactive nature and every singer should be a different character in the presentation of the Duets/Duos/Trios/Quartets/Quintets
3.Care may also be taken to have original music for the Duets/Duos/ Trios/Quartets/Quintets.
4. The lyrics of the Duets/Duos/Trios/Quartets/Quintets should be submitted to TAG along with the prescribed Application Form duly filled on or before 9th September 2010 before 5 pm at the office of TAG.
5. The dates for writing music and for rehearsals will be communicated to the participants after verifying the lyrics of the Duets/Duos/Trios/Quartets/Quintets submitted by the composers/singers.
6. The cash prizes for singing the Duets/Duos/Trios/Quartets/Quintets will be as under:-
• Best Duet - Rs.2000
• Best Duo - Rs.2000
• Best Trio - Rs.3000
• Best Quartet/Quintet - Rs.4000 / Rs.5000
• Best Original Lyrics - Rs.2000
• Best Original Music - Rs.2000
7. Each participant will also be provided with Travelling allowance.
8. The performances will be judged by judges from the field of Song & Music on the following factors: - 1.Quality of Lyrics 2.Quality of Music 3.Voice Modulation
4.Facial Expressions 5.Acting.
9. There should be atleast 3 songs in each category for organising the competition.

The composers and singers of Duets/Duos/Trios/Quartets/Quintets are requested to participate in large numbers and help in preserving Duets/Duos/Trios/Quartets and Quintets in its true form. The Application Forms along with the rules and regulations of the competition are available at TAG’s office, Campal Trade Centre, Behind Military Hospital, Campal, Panjim, Goa during office hours.

Victor de Sa
Member Secretary

Wednesday, August 25, 2010

alexyz cartoons






A. J. De Almeida High School Ponda wins the 1st Prize

A. J. De Almeida High School Ponda wins the 1st Prize

“The values of Patriotism and National Integration must be inculcated in the students through our educational system which will help in producing good citizens to this country” said Shri. Pratapsingh Raoji Rane, Hon’ble Speaker of Goa Legislative Assembly, while addressing the students and teachers on the occasion of Inter School Competition of Dance on Konkani Songs of National Integration on 23rd August 2010 at Kala Academy, Panjim. The competition was organized by Kala Mogi Candolim in collaboration with Tiatr Academy of Goa and Dalgado Konknni Akademi.

Speaking further, Shri. Rane congratulated Kala Mogi Candolim for organizing an inter school activity which tends to promote national integration. Shri. Rane also complemented the talent of young students in staging a good performance of dance.

In all 19 schools participated in the competition and presented variety of dances on Konkani songs of National Integration. The 1st prize for best performance was bagged by A. J. De Almeida High School Ponda, the 2nd prize was won by St. Mary’s High School, Varca and the 3rd by Fatima Convent High School Margao. The first three winners were awarded with special trophies besides Rs. 5000/- Rs. 3000/- and Rs. 2000/- respectively. All the participants and teachers were given certificates of participation.

The competition was judged by well known personalities from the field of dance namely Dr. Sharmila Rao, Silvia Fernandes and Dr. Kshitija Barve.

While welcoming the guests Shri. Tomazinho Cardozo expressed the need to have more activities in all educational institutions which will help in creating love for the country among the students. Later Shri. Joy Fernandes, Treasurer of Kala Mogi thanked the participants and the guests.


Tomazinho Cardozo
President
Kala Mogi Candolim


Attached:- Photographs
(1) Dance by the students of A. J. De Almeida High School, Ponda
(2) Dance by the students of St. Mary’s High School, Varca
(3) Dance by the students of Fatima Convent High School, Margao.
(4) Shri. Pratapsingh Raoji Rane, Hon’ble Speaker of Goa Legislative Assembly addressing the students.
(5) Shri. Pratapsingh Raoji Rane presenting the trophy for the 1st award winning dance troupe.

Monday, August 23, 2010

BENECIO VITORINO PEREIRA-CHO PUSTOK UZVADDAVPACHO SUVALLO

BENECIO VITORINO PEREIRA-CHO PUSTOK UZVADDAVPACHO SUVALLO


Zominivele khell korpak nam'nna melloilo ani tiatr mollar vavurpi Xri
Bencio Vitorino Pereira hachem 'AXIRVAD' pustok 23 Agost 2010 disa tache
vadd'disache umedir uzvaddak haddlem. Hem pustok Goa Konkani Akademi-n (GKA)
Our Lady of Lourdes vosreant, Utorda-Majorda hanga uzvaddailam.

Tiatr Akademicho Goa (TAG)Odheokx Xri Tomazinho Cardoso hanchea hatantleanhem
pustok uzvaddak ailem. Tanche borabor Nam'nnechem kadomborikar Xri
Damodar Mauzo, GKA Odheokx Xri N. Shiovdas, GKA Vice President Xri Vincy
Quadros, Dalgado Konknni Akademi (DKA) Odheokx Xri Premanand Lotliker, borovpi Xri Benecio Vitorino Pereira, ani Xri Teotino Costa hajir asle.

Pustok uzvaddailea uprant Xri Vitorinacho Birthday cake kartolo ani
uprant sonvskrutik kariavoll zali.


Vincy Quadros,
Vice President
Goa Konkani Akademi (Govt. of Goa)
"Snows Krupa", Arlem, Raia, Salcete, Goa, India.
Mobile: +91 9822587498


[As forwarded to gaspar almeida, www.goa-world.com by Goa Konkani Akademi]
Photo by GKA.
23/08/2010

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A big e-welcome to you. Tumcam Maie-mogacho ieukar. Enjoy Life - This is not a rehearsal! Konkani uloi, boroi, vach ani samball - sodankal. Hich Goenchi osmitai ani amchem khalxelponn. Goenchi amchi Konkani bhas! Ekvottachem saddon Goenkaranchem. This is Gaspar Almeida from Parra, Bardez, Goa, based in Kuwait and am connected with the www.goa-world.com website created by Ulysses Menezes, and as Moderator of the famous first of its kind Gulf-Goans e-Newsletter (since 1994) and The Goan Forum and several Goan and Indian associations and forums and e-forums in Goa, India, Kuwait, The Middle East and worldwide.